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Von Uexküll, J. (1992). A stroll through the worlds of animals and men: A picture book of invisible worlds. Semiotica, 89(4), 319–391.  
Last edited by: sirfragalot 06 Dec 2019 18:32:00 Europe/Copenhagen
Kull, K. (2001). Jakob von Uexküll: An introduction. Semiotica, 134(1/4), 1–59.  
Last edited by: sirfragalot 02 Dec 2019 16:07:06 Europe/Copenhagen
Vuoskoski, J. K., Gatti, E., Spence, C., & Clarke, E. F. (2016). Do visual cues intensify the emotional responses evoked by musical performance? A psychophysiological investigation. Psychomusicology: Music, Mind, and Brain, 26(2), 179–188.  
Added by: sirfragalot 28 Oct 2019 10:12:51 Europe/Copenhagen
Adorno, T. W., & Horkheimer, M. (2005) The culture industry: Enlightenment as mass deception. . Retrieved August 28, 2019, https://www.marxists.or ... 44/culture-industry.htm  
Added by: sirfragalot 29 Aug 2019 15:09:06 Europe/Copenhagen
Clark, A., & Chalmers, D. (1998). The extended mind. Analysis, 58(1), 7–19.  
Last edited by: sirfragalot 25 Oct 2019 20:48:05 Europe/Copenhagen
Wesson, D. W., & Wilson, D. A. (2010). Smelling sounds: Olfactory–auditory sensory convergence in the olfactory tubercle. The Journal of Neuroscience, 30(8), 3013–3021.  
Last edited by: sirfragalot 28 Sep 2015 10:44:53 Europe/Copenhagen
Grimshaw-Aagaard, M. (2019). Sonic virtuality, environment, and presence. In J. Braga (Ed.), Conceiving Virtuality: From Art To Technology Switzerland: Springer Nature.  
Last edited by: sirfragalot 30 Jul 2019 12:44:56 Europe/Copenhagen
Walker, P. (2016). Cross-sensory correspondences: A theoretical framework and their relevance to music. Psychomusicology: Music, Mind, and Brain, 26(2), 103–116.  
Added by: sirfragalot 28 Oct 2019 10:19:26 Europe/Copenhagen
Abbate, C. (2004). Music: Drastic or gnostic? Critical Inquiry, 30(3), 505–536.  
Added by: sirfragalot 18 May 2016 12:03:01 Europe/Copenhagen
Garner, T., & Jordanous, A. 2016, June 27 Emergent perception and video games that listen: Applying sonic virtuality for creative and intelligent npc behaviours. Unpublished paper presented at The 2nd Computational Creativity and Games Workshop, Paris.  
Last edited by: sirfragalot 11 Jan 2018 17:08:19 Europe/Copenhagen
Zatorre, R. J., Belin, P., & Penhune, V. B. (2002). Structure and function of auditory cortex: Music and speech. Trends in Cognitive Science, 6(1), 37–46.  
Added by: sirfragalot 30 May 2016 10:36:35 Europe/Copenhagen
Unnikrishnan, C. S. (2005). On the gravitational deflection of light and particles. Current Science, 88(7), 1155–1159.  
Added by: sirfragalot 15 May 2016 10:03:10 Europe/Copenhagen
Wingstedt, J. (2005). Narrative music: Towards an understanding of musical narrative functions in multimedia. Unpublished Licentiatexamen thesis, Luleå University of Technology, Luleå.  
Added by: sirfragalot 22 Jun 2019 12:28:03 Europe/Copenhagen
Schulkin, J., & Raglan, G. B. (2014). The evolution of music and human social capability. Frontiers in Neuroscience, 8,  
Added by: sirfragalot 30 May 2016 10:41:53 Europe/Copenhagen
Pinch, T., & Bijsterveld, K. (2012). New keys to the world of science. In T. Pinch & K. Bijsterveld (Eds), The Oxford Handbook of Sound Studies (pp. 3–35). New York: Oxford University Press.  
Added by: sirfragalot 13 May 2016 14:17:18 Europe/Copenhagen
Dean, R. T., & Bailes, F. (2007). 'Human understanding' in imagining and organising sound: Some implications of John Locke's essay for ecological, cognitive and embodied approaches to composition. Organized Sound, 12(1), 89–95.  
Last edited by: sirfragalot 25 Dec 2014 11:01:45 Europe/Copenhagen
Heidegger, M. (1962). Being and time J. Macquarrie & E. Robinson, Trans. Oxford: Blackwell.  
Added by: sirfragalot 30 Nov 2019 12:04:54 Europe/Copenhagen
Nagel, T. The absurd. The Journal of Philosophy, 68(20), 716–727.  
Added by: sirfragalot 13 Jan 2015 10:59:38 Europe/Copenhagen
Hammershøi, D. September 2 The ANSI definition of sound. [Email]  
Last edited by: sirfragalot 07 Dec 2015 08:11:33 Europe/Copenhagen
Grimshaw, M., Tan, S.-L., & Lipscomb, S. D. (2013). Playing with sound: The role of music and sound effects in gaming. In A. Cohen, S.-L. Tan, R. Kendall & S. D. Lipscomb (Eds), Psychology of Music in Multimedia (pp. 289–314). New York: Oxford University Press.  
Last edited by: sirfragalot 25 Oct 2015 08:13:13 Europe/Copenhagen
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wikindx 5.8.2 ©2019 | Total resources: 1015 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA) | Database queries: 25 | DB execution: 0.12520 secs | Script execution: 0.21221 secs