Sound Research WIKINDX

List Resources

Displaying 1 - 972 of 972
Parameters
List all
Order by:

Ascending
Descending
Use all checked: 
Use all displayed: 
Use all in list: 
Abbate, C. (2004). Music: Drastic or gnostic? Critical Inquiry, 30(3), 505–536.  
18 May 2016 12:03:01 Europe/Copenhagen Pop. 41%
Hendrix, C., & Barfield, W. (1996). The sense of presence within auditory virtual environments. Presence: Teleoperators and Virtual Environments, 5(3), 290–301.  
14 Feb 2018 11:24:13 Europe/Copenhagen Pop. 44%
Heeter, C. (2016). A meditation on meditation and embodied presence. Presence: Teleoperators and Virtual Environments, 25(2), 175–183.  
07 Apr 2018 18:26:46 Europe/Copenhagen Pop. 97%
Hsu, T., Ryherd, E., Persson Waye, K., & Ackerman, J. (2012). Noise pollution in hospitals: impact on patients. Journal of Clinical Outcomes Management, 19(7), 301–309.  
15 Mar 2018 11:07:36 Europe/Copenhagen Pop. 0%
Garner, T., & Jordanous, A. 2016, June 27 Emergent perception and video games that listen: Applying sonic virtuality for creative and intelligent npc behaviours. Unpublished paper presented at The 2nd Computational Creativity and Games Workshop, Paris.  
11 Jan 2018 17:08:19 Europe/Copenhagen Pop. 35%
Rise in hospital noise poses problems for patients and staff. (2005) Science Daily, June 3, 2018, https://www.sciencedail ... 005/11/051121101949.htm  
03 Jun 2018 10:16:59 Europe/Copenhagen Pop. 0%
Zatorre, R. J., Belin, P., & Penhune, V. B. (2002). Structure and function of auditory cortex: Music and speech. Trends in Cognitive Science, 6(1), 37–46.  
30 May 2016 10:36:35 Europe/Copenhagen Pop. 27%
Schulkin, J., & Raglan, G. B. (2014). The evolution of music and human social capability. Frontiers in Neuroscience, 8,  
30 May 2016 10:41:53 Europe/Copenhagen Pop. 26%
Wesson, D. W., & Wilson, D. A. (2010). Smelling sounds: Olfactory–auditory sensory convergence in the olfactory tubercle. The Journal of Neuroscience, 30(8), 3013–3021.  
28 Sep 2015 10:44:53 Europe/Copenhagen Pop. 38%
Guidelines for community noise. (1999). World Health Organization.  
26 Mar 2018 09:37:47 Europe/Copenhagen Pop. 73%
Miani, A. (2016). The impact of sex and menstrual cycle on rhythmic synchronization: An experimental approach. Unpublished Masters Thesis, Århus Universitet, Denmark.  
13 Mar 2017 19:46:24 Europe/Copenhagen Pop. 32%
Gilbert, S. B. (2016). Perceived realism of virtual environments depends on authenticity. Presence: Teleoperators and Virtual Environments, 25(4), 322–324.  
27 Mar 2018 16:10:56 Europe/Copenhagen Pop. 46%
Flach, J. M., & Holden, J. G. (1998). The reality of experience: Gibson's way. Presence: Teleoperators and Virtual Environments, 7(1), 90–95.  
14 Feb 2018 12:08:18 Europe/Copenhagen Pop. 42%
Sterne, J. (2012). Sonic imaginations. In J. Sterne (Ed.), The Sound Studies Reader (pp. 1–17). London: Routledge.  
13 May 2016 14:30:26 Europe/Copenhagen Pop. 0%
Pinch, T., & Bijsterveld, K. (2012). New keys to the world of science. In T. Pinch & K. Bijsterveld (Eds), The Oxford Handbook of Sound Studies (pp. 3–35). New York: Oxford University Press.  
13 May 2016 14:17:18 Europe/Copenhagen Pop. 0%
Zahorik, P., & Jenison, R. L. (1998). Presence as being-in-the-world. Presence: Teleoperators and Virtual Environments, 7(1), 78–89.  
14 Feb 2018 12:04:24 Europe/Copenhagen Pop. 41%
Slater, M., & Wilbur, S. (1997). A framework for immersive virtual environments (FIVE): Speculations on the role of presence in virtual environments. Presence: Teleoperators and Virtual Environments, 6(6), 603–616.  
14 Feb 2018 11:59:05 Europe/Copenhagen Pop. 61%
Choiniere, D. B. (2010). The effects of hospital noise. Nursing Administration Quarterly, 34(4), 327–333.  
25 Mar 2018 09:40:57 Europe/Copenhagen Pop. 0%
Unnikrishnan, C. S. (2005). On the gravitational deflection of light and particles. Current Science, 88(7), 1155–1159.  
15 May 2016 10:03:10 Europe/Copenhagen Pop. 23%
Konkani, A., & Oakley, B. (2012). Noise in hospital intensive care units: A critical review of a critical topic. Journal of Critical Care, 27(5), 522 e1–522 e9.  
14 Mar 2018 12:39:23 Europe/Copenhagen Pop. 97%
Johansson, L., Knutsson, S., Bergbom, I., & Lindahl, B. (2016). Noise in the icu patient room: Staff knowledge and clinical improvements. Intensive and Critical Care Nursing, 35, 1–9.  
13 Mar 2018 10:21:22 Europe/Copenhagen Pop. 46%
Farrehi, P. M., Nallamothu, B. K., & Navvab, M. (2016). Reducing hospital noise with sound acoustic panels and diffusion: A controlled study. BMJ Quality & Safety, 25(8), 644–646.  
13 Mar 2018 10:13:33 Europe/Copenhagen Pop. 46%
Grimshaw-Aagaard, M. N. (2019). Presence and biofeedback in first-person perspective computer games: The potential of sound. In M. Filimowicz (Ed.), Foundations in Sound Design for Interactive Media New York: Routledge.  
14 Feb 2018 11:18:33 Europe/Copenhagen Pop. 0%
Grimshaw, M. 2018, Sonic virtuality, environment, and presence. Paper presented at Conference on the Virtual.  
14 Feb 2018 11:27:29 Europe/Copenhagen Pop. 0%
Freud, S. (1919). The "uncanny". Imago, V,  
06 May 2016 06:37:14 Europe/Copenhagen Pop. 24%
Xie, H., Kang, J., & Mills, G. H. (2009). Clinical review: The impact of noise on patients' sleep and the effectiveness of noise reduction strategies in intensive care units. Critical Care, 13(208).  
11 Mar 2018 21:42:51 Europe/Copenhagen Pop. 45%
Eggertson, L. (2012) Hospital noise. Canadian Nurse, March 26, 2018, https://canadian-nurse. ... ril-2012/hospital-noise  
26 Mar 2018 09:20:59 Europe/Copenhagen Pop. 0%
Wang, Q. J., Wang, S., & Spence, C. (2016). "Turn up the taste": Assessing the role of taste intensity and emotion in mediating crossmodal correspondences between basic tastes and pitch. Chemical Senses, 41, 345–356.  
06 May 2016 06:35:39 Europe/Copenhagen Pop. 26%
Sounding out! (n.d.). February 5, 2016, http://soundstudiesblog ... mental-sound-practices/  
05 Feb 2016 11:09:07 Europe/Copenhagen Pop. 0%
Johansson, L., Bergbom, I., Persson Waye, K., Ryherd, E., & Lindahl, B. (2012). The sound environment in an icu patient room: A content analysis of sound levels and patient experiences. Intensive and Critical Care Nursing, 28(5), 269–279.  
13 Mar 2018 10:25:29 Europe/Copenhagen Pop. 45%
Bull, M., & Back, L. (Eds). (2003). The auditory culture reader. Oxford: Berg.  
14 May 2016 11:14:31 Europe/Copenhagen Pop. 0%
Gilkey, R. H., & Weisenberger, J. M. (1995). The sense of presence for the suddenly deafened adult: Implications for virtual environments. Presence: Teleoperators and Virtual Environments, 4(4), 357–363.  
28 Feb 2018 09:47:34 Europe/Copenhagen Pop. 42%
Ferris, T. K., & Sarter, N. B. (2008). Cross-modal links among vision, audition, and touch in complex environments. Human Factors, 50(1), 17–26.  
27 Mar 2017 12:54:17 Europe/Copenhagen Pop. 23%
Ryherd, E., Ocku, S., Ackerman, J., Zimring, C., & Persson Waye, K. (2012). Noise pollution in hospitals: Impacts on staff. Journal of Clinical Outcomes Management, 19(11), 491–500.  
11 Mar 2018 21:42:32 Europe/Copenhagen Pop. 69%
Barfield, W., & Danas, E. (1996). Comments on the use of olfactory displays for virtual environments. Presence: Teleoperators and Virtual Environments, 5(1), 109–121.  
27 Mar 2018 11:47:07 Europe/Copenhagen Pop. 63%
Nagel, T. The absurd. The Journal of Philosophy, 68(20), 716–727.  
13 Jan 2015 10:59:38 Europe/Copenhagen Pop. 19%
Darbyshire, J. L. (2016) Excessive noise in intensive care units. British Medical Journal, March 26, 2018, http://www.bmj.com/content/353/bmj.i1956  
26 Mar 2018 09:26:51 Europe/Copenhagen Pop. 0%
Brown, L. A. (2016) This is what the hospital of the future sounds like. March 26, 2018, https://qz.com/769487/hospital-noise-and-health/  
26 Mar 2018 09:19:09 Europe/Copenhagen Pop. 0%
Andrade, K. P., de Oliveira, L. L. A., de Paiva Souza, R., & de Matos, I. M. (2016). Noise level measurement and its effects on hospital employees based on complaint reports. Speech, Language, Hearing Sciences, and Education, 18(6), 1379–1388.  
26 Mar 2018 09:34:02 Europe/Copenhagen Pop. 0%
Ntalampiras, S. (2017). A transfer learning framework for predicting the emotional content of generalized sound events. Journal of the Acoustical Society of America, 141(3).  
16 Mar 2017 11:59:37 Europe/Copenhagen Pop. 0%
White, B. L., & Zomorodi, M. (2017). Perceived and actual noise levels in critical care units. Intensive and Critical Care Nursing, 38, 18–23.  
13 Mar 2018 10:30:09 Europe/Copenhagen Pop. 19%
Hammershøi, D. September 2 The ANSI definition of sound. [Email]  
07 Dec 2015 08:11:33 Europe/Copenhagen Pop. 28%
Benyon, D., Smyth, M., O'Neill, S., McCall, R., & Carroll, F. (2006). The place probe: Exploring a sense of place in real and virtual environments. Presence: Teleoperators and Virtual Environments, 15(6), 668–687.  
09 Mar 2018 10:18:00 Europe/Copenhagen Pop. 43%
Schloerb, D. W. (1995). A quantitative measure of telepresence. Presence: Teleoperators and Virtual Environments, 4(1), 64–80.  
28 Feb 2018 09:34:55 Europe/Copenhagen Pop. 41%
Grimshaw-Aagaard, M., Walther-Hansen, M., & Knakkergaard, M. (Eds). (2018). The Oxford handbook of sound and imagination Vol. 1 & 2. New York: Oxford University Press.  
26 Dec 2017 15:24:12 Europe/Copenhagen Pop. 0%
Fontaine, G. (1992). The experience of a sense of presence in intercultural and international encounters. Presence: Teleoperators and Virtual Environments, 1(4), 482–490.  
28 Feb 2018 09:32:13 Europe/Copenhagen Pop. 41%
Grimshaw-Aagaard, M. (2018). What is sound (studies)? In M. Bull (Ed.), The Sound Studies Companion New York: Routledge.  
27 Dec 2017 10:20:07 Europe/Copenhagen Pop. 19%
Grimshaw, M., & Garner, T. A. (2015). Sonic virtuality: Sound as emergent perception. New York: Oxford University Press.  
31 May 2015 15:30:16 Europe/Copenhagen Pop. 0%
Clark, A. (2013). Expecting the world: Perception, prediction, and the origins of human knowledge. Journal of Philosophy, CX(9), 469–496.  
28 Nov 2015 11:28:06 Europe/Copenhagen Pop. 34%
Revill, G. (2016). How is space made in sound? Spatial mediation, critical phenomenology and the political agency of sound. Progress in Human Geography, 40(2), 240–256.  
07 Jan 2017 16:12:24 Europe/Copenhagen Pop. 23%
Lloyd, D. M., Merat, N., McGlone, F., & Spence, C. (2003). Crossmodal links between audition and touch in covert endogenous spatial attention. Perception & Psychophysics, 65(6), 901–924.  
27 Mar 2017 12:55:25 Europe/Copenhagen Pop. 18%
Sheridan, T. B. (1996). Further musings on the psychophysics of presence. Presence: Teleoperators and Virtual Environments, 5(2), 241–246.  
28 Feb 2018 09:42:07 Europe/Copenhagen Pop. 41%
Grimshaw-Aagaard, M. (2018). The necessity of vagueness and ambiguity to the imagining of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds), The Oxford Handbook of Sound and Imagination New York: Oxford University Press.  
26 Dec 2017 15:27:59 Europe/Copenhagen Pop. 35%
Grimshaw, M., & Walther-Hansen, M. 2015, October 7—9 The sound of the smell of my shoes. Paper presented at The 10th Audio Mostly Conference.  
04 Nov 2015 11:46:33 Europe/Copenhagen Pop. 23%
Erlmann, V. (Ed.). (2004). Hearing cultures: Essays on sound, listening and modernity. Oxford: Berg.  
13 May 2016 13:02:48 Europe/Copenhagen Pop. 0%
Dean, R. T., & Bailes, F. (2007). 'Human understanding' in imagining and organising sound: Some implications of John Locke's essay for ecological, cognitive and embodied approaches to composition. Organized Sound, 12(1), 89–95.  
25 Dec 2014 11:01:45 Europe/Copenhagen Pop. 22%
Grimshaw, M. (2016). Computer game sound: From diegesis to immersion to sonic emotioneering. In J. G. Papenburg & H. Schulze (Eds), Sound as Popular Culture: A Research Companion Cambridge, Massachusetts: MIT Press.  
12 Oct 2015 08:05:51 Europe/Copenhagen Pop. 0%
Clarke, S. 2011, November 2—4 Acoustic design approach for hospitals. Paper presented at Acoustics.  
11 Mar 2018 21:41:59 Europe/Copenhagen Pop. 18%
Mestre, D. R.2005. Immersion and presence. France: Movement & Perception, CNRS & University of the Mediterranean. [Article]  
29 Jan 2018 15:29:22 Europe/Copenhagen Pop. 18%
Grimshaw, M., Tan, S.-L., & Lipscomb, S. D. (2013). Playing with sound: The role of music and sound effects in gaming. In A. Cohen, S.-L. Tan, R. Kendall & S. D. Lipscomb (Eds), Psychology of Music in Multimedia (pp. 289–314). New York: Oxford University Press.  
25 Oct 2015 08:13:13 Europe/Copenhagen Pop. 35%
Vallee, M. (2017). The science of listening in bioacoustics research: Sensing the animals' sounds. Theory Culture & Society, 1–19.  
02 Oct 2017 23:07:59 Europe/Copenhagen Pop. 44%
Nightingale, F. (2005). Notes on nursing: What it is, and what it is not. New York: D. Appleton and Company.  
26 Mar 2018 09:15:46 Europe/Copenhagen Pop. 0%
Braund, E., & Miranda, E. 2015, April 8—10 Music with unconventional computing: Towards a step sequencer from plasmodium of physarum polycephalum. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
11 Apr 2015 14:18:27 Europe/Copenhagen Pop. 19%
Ginsberg, S. H., Pantin, E., Kraidin, J., Solina, A., Panjwani, S., & Yang, G. (2013). Noise levels in modern operating rooms during surgery. Journal of Cardiothoracic and Vascular Anesthesia, 27(3), 528–530.  
07 Apr 2018 14:35:10 Europe/Copenhagen Pop. 0%
Riddoch, M. 2012, September 9—14 On the non-cochlearity of the sounds themselves. Paper presented at International Computer Music Conference.  
04 May 2014 13:00:49 Europe/Copenhagen Pop. 37%
Grimshaw, M. (2015). A brief argument for, and summary of, the concept of sonic virtuality. Danish Musicology Online - Special Issue on Sound and Music Production, 81–98.  
24 Dec 2015 11:16:06 Europe/Copenhagen Pop. 17%
Walther-Hansen, M., & Grimshaw, M. 2016, October 2—4 Being in a virtual world: Presence, environment, salience, sound. Paper presented at Audio Mostly 2016.  
08 Nov 2016 09:33:09 Europe/Copenhagen Pop. 34%
Slater, M. (2002). Presence and the sixth sense. Presence: Teleoperators and Virtual Environments, 11(4), 435–439.  
01 Mar 2018 12:40:57 Europe/Copenhagen Pop. 39%
Grimshaw, M. (2016). The privatization of sound space. In V. Meelberg, M. Cobussen & B. Truax (Eds), The Routledge Companion to Sounding Art (pp. 463–472). London: Routledge.  
26 Dec 2017 15:00:17 Europe/Copenhagen Pop. 0%
J. Fagerlönn & S. Larsson (Eds.) Proceedings of the 10th audio mostly: A conference on interaction with sound. 2016. October 4—6 2016978-1-4503-4822-5.  
07 Oct 2016 05:34:51 Europe/Copenhagen Pop. 0%
Cater, J. P. 1994, October 2 Smell/taste: Odors in reality. Paper presented at Proceedings of IEEE International Conference on Systems, Man and Cybernetics.  
27 Mar 2018 11:42:23 Europe/Copenhagen Pop. 0%
Slater, M. (2003). A note on presence terminology. Presence Connect, 3(3).  
27 Nov 2015 18:33:29 Europe/Copenhagen Pop. 36%
Deuel, T. A., Pampin, J., Sundstrom, J., & Darvas, F. (2017). The Encephalophone: A novel musical biofeedback device using conscious control of electroencephalogram (EEG). Frontiers in Human Neuroscience, 11,  
11 Jan 2018 13:28:50 Europe/Copenhagen Pop. 64%
Knakkergaard, M. (2016). Unsound sound: On the ontology of sound in the digital age. Leonardo Music Journal, 26, 64–67.  
01 Nov 2017 07:44:00 Europe/Copenhagen Pop. 0%
Garner, T. A. (2016). From sinewaves to physiologically-adaptive soundscapes: The evolving relationship between sound and emotion in video games. In K. Karpouzis & G. N. Yannakakis (Eds), Emotion in Games Vol. 4, (pp. 197–214). Berlin: Springer.  
08 Nov 2016 09:37:37 Europe/Copenhagen Pop. 30%
Grimshaw-Aagaard, M. (2018). Presence, environment, and sound and the role of imagination. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds), The Oxford Handbook of Sound and Imagination New York: Oxford University Press.  
26 Dec 2017 15:23:43 Europe/Copenhagen Pop. 16%
Sasamoto, R., & Jackson, R. (2015). Onomatopoeia – showing-word or saying-word? Relevance theory, lexis, and the communication of impressions. Lingua,  
11 Mar 2016 09:18:02 Europe/Copenhagen Pop. 16%
Vialatte, F. B., Dauwels, J., Musha, T., & Cichocki, A. (2012). Audio representations of multi-channel EEG: A new tool for diagnosis of brain disorders. American Journal of Neurodegenerative Disease, 1(3), 292–304.  
11 Jan 2018 13:12:32 Europe/Copenhagen Pop. 16%
Brennan, A. (2003). Necessary and sufficient conditions. Stanford Encyclopedia of Philosophy. October 3, 2017, https://plato.stanford. ... s/necessary-sufficient/.  
08 Oct 2017 11:35:42 Europe/Copenhagen Pop. 0%
Way, T. J., Long, A., Weihing, J., Ritchie, R., Jones, R., Bush, M., & Shinn, J. B. (2013). Effect of noise on auditory processing in the operating room. Journal of the American College of Surgeons, 216(5), 933–938.  
10 Apr 2018 14:02:17 Europe/Copenhagen Pop. 0%
Barfield, W. (2016). Musings on Presence twenty-five years after "Being There". Presence: Teleoperators and Virtual Environments, 25(2), 148–150.  
09 Mar 2018 13:25:05 Europe/Copenhagen Pop. 16%
Boevé, J.-L., & Giot, R. 2014, June 22—25 Volatiles that sound bad: Sonification of defensive chemical signals from insects against insects. Paper presented at The 20th International Conference on Auditory Display.  
09 Mar 2015 12:59:20 Europe/Copenhagen Pop. 25%
Wordsworth, W. 1828. On the power of sound. [Poem].  
19 Jan 2016 12:34:05 Europe/Copenhagen Pop. 0%
Williams, D., Mears, J., Kirke, A., Miranda, E., Daly, I., & Malik, A., et al. (2016). A perceptual and affective evaluation of an affectively-driven engine for video game soundtracking. ACM Computers in Entertainment, 14(3).  
20 Feb 2017 09:18:17 Europe/Copenhagen Pop. 16%
von Hornbostel, E. (1938). The unity of the senses (E. Koffka & W. Vinton, Trans.). In W. D. Ellis (Ed.), A Source Book of Gestalt Psychology (pp. 210–216). New York: Harcourt-Brace.  
27 Mar 2017 13:16:40 Europe/Copenhagen Pop. 16%
Sounds of space. (2014). Retrieved December 12, 2014, from http://sonicstudies.org/current  
12 Dec 2014 09:57:36 Europe/Copenhagen Pop. 0%
Hermann, T., Meinicke, P., Bekel, H., Ritter, H., Müller, H. M., & Weiss, S. 2002, July 2—5 Sonifications for EEG data analysis. Paper presented at The 2002 International Conference on Auditory Display.  
11 Jan 2018 13:20:53 Europe/Copenhagen Pop. 16%
Escalante, J. M. 2015, April 8—10 The sound digestive system: A strategy for music and sound composition. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
09 Apr 2015 09:59:34 Europe/Copenhagen Pop. 20%
Grimshaw, M. (2017). Presence through sound. In C. Wøllner (Ed.), Body, Sound and Space in Music and Beyond: Multimodal Explorations (pp. 279–298). London: Routledge.  
26 Dec 2017 14:53:28 Europe/Copenhagen Pop. 30%
Gettier, E. (1963). Is justified true belief knowledge? Analysis, 23(6), 121–123.  
07 Jan 2017 12:24:10 Europe/Copenhagen Pop. 16%
Topf, M., & Dillon, E. (1988). Noise-induced stress as a predictor of burnout in critical care nurses. Heart & Lung: The Journal of Acute and Critical Care, 17(5), 567–574.  
25 Mar 2018 09:46:49 Europe/Copenhagen Pop. 0%
Kaur, H., Rohlik, G., Nemergut, M., & Tripathi, S. (2016). Comparison of staff and family perceptions of causes of noise pollution in the pediatric Intensive Care Unit and suggested intervention strategies. Noise & Health, 18(81), 78–84.  
26 Mar 2018 08:58:25 Europe/Copenhagen Pop. 0%
Gallese, V. (2016). The multimodal nature of visual perception: Facts and speculations. Gestalt Theory, 38(2/3), 127–140.  
09 Dec 2016 11:29:57 Europe/Copenhagen Pop. 15%
Falconer, L., & Green, J. (2015). Exploring the learning potential of acoustic design in 3D virtual environments. Literacy Information and Computer Education Journal, 6(1), 1267–1273.  
22 Mar 2015 20:15:49 Europe/Copenhagen Pop. 15%
Scirea, M., Togelius, J., & Nelson, M. 2015, April 8—10 Moody music generator: Characterising control parameters using crowdsourcing. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
09 Apr 2015 10:10:55 Europe/Copenhagen Pop. 15%
Spence, C. (2010) Crossmodal attention. Scholarpedia, 5(5) May 10, 2016, http://www.scholarpedia ... le/Crossmodal_attention  
10 May 2016 07:35:32 Europe/Copenhagen Pop. 0%
The sound ambiguity. April 24—25 2014.  
24 Nov 2014 14:35:10 Europe/Copenhagen Pop. 17%
Ewing, K. C., Fairclough, S. H., & Gilleade, K. (2016). Valuation of an adaptive game that uses EEG measures validated during the design process as inputs to a biocybernetic loop. Frontiers in Human Neuroscience, 10,  
11 Jan 2018 17:01:05 Europe/Copenhagen Pop. 15%
Reybrouck, M. (2001). Musical imagery between sensory processing and ideomotor simulation. In R. I. Godøy & H. Jörgensen (Eds), Musical Imagery (pp. 117–136). Lisse: Swets & Zeitlinger.  
09 Aug 2017 08:24:00 Europe/Copenhagen Pop. 72%
Minsky, M. (1980). Telepresence. Omni, 45–51.  
13 Apr 2017 11:03:18 Europe/Copenhagen Pop. 0%
Karon, A. (2015) Noisy OR linked to communication gaps, surgical site infections. ACS Surgery News, April 7, 2018, https://www.mdedge.com/ ... tion-gaps-surgical-site  
10 Apr 2018 14:17:32 Europe/Copenhagen Pop. 0%
Slater, M. (2009). Place illusion and plausibility can lead to realistic behaviour in immersive virtual environments. Philosophical Transactions of the Royal Society B, 3549–3557.  
04 Apr 2016 10:37:15 Europe/Copenhagen Pop. 25%
Shakespeare, W. 1610-1611. The tempest. [Drama].  
18 Jan 2016 16:52:52 Europe/Copenhagen Pop. 0%
Sas, C., & O'Hare, G. M. P. (2003). Presence equation: An investigation into cognitive factors underlying presence. Presence: Teleoperators and Virtual Environments, 12(5), 523–537.  
01 Mar 2018 12:59:42 Europe/Copenhagen Pop. 15%
Keeler, J. R., Roth, E. A., Neuser, B. L., Spitsbergen, J. M., Waters, D. J. M., & Vianney, J.-M. (2015). The neurochemistry and social flow of singing: Bonding and oxytocin. Frontiers in Human Neuroscience, 9(518).  
31 Jan 2017 07:47:32 Europe/Copenhagen Pop. 20%
Hoover, A. K., Cachia, W., Lapias, A., & Yannanakis, G. N. 2015, April 8—10 AudioInSpace: Exploring the creative fusion of generative audio, visualsand gameplay. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
09 Apr 2015 09:53:21 Europe/Copenhagen Pop. 15%
Slater, M. (1999). Measuring presence: A response to the Witmer and Singer presence questionnaire. Presence: Teleoperators and Virtual Environments, 8(5), 560–565.  
22 Mar 2017 09:47:43 Europe/Copenhagen Pop. 20%
Bowker, G. C., & Star, S. L. (2000). Sorting things out: Classification and its consequences. Cambridge, Massachusetts: MIT Press.  
02 May 2018 17:16:20 Europe/Copenhagen Pop. 0%
Witmer, B. G., & Singer, M. J. (1998). Measuring presence in virtual environments: A presence questionnaire. Presence: Teleoperators and Virtual Environments, 7(3), 225–240.  
22 Feb 2018 10:20:25 Europe/Copenhagen Pop. 15%
Sennett, A. (2016). Ambiguity. Stanford Encyclopedia of Philosophy. October 3, 2017, https://plato.stanford.edu/entries/ambiguity/.  
03 Oct 2017 13:53:37 Europe/Copenhagen Pop. 0%
Lee, K. M. (2004). Presence explicated. Communication Theory, 14(1), 27–50.  
23 Feb 2017 13:41:25 Europe/Copenhagen Pop. 20%
Sheridan, T. B. (2016). Recollections on Presence beginnings, and some challenges for augmented and virtual reality. Presence: Teleoperators and Virtual Environments, 25(1).  
09 Mar 2018 13:22:34 Europe/Copenhagen Pop. 15%
Knakkergaard, M. (2016). Music by numbers. In S. H. Klempe (Ed.), Cultural Psychology of Musical Experience (pp. 299–318). Charlotte NC. Information Age Publishing Inc.  
01 Oct 2017 13:00:22 Europe/Copenhagen Pop. 0%
Regenbrecht, H., & Schubert, T. (2002). Real and illusory interactions enhance presence in virtual environments. Presence: Teleoperators and Virtual Environments, 11(4), 425–434.  
01 Mar 2018 12:44:26 Europe/Copenhagen Pop. 14%
Klimmt, C., & Vorderer, P. (2003). Media psychology "is not yet there": Introducing theories on media entertainment to the presence debate. Presence: Teleoperators and Virtual Environments, 12(4), 346–359.  
01 Mar 2018 12:55:16 Europe/Copenhagen Pop. 14%
Heimerdinger, J. 2011, Music and sound in the horror film & why some modern and avant-garde music lends itself to it so well. Unpublished paper presented at Filmmusiktage.  
01 Aug 2015 19:39:52 Europe/Copenhagen Pop. 17%
Cunningham, S. 2016, October 4—6 The sound of the smell (and taste) of my shoes too: Mapping the senses using emotion as a medium. Paper presented at Audio Mostly 2016, New York.  
08 Nov 2016 09:32:27 Europe/Copenhagen Pop. 14%
Southworth, M. (1969). The sonic environment of cities. Environment and Behavior, 1(1), 49–70.  
26 Aug 2017 15:37:02 Europe/Copenhagen Pop. 32%
Shakespeare, W. 1606. King Lear. [Drama].  
23 Dec 2015 10:41:32 Europe/Copenhagen Pop. 0%
Rayleigh, Lord. (1877). The theory of sound Vol. 1. London: Macmillan and Co.  
10 Aug 2017 08:29:03 Europe/Copenhagen Pop. 30%
van Elferen, I. (2011). ¡un forastero! Issues of virtuality and diegesis in videogame music. Music and the Moving Image, 4(2), 30–39.  
10 Jul 2012 11:28:50 Europe/Copenhagen Pop. 15%
Woods, A. T., Poliakoff, E., Lloyd, D. M., Kuenzel, J., Hodson, R., & Gonda, H., et al. (2011). Effect of background noise on food perception. Food quality and preference, 22(1), 42–47.  
04 May 2016 07:23:32 Europe/Copenhagen Pop. 17%
Patrick, E., Cosgrove, D., Slavkovie, A., Rode, J. A., Verratti, T., & Chiselko, G. 2000, April 1—6 Using a large projection screen as an alternative to head-mounted displays for virtual environments. Paper presented at Proceedings of the SIGCHI conference on Human Factors in Computing Systems.  
08 May 2016 11:33:51 Europe/Copenhagen Pop. 14%
Nilsson, N. C., Nordahl, R., & Serafin, S. (2016). Immersion revisited: A review of existing definitions of immersion and their relation to different theories of presence. Human Technology, 12(2), 108–134.  
22 Feb 2018 15:38:58 Europe/Copenhagen Pop. 14%
Kuzmich, G. A., Phillips, M., & Rojas, L. (2001). Noise levels in the operating room. Unpublished Masters Thesis, Department of Defense, USA.  
07 Apr 2018 14:14:03 Europe/Copenhagen Pop. 0%
Fried, M. (1980). Absorption and theatricality: Painting and beholder in the age of Diderot. Berkeley: University of California Press.  
14 Mar 2016 15:37:34 Europe/Copenhagen Pop. 0%
Pinch, T., & Bijsterveld, K. (2004). Sound studies: New technologies and music. Social Studies of Science, 34(5), 635–648.  
13 May 2016 11:04:33 Europe/Copenhagen Pop. 17%
Crisinel, A.-S., & Spence, C. (2010). A sweet sound: Food names reveal implicit associations between taste and pitch. Perception, 39(3), 417–425.  
04 May 2016 07:27:56 Europe/Copenhagen Pop. 17%
de Lacerda Costa, G., de Lacerda, A. B. M., & Marques, J. (2013). Noise on the hospital setting: Impact on nursing professionals' health. Speech, Language, Hearing Sciences, and Education, 15(3), 642–652.  
25 Mar 2018 09:32:19 Europe/Copenhagen Pop. 0%
Chen, C.-Y. (1996). Early Chinese work in natural science: A re-examination of the physics of motion, acoustics, astronomy and scientific thoughts. Hong Kong: Hong Kong University Press.  
03 Feb 2016 16:34:14 Europe/Copenhagen Pop. 0%
Bohn, D. A. (1988). Environmental effects on the speed of sound. Journal of the Audio Engineering Society, 36(4).  
27 Oct 2017 12:51:40 Europe/Copenhagen Pop. 24%
Waterworth, J. A., & Waterworth, E. L. (2003). Being and time: Judged presence and duration as a function of media form. Presence: Teleoperators and Virtual Environments, 12(5), 495–511.  
01 Mar 2018 13:02:14 Europe/Copenhagen Pop. 14%
Marsh, T. (2003). Presence as experience: Film informing ways of staying there. Presence: Teleoperators and Virtual Environments, 12(5), 538–549.  
01 Mar 2018 13:55:16 Europe/Copenhagen Pop. 14%
The audio catheter. (1974). The New England Journal of Medicine, 290, 808–808.  
07 Oct 2016 08:15:20 Europe/Copenhagen Pop. 0%
Andersen, A. This is how the fantastical sound of Game Of Thrones is made. August 13, 2014, http://www.asoundeffect ... und-of-game-of-thrones/  
13 Aug 2014 12:46:00 Europe/Copenhagen Pop. 0%
van Eijk, R. L. J. (2008). Audio-visual synchrony perception. Unpublished Proefschrift Thesis, Technische Universiteit Eindhoven, Eindhoven.  
19 Sep 2016 21:11:18 Europe/Copenhagen Pop. 13%
Başdoğan, Ç., & Loftin, R. B. (2009). Multimodal display systems: Haptic, olfactory, gustatory, and vestibular. In D. Nicholson, D. Schmorrow & J. Cohn (Eds), The PSI handbook of virtual environments for training and education: VE components and training technologies Vol. 2, (pp. 116–134). Westport, CONN: Praeger Security International.  
24 Mar 2015 14:11:21 Europe/Copenhagen Pop. 18%
Miller, M., Van Wyk, K., & Murphy, K. (2014). A review of hospital noise studies. Journal of the Acoustical Society of America, 135(2402).  
11 Mar 2018 21:43:06 Europe/Copenhagen Pop. 0%
Kwon, W.-A., Kim, S. H., Kim, S., Joung, J. Y., Chung, J., & Lee, K. H., et al. (2015). Changes in urination according to the sound of running water using a mobile phone application. PLOS One, 10(5: e0126798).  
07 Oct 2016 08:26:09 Europe/Copenhagen Pop. 18%
Gee, J. P. (2008). Video games and embodiment. Games and Culture, 3(3-4).  
23 Feb 2017 13:36:46 Europe/Copenhagen Pop. 0%
Carpenter, E., & McLuhan, M. (1970). Acoustic space. In E. Carpenter & M. McLuhan (Eds), Explorations in Communication (pp. 65–70). London: Jonathan Cape.  
07 Jan 2017 11:56:06 Europe/Copenhagen Pop. 0%
Tinwell, A., Grimshaw, M., & Abdel Nabi, D. (2015). The effect of onset asynchrony in audio-visual speech and the Uncanny Valley in virtual characters. International Journal of Mechanisms and Robotic Systems, 2(2), 97–110.  
11 Mar 2016 09:23:20 Europe/Copenhagen Pop. 16%
Nishimoto, S., Vu, A. T., Naselaris, T., Benjamini, Y., Yu, B., & Gallant, J. L. (2011). Reconstructing visual experiences from brain activity evoked by natural movies. Current Biology, 21, 1641–1646.  
26 Mar 2014 12:45:41 Europe/Copenhagen Pop. 25%
Calleja, G. (2014). Immersion in virtual worlds. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 222–236). New York: Oxford University Press.  
09 Mar 2014 08:37:43 Europe/Copenhagen Pop. 26%
Matsui, K., Ogasawara, K., Tamaki, E., & Iwasaki, K. 2013, Urine computer interaction to avoid spattering: Study of urination handling. Paper presented at AH '13 Proceedings of the 4th Augmented Human International Conference.  
07 Oct 2016 08:32:00 Europe/Copenhagen Pop. 17%
Loomis, J. M. (2016). Presence in virtual reality and everyday life: Immersion within a world of representation. Presence: Teleoperators and Virtual Environments, 25(2), 169–174.  
09 Mar 2018 13:28:00 Europe/Copenhagen Pop. 13%
Padmakumar, A. D., Cohen, O., Churton, A., Groves, J. B., Mitchell, D. A., & Brennan, P. A. (2017). Effect of noise on tasks in operating theatres: A survey of the perceptions of healthcare staff. British Journal of Oral and Maxillofacial Surgery, 55(2), 164–167.  
07 Apr 2018 14:30:09 Europe/Copenhagen Pop. 0%
Hasfeldt, D., Lærkner, E., & Birkelund, R. (2010). Noise in the operating room--what do we know? A review of the literature. Journal of PeriAnesthesia Nursing, 25(6), 380–386.  
07 Apr 2018 14:03:55 Europe/Copenhagen Pop. 0%
Gameaudiomix. (n.d.). Retrieved June 25, 2013, from http://gameaudiomix.com/  
25 Jun 2013 11:16:06 Europe/Copenhagen Pop. 0%
Lombard, M., & Ditton, T. (1997). At the heart of it all: The concept of presence. Journal of computer-mediated communication, 3(2).  
08 May 2016 15:24:52 Europe/Copenhagen Pop. 0%
Crisinel, A.-S., & Spence, C. (2009). Implicit association between basic tastes and pitch. Neuroscience Letters, 464(1), 39–42.  
04 May 2016 07:17:25 Europe/Copenhagen Pop. 16%
Weibel, D., & Wissmath, B. (2011). Immersion in computer games: The role of spatial presence and flow. International Journal of Computer Games Technology, 2011,  
11 Apr 2016 09:06:25 Europe/Copenhagen Pop. 16%
Talling, J. C., Waran, N. K., Walthes, C. M., & Lines, J. A. (1996). Behavioural and physiological responses of pigs to sound. Applied Animal Behaviour Science, 48(3-4), 187–201.  
30 Jan 2017 11:17:16 Europe/Copenhagen Pop. 13%
Gabor, D. (1947). Acoustical quanta and the theory of hearing. Nature, 159, 591–594.  
25 Aug 2015 11:40:11 Europe/Copenhagen Pop. 15%
Lunn, P., & Hunt, A. 2013, July 6—10 Phantom signals: Erroneous perception observed during the audification of radio astronomy data. Paper presented at International Conference on Auditory Display.  
14 Nov 2013 13:11:46 Europe/Copenhagen Pop. 20%
Erlmann, V. (2000). Reason and resonance: A history of modern aurality. New York: Zone Books.  
27 Nov 2014 09:46:54 Europe/Copenhagen Pop. 0%
Schrimshaw, W. (2013). Non-cochlear sound: On affect and exteriority. In M. Thompson & I. Biddle (Eds), Sound, Music, Affect: Theorizing Sonic Experience (pp. 27–43). New York: Bloomsbury Academic.  
09 Jan 2014 10:03:11 Europe/Copenhagen Pop. 0%
Roberts, E. (2000). Pity the damned. Queensland, Australia: Life Today.  
05 Jun 2015 10:09:06 Europe/Copenhagen Pop. 13%
Ellis, S. R. (1996). Åresence of mind: A reaction to Thomas Sheridan's "further musings on the psychophysics of presence". Presence: Teleoperators and Virtual Environments, 5(2), 247–259.  
28 Feb 2018 09:51:42 Europe/Copenhagen Pop. 13%
Bormann, K. (2005). Presence and the utility of audio spatialization. Presence: Teleoperators and Virtual Environments, 14(3), 278–297.  
06 Mar 2018 12:02:53 Europe/Copenhagen Pop. 13%
Wilcox-Netepczuk, D. 2013, July 30—August 1 Immersion and realism in video games: The confused moniker of video game engrossment. Paper presented at The 18th International Conference on Computer Games.  
28 Jul 2017 11:30:18 Europe/Copenhagen Pop. 21%
Rayleigh, Lord. (1878). The theory of sound Vol. 2. London: Macmillan and Co.  
10 Aug 2017 08:30:25 Europe/Copenhagen Pop. 13%
Hermann, T., Hunt, A., & Neuhoff, J. G. (Eds). (2011). The sonification handbook. Berlin: Logos Verlag.  
10 Feb 2015 14:54:38 Europe/Copenhagen Pop. 13%
Voegelin, S. (2013). Sonic possible worlds. Leonardo Music Journal, 23,  
15 Mar 2015 16:00:35 Europe/Copenhagen Pop. 13%
Sorensen, R. (1997). Vagueness. Stanford Encyclopedia of Philosophy. October 3, 2017, https://plato.stanford.edu/entries/vagueness/.  
06 Oct 2017 12:46:55 Europe/Copenhagen Pop. 0%
Pressing, J. (1997). Some perspectives on performed sound and music in virtual environments. Presence: Teleoperators and Virtual Environments, 6(4), 482–503.  
14 Feb 2018 11:51:33 Europe/Copenhagen Pop. 13%
Hagerman, I., Rasmanis, G., Blomkvist, V., Ulrich, R., Eriksen, C. A., & Theorell, T. (2005). Influence of intensive coronary care acoustics on the quality of care and physiological state of patients. International Journal of Cardiology, 98(2), 267–270.  
11 Mar 2018 18:42:12 Europe/Copenhagen Pop. 62%
Waterworth, J. A., & Waterworth, E. L. (2014). Distributed embodiment: Real presence in virtual bodies. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 589–601). New York: Oxford University Press.  
09 Mar 2014 08:44:25 Europe/Copenhagen Pop. 24%
Scruton, R. (2009). Sounds as secondary objects and pure events. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 50–68). Oxford: Oxford University Press.  
07 Feb 2014 14:10:14 Europe/Copenhagen Pop. 0%
Hofman, P. M., Van Riswick, J. G. A., & Van Opstal, A. J. (1998). Relearning sound localization with new ears. Nature Neuroscience, 1(5), 417–421.  
02 Feb 2014 12:05:29 Europe/Copenhagen Pop. 24%
Sas, C. (2003). The presence equation: An investigation into cognitive factors underlying presence. Presence: Teleoperators and Virtual Environments, 12(5), 523–537.  
23 Feb 2017 13:27:55 Europe/Copenhagen Pop. 18%
Jaseja, H. (2008). Scientific basis behind traditional practice of application of “shoe-smell” in controlling epileptic seizures in the eastern countries. Clinical Neurology and Neurosurgery, 110(2008), 535–538.  
03 Jun 2015 15:33:20 Europe/Copenhagen Pop. 12%
Chertoff, D. B., Schatz, S. L., McDaniel, R., & Bowers, C. A. (2008). Improving presence theory through experiential design. Presence: Teleoperators and Virtual Environments, 17(4), 405–413.  
09 Mar 2018 12:31:08 Europe/Copenhagen Pop. 37%
Pasnau, R. (1999). What is sound? The Philosophical Quarterly, 49(196), 309–324.  
25 Jun 2013 12:59:40 Europe/Copenhagen Pop. 17%
O'Callaghan, C. (2009). Sounds and events. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 26–49). Oxford: Oxford University Press.  
27 Jan 2018 14:51:33 Europe/Copenhagen Pop. 0%
Madigan, J. (2010) The psychology of immersion in video games. July 28, 2017, http://www.psychologyof ... mersion-in-video-games/  
28 Jul 2017 11:36:32 Europe/Copenhagen Pop. 0%
Kay, K. N., Naselaris, T., Prenger, R. J., & Gallant, J. L. (2008). Identifying natural images from human brain activity. Nature Letters, 452, 352–356.  
30 Sep 2016 12:16:02 Europe/Copenhagen Pop. 16%
Welch, R. B., Blackmon, T. T., Liu, A., Mellors, B. A., & Stark, L. W. (1996). The effects of pictorial realism, delay of visual feedback, and observer interactivity on the subjective sense of presence. Presence: Teleoperators and Virtual Environments, 5(3), 263–273.  
28 Feb 2018 09:55:18 Europe/Copenhagen Pop. 12%
Grimshaw, M., & Garner, T. (2014). Embodied virtual acoustic ecologies of computer games. In K. E. Collins, B. Kapralos & H. Tessler (Eds), The Oxford Handbook of Interactive Audio (pp. 181–195). New York: Oxford University Press.  
16 May 2014 10:08:56 Europe/Copenhagen Pop. 19%
Grimshaw, M. (2007). The acoustic ecology of the first-person shooter. Unpublished thesis PhD, University of Waikato, New Zealand.  
30 May 2007 16:07:54 Europe/Copenhagen Pop. 0%
Wehbe, L., Murphy, B., Talukdar, P., Fyshe, A., Ramdas, A., & Mitchell, T. (2014). Simultaneously uncovering the patterns of brain regions involved in different story reading subprocesses. PLOS One,  
02 Dec 2014 13:24:46 Europe/Copenhagen Pop. 12%
Lee, K. M. (2004). Why presence occurs: Evolutionary psychology, media equation, and presence. Presence: Teleoperators and Virtual Environments, 13(4), 494–505.  
06 Mar 2018 08:32:09 Europe/Copenhagen Pop. 12%
Katz, J. D. (2014). Noise in the operating room. Anesthesiology, 121(4), 894–898.  
07 Apr 2018 13:52:18 Europe/Copenhagen Pop. 0%
Blomkvist, V., Eriksen, C. A., Theorell, T., Ulrich, R., & Rasmanis, G. (2005). Acoustics and psychosocial environment in intensive coronary care. Occupational and Environmental Medicine, 62(e1).  
07 Apr 2018 13:37:00 Europe/Copenhagen Pop. 0%
Maynes-Aminzade, D., & Raffle, H. 2003, You're in control: A urinary user interface. Paper presented at Extended Abstracts on Human Factors in Computing Systems.  
07 Oct 2016 08:48:03 Europe/Copenhagen Pop. 12%
Wells, H. G. (1908). First and last things: A confession of faith and a rule of life. G.P. Putnam's Sons.  
06 Oct 2017 12:40:34 Europe/Copenhagen Pop. 0%
Sicart, M. (2014). Play matters. MIT Press.  
08 Oct 2015 16:05:45 Europe/Copenhagen Pop. 0%
King, A. J. (2006). Auditory neuroscience: Activating the cortex without sound. Current Biology, 16(11), 410–411.  
18 Apr 2014 06:57:18 Europe/Copenhagen Pop. 19%
Heath, H. (2009). The nurse's role in helping older people to use the toilet. Nursing Standard, 24(2), 43–47.  
07 Oct 2016 09:07:00 Europe/Copenhagen Pop. 0%
Grimshaw, M., & Garner, T. 2014, October 1—3 Imagining sound. Paper presented at 9th Audio Mostly Conference.  
30 Oct 2014 09:00:42 Europe/Copenhagen Pop. 14%
Grimshaw, M. (2008). The acoustic ecology of the first-person shooter: The player experience of sound in the first-person shooter computer game. Saarbrücken: VDM Verlag Dr. Mueller.  
11 Aug 2008 13:42:25 Europe/Copenhagen Pop. 0%
Moore, A. (2013). The spectacular anus of Joseph Pujol: Recovering the Pétomane's unique historic context. French Cultural Studies, 24(1), 27–43.  
15 May 2015 12:46:29 Europe/Copenhagen Pop. 16%
Lindquist, M. W. (2014). The impact of sound on virtual landscape perception: An empirical evaluation of aural-visual interaction for 3d visualization. Unpublished Doctoral Thesis, University of Sheffield, United Kingdom.  
16 Sep 2014 10:53:56 Europe/Copenhagen Pop. 14%
IJsselsteijn, W. A., Freeman, J., & de Ridder, H. (2001). Presence: Where are we? Cyberpsychology & Behavior, 4(2), 179–182.  
09 Mar 2014 08:43:01 Europe/Copenhagen Pop. 26%
Bronowski, J. (1979). The origins of knowledge and imagination. New Haven and London: Yale University Press.  
08 Jan 2017 13:40:06 Europe/Copenhagen Pop. 0%
Tinwell, A., Grimshaw, M., & Abdel Nabi, D. (2014). The uncanny valley and nonverbal communication in virtual characters. In J. Tanenbaum, M. Seif El-Nasr & M. Nixon (Eds), Nonverbal Communication in Virtual Worlds: Understanding and Designing Epressive Characters (pp. 325–341).ETC Press.  
08 Feb 2014 12:21:08 Europe/Copenhagen Pop. 0%
Madigan, J. (2010) Analysis: The psychology of immersion in video games. Gamasutra, April 11, 2016, http://www.gamasutra.co ... sion_in_Video_Games.php  
11 Apr 2016 09:08:12 Europe/Copenhagen Pop. 0%
Kohler, E., Keysers, C., Umiltà, M. A., Fogassi, L., Gallese, V., & Rizzolatti, G. (2002). Hearing sounds, understanding actions: Action representation in mirror neurons. Science, 297, 846–848.  
16 Aug 2013 12:38:58 Europe/Copenhagen Pop. 12%
Symes, L. B. (2014). Community composition affects the shape of mate response functions. Evolution, 68(7), 2005–2013.  
15 Dec 2015 13:03:56 Europe/Copenhagen Pop. 12%
Kilteni, K., Groten, R., & Slater, M. (2012). The sense of embodiment in virtual reality. Presence: Teleoperators and Virtual Environments, 21(4), 373–387.  
09 Mar 2018 13:11:11 Europe/Copenhagen Pop. 12%
Davis, E. (1997) Acoustic cyberspace. March 15, 2011, http://www.techgnosis.com/acoustic.html  
15 Mar 2011 11:57:03 Europe/Copenhagen Pop. 0%
Bouchard, S., St-Jacques, J., Robillard, G., & Renaud, P. (2008). Anxiety increases the feeling of presence in virtual reality. Presence: Teleoperators and Virtual Environments, 17(4), 376–391.  
09 Mar 2018 12:27:47 Europe/Copenhagen Pop. 12%
Grimshaw, M. (2014). Sounding off on sound. The Computer Games Journal, 3(2b), 194–195.  
10 Oct 2015 17:43:58 Europe/Copenhagen Pop. 12%
Böhme, G. (2000). Acoustic atmospheres: A contribution to the study of ecological acoustics. Soundscape, 1(1), 14–18.  
10 Oct 2006 08:30:18 Europe/Copenhagen Pop. 0%
Thompson, J., Casey, M., & Torresani, L. 2013, December 9—10 Audio stimulus reconstruction using multi- source semantic embedding. Unpublished poster presented at Neural Information Processing Systems workshop on Machine Learning and Interpretation in Neuroimaging, Lake Tahoe, USA.  
24 Jul 2014 11:47:28 Europe/Copenhagen Pop. 19%
van den Doel, K., & Pai, D. K. (1998). The sounds of physical shapes. Presence: Teleoperators and Virtual Environments, 7(4), 382–395.  
22 Feb 2018 10:23:34 Europe/Copenhagen Pop. 12%
Bovermann, T., Tünnermann, R., & Hermann, T. (2010). Auditory augmentation. International Journal of Ambient Computing and Intelligence, 2(2), 27–42.  
05 Jul 2013 09:54:47 Europe/Copenhagen Pop. 12%
Symes, L. B., Ayres, M. P., Cowdery, C. P., & Costello, R. A. (2014). Signal diversification in oecanthus tree crickets is shaped by energetic, morphometric, and acoustic trade-offs. Evolution, 68(7), 2005–2013.  
15 Dec 2015 13:03:20 Europe/Copenhagen Pop. 11%
Slater, M., Usoh, M., & Steed, A. (1994). Depth of presence in virtual environments. Presence: Teleoperators and Virtual Environments, 3(2), 130–144.  
28 Feb 2018 09:24:43 Europe/Copenhagen Pop. 11%
Riva, G., & Waterworth, J. A. (2014). Being present in a virtual world. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 205–221). New York: Oxford University Press.  
09 Feb 2014 11:36:34 Europe/Copenhagen Pop. 15%
Marshall, O. (2014). Synesthetizing sound studies and the sociology of technology. Sociology Compass, 8(7), 948–958.  
02 Aug 2014 16:33:48 Europe/Copenhagen Pop. 11%
Lessiter, J., Freeman, J., Keogh, E., & Davidoff, J. (2001). A cross-media presence questionnaire: The ITC-sense of presence inventory. Presence: Teleoperators and Virtual Environments, 10(3), 282–297.  
28 Feb 2018 08:07:18 Europe/Copenhagen Pop. 11%
Lakoff, G., & Johnsen, M. (2003). Metaphors we live by. London: University of Chicago.  
17 Nov 2016 11:07:56 Europe/Copenhagen Pop. 11%
Hendrix, C., & Barfield, W. (1996). Presence within virtual environments as a function of visual display parameters. Presence: Teleoperators and Virtual Environments, 5(3), 274–289.  
28 Feb 2018 09:44:15 Europe/Copenhagen Pop. 11%
Garner, T. A., & Grimshaw, M. (2014). Sonic virtuality: Understanding audio in a virtual world. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 364–377). New York: Oxford University Press.  
18 Jan 2014 12:55:19 Europe/Copenhagen Pop. 21%
Durlach, N. I., Shinn-Cunningham, B. G., & Held, R. M. (1993). Supernormal auditory localization: I. general background. Presence: Teleoperators and Virtual Environments, 2(2), 89–103.  
28 Feb 2018 09:21:43 Europe/Copenhagen Pop. 11%
Dickerson, J. A., & Kosko, B. (1994). Virtual worlds as fuzzy cognitive maps. Presence: Teleoperators and Virtual Environments, 3(2), 173–189.  
28 Feb 2018 09:18:02 Europe/Copenhagen Pop. 34%
Slater, M. (2004). How colorful was your day? Why questionnaires cannot assess presence in virtual environments. Presence: Teleoperators and Virtual Environments, 13(4), 484–493.  
06 Mar 2018 08:29:59 Europe/Copenhagen Pop. 11%
Reeves Timmins, L., & Lombard, M. (2005). When "real" seems mediated: Inverse presence. Presence: Teleoperators and Virtual Environments, 14(4), 492–500.  
06 Mar 2018 12:06:09 Europe/Copenhagen Pop. 11%
Magnus, M. (1997). Sound dictionary. Retrieved December 5, 2016, from http://www.trismegistos ... terPage/Dictionary.html  
05 Dec 2016 13:17:54 Europe/Copenhagen Pop. 0%
Huron, D. (2001). Is music an evolutionary adaptation? Annals of the New York Academy of Sciences, 930(1), 43–61.  
24 Aug 2016 12:10:57 Europe/Copenhagen Pop. 15%
Gross, D. C., Stanney, K. M., & Cohn, J. (2005). Evoking affordances in virtual environments via sensory-stimuli substitution. Presence: Teleoperators and Virtual Environments, 14(4), 482–491.  
06 Mar 2018 12:08:57 Europe/Copenhagen Pop. 11%
Garau, M., Slater, M., Pertaub, D.-P., & Razzaque, S. (2005). The responses of people to virtual humans in an immersive virtual environment. Presence: Teleoperators and Virtual Environments, 14(1), 104–116.  
06 Mar 2018 11:59:24 Europe/Copenhagen Pop. 11%
Truppin, A. (1992). And then there was sound: The films of Andrei Tarkovsky. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 235–248). New York: Routledge.  
11 Jan 2006 02:08:06 Europe/Copenhagen Pop. 0%
Truax, B. (2001). Acoustic communication 2nd ed. Westport, Conn: Ablex.  
09 Feb 2008 15:40:55 Europe/Copenhagen Pop. 0%
Spence, C., Michel, C., & Smith, B. (2014). Airplane noise and the taste of umami. Flavour, 3(2).  
10 Oct 2015 09:42:15 Europe/Copenhagen Pop. 0%
Kraemer, D. J. M., Macrae, C. N., Green, A. E., & Kelley, W. M. (2005). Musical imagery: Sound of silence activates auditory cortex. Nature, 434(158), 158.  
02 May 2014 12:00:46 Europe/Copenhagen Pop. 20%
Ihde, D. (2007). Listening and voice: Phenomenologies of sound 2nd ed. Albany (NY): State University of New York Press.  
10 Jan 2016 09:21:22 Europe/Copenhagen Pop. 0%
Breitsameter, S. (2003). Acoustic ecology and the new electroacoustic space of digital networks. Soundscape, 4(2), 24–30.  
06 Dec 2006 10:41:12 Europe/Copenhagen Pop. 0%
Marczak, R., Hanna, P., Rouas, J.-L., Van Vught, J., & Schott, G. 2014, September 14—20 Sound analysis of gameplay footage [echos] to the understanding of player experience [ethos]: An interdisciplinary approach to feedback-based gameplay metrics. Paper presented at 40th International Computer Music Conference/11th Sound & Music Computing Conference.  
20 Dec 2014 10:30:01 Europe/Copenhagen Pop. 11%
Grimshaw, M., Lindley, C. A., & Nacke, L. 2008, October 22—23 Sound and immersion in the first-person shooter: Mixed measurement of the player's sonic experience. Paper presented at Audio Mostly 2008, Piteå, Sweden.  
31 Jul 2009 16:58:36 Europe/Copenhagen Pop. 36%
Durlach, N., & Slater, M. (2000). Presence in shared virtual environments and virtual togetherness. Presence: Teleoperators and Virtual Environments, 9(2), 214–217.  
26 Feb 2018 06:12:34 Europe/Copenhagen Pop. 11%
Chion, M. (1994). Audio-vision: Sound on screen C. Gorbman, Trans. New York: Columbia University Press.  
27 Apr 2016 08:51:48 Europe/Copenhagen Pop. 0%
Abraham Kuyper bibliography. (2006). Retrieved August 3, 2006, from http://www.kuyperresearch.org/wikindx3/  
23 Sep 2006 08:26:49 Europe/Copenhagen Pop. 0%
Wilson, M. (2002). Six views of embodied cognition. Psychonomic Bulletin & Review, 9(4), 625–636.  
06 Jun 2014 14:27:09 Europe/Copenhagen Pop. 28%
Merleau-Ponty, M. (1964). The primacy of perception. Evanstown and London: Northwestern University Press.  
23 Sep 2016 12:15:39 Europe/Copenhagen Pop. 0%
Pouliot, D. (2015) Hearing without ears (auditory brainstem implant). August 19, 2015, http://lobe.ca/en/non-c ... m-implant/#.VdQuvbfGam4  
19 Aug 2015 10:28:29 Europe/Copenhagen Pop. 0%
Brenton, H., Gillies, M., Ballin, D., & Chatting, D. 2005, September 6 The Uncanny Valley: Does it exist and is it related to presence? Paper presented at Proceedings of the Human-Animated Characters Interaction.  
22 Dec 2016 13:23:01 Europe/Copenhagen Pop. 21%
Baddeley, A., & Logie, R. (1992). Auditory imagery and working memory. In D. Reisberg (Ed.), Auditory Imagery (pp. 179–197). Mahwah (NJ): Lawrence Elrbaum Associates.  
25 Dec 2014 11:00:45 Europe/Copenhagen Pop. 0%
Waller, D., & Bachmann, E. R. (2006). The borderline of science: On the value of factor analysis for understanding presence. Presence: Teleoperators and Virtual Environments, 15(2), 235–244.  
09 Mar 2018 09:47:12 Europe/Copenhagen Pop. 11%
Turner, P., & Turner, S. (2006). Place, sense of place, and presence. Presence: Teleoperators and Virtual Environments, 15(2), 204–217.  
09 Mar 2018 09:50:38 Europe/Copenhagen Pop. 11%
Schroeder, R. (2006). Being there together and the future of connected presence. Presence: Teleoperators and Virtual Environments, 15(4), 438–454.  
09 Mar 2018 09:58:22 Europe/Copenhagen Pop. 11%
Rice, T. (2013). Hearing and the hospital: Sound, listening, knowledge and experience. London: Sean Kingston Publishing.  
23 Feb 2018 11:50:27 Europe/Copenhagen Pop. 0%
Pollick, F. E. (In print). In search of the Uncanny Valley. In K. Grammer & A. Juett (Eds), Analog Communication: Evolution, Brain Mechanisms, Dynamics, Simulation Cambridge, Massachusetts: MIT Press.  
15 May 2009 09:38:44 Europe/Copenhagen Pop. 11%
Kobayashi, M., Ueno, K., & Ise, S. (2015). The effects of spatialized sounds on the sense of presence in auditory virtual environments: A psychological and physiological study. Presence Connect, 24(2), 163–174.  
09 Mar 2018 13:17:53 Europe/Copenhagen Pop. 11%
Kacelnik, O., Nodal, F. R., Parsons, K. H., & King, A. J. (2006). Training-induced plasticity of auditory localization in adult mammals. PLoS Biology, 4(4), 0627–0638.  
02 Feb 2014 11:17:42 Europe/Copenhagen Pop. 21%
Hermann, T., & Ritter, H. (2004). Sound and meaning in auditory data display. Proceedings of the IEEE, 92(4), 730–741.  
25 Jun 2013 12:29:07 Europe/Copenhagen Pop. 18%
Forrester, M. A. (2007). Auditory perception and sound as event: Theorising sound imagery in psychology.  
08 Jan 2017 14:25:50 Europe/Copenhagen Pop. 0%
Cavazza, M., Lugrin, J.-L., & Buehner, M. (2007). Causal perception in virtual reality and its implications for presence factors. Presence: Teleoperators and Virtual Environments, 16(6), 623–642.  
09 Mar 2018 12:04:50 Europe/Copenhagen Pop. 11%
Brotons-Mas, J. R., & O'Mara, S. (2006). Neural processing of spatial information: What we know about place cells and what they can tell us about presence. Presence: Teleoperators and Virtual Environments, 15(5), 485–499.  
09 Mar 2018 10:02:41 Europe/Copenhagen Pop. 11%
Bromberger, S. (2012). Vagueness, ambiguity, and the "sound" of meaning. In Analysis and Interpretation of the Exact Sciences: Essays in Honour of William Demopoulos Vol. 78, (pp. 75–93). Berlin: Springer.  
24 Nov 2014 14:47:17 Europe/Copenhagen Pop. 13%
Video game music archive. (n.d.). Retrieved October 26, 2010, from http://www.vgmusic.com/  
26 Oct 2010 06:15:35 Europe/Copenhagen Pop. 0%
Belkin, K., Martin, R., Kemp, S. E., & Gilbert, A. N. (1997). Auditory pitch as a perceptual analogue to odor quality. Psychological Science, 8(4), 340–342.  
28 Sep 2015 11:16:15 Europe/Copenhagen Pop. 14%
Purwins, H., Blankertz, B., & Obermayer, K. (2000). Computing auditory perception. Organized Sound, 5(3), 159–171.  
16 Jun 2014 07:55:53 Europe/Copenhagen Pop. 14%
Heeter, C. (2003). Reflections on real presence by a virtual person. Presence: Teleoperators and Virtual Environments, 12(4), 335–345.  
01 Mar 2018 12:50:27 Europe/Copenhagen Pop. 11%
Crisinel, A.-S., Cosser, S., King, S., Jones, R., Petrie, J., & Spence, C. (2012). A bittersweet symphony: Systematically modulating the taste of food by changing the sonic properties of the soundtrack playing in the background. Food quality and preference, 24(1), 201–204.  
04 May 2016 07:09:50 Europe/Copenhagen Pop. 14%
Bech, S., & Zacharov, N. (2006). Perceptual audio evaluation: Theory, method and application. Chichester: John Wiley & Sons.  
11 Jul 2014 12:28:11 Europe/Copenhagen Pop. 0%
AudioMostly. 2006. Piteå, Sweden: Interactive Institute. October 11—12 2006.  
25 Jan 2008 22:06:41 Europe/Copenhagen Pop. 12%
Slater, M., & Usoh, M. (1993). Representations systems, perceptual position, and presence in immersive virtual environments. Presence: Teleoperators and Virtual Environments, 2(3), 221–223.  
28 Feb 2018 09:10:08 Europe/Copenhagen Pop. 11%
Moore, B. C. J. (2012). An introduction to the psychology of hearing 6th ed. Bingley, United Kingdom: Emerald.  
01 Dec 2014 08:40:24 Europe/Copenhagen Pop. 11%
Martin, S., Brunner, P., Holdgraf, C., Heinze, H.-J., Crone, N. E., & Reiger, J., et al. (2014). Decoding spectrotemporal features of overt and covert speech from the human cortex. Frontiers in Neuroengineering, 7(14), 1–15.  
04 Nov 2014 12:48:08 Europe/Copenhagen Pop. 15%
Heeter, C. (1992). being there: The subjective experience of presence. Presence: Teleoperators and Virtual Environments, 1(2), 262–271.  
28 Feb 2018 09:28:34 Europe/Copenhagen Pop. 11%
Small, C. (1998). Musicking: The meanings of performing and listening. Hanover, NH: Wesleyan University Press.  
09 Oct 2015 11:53:11 Europe/Copenhagen Pop. 0%
Hermann, T., & Ritter, H. 1999, Listen to your data: Model-based sonification for data analysis. Paper presented at Advances in Intelligent Computing and Multimedia Systems.  
05 Jul 2013 09:36:38 Europe/Copenhagen Pop. 12%
Garner, T., & Grimshaw, M. 2011, September 7—9 A climate of fear: Considerations for designing an acoustic ecology for fear. Paper presented at Audio Mostly 2011, New York.  
20 Jul 2013 14:18:58 Europe/Copenhagen Pop. 22%
Collins, K. (2014). Breaking the fourth wall? User-generated sonic content in virtual worlds. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 351–363). New York: Oxford University Press.  
18 Jan 2014 13:01:11 Europe/Copenhagen Pop. 12%
Usoh, M., Catena, E., Arman, S., & Slater, M. (2000). Using presence questionnaires in reality. Presence: Teleoperators and Virtual Environments, 9(9), 497–503.  
26 Feb 2018 11:52:03 Europe/Copenhagen Pop. 11%
Massumi, B. (2014). Envisioning the virtual. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 55–70). New York: Oxford University Press.  
15 Nov 2015 12:38:16 Europe/Copenhagen Pop. 0%
Hoshiyama, M., Gunji, A., & Kakigi, R. (2001). Hearing the sound of silence: A magnetoencephalographic study. NeuroReport, 12(6), 1097–1102.  
02 May 2014 11:56:05 Europe/Copenhagen Pop. 19%
Thompson, J. (2013). Neural decoding of subjective music listening experiences. Unpublished thesis Masters, Dartmouth College, New Hampshire.  
04 Nov 2014 12:35:36 Europe/Copenhagen Pop. 14%
Iyendo, T. O. (2016). Exploring the effect of sound and music on health in hospital settings: A narrative review. International Journal of Nursing Studies, 63(82), 82–100.  
11 Mar 2018 21:40:46 Europe/Copenhagen Pop. 10%
The ESA. (n.d.). Retrieved October 5, 2003, from http://www.theesa.com/  
23 Sep 2006 08:31:31 Europe/Copenhagen Pop. 0%
Stober, S., & Thompson, J. 2012, October Music imagery information retrieval: Bringing the song on your mind back to your ears. Paper presented at The 13th International Conference on Music Information Retrieval.  
04 Nov 2014 12:50:10 Europe/Copenhagen Pop. 14%
Herrewijn, L., Poels, K., & Calleja, G. 2013, May 4—17 The relationship between player involvement and immersion: An experimental investigation. Paper presented at Foundations of Digital Games 2013.  
28 May 2013 16:14:01 Europe/Copenhagen Pop. 15%
Garner, T., & Grimshaw, M. 2013, July 22—26 Psychophysiological assessment of fear experience in response to sound during computer video gameplay. Paper presented at IADIS International Conference Interfaces and Human Computer Interaction.  
22 Oct 2013 07:13:22 Europe/Copenhagen Pop. 15%
McDermott, J. H., Schemitsch, M., & Simoncelli, E. P. (2013). Summary statistics in auditory perception. Nature Neuroscience, 16(14), 493–498.  
24 Jul 2014 12:13:21 Europe/Copenhagen Pop. 10%
LvL: Q3A custom maps. (n.d.). Retrieved July 24, 2006, from http://lvlworld.com/top.php?v=40  
23 Sep 2006 08:26:20 Europe/Copenhagen Pop. 0%
Liu, C. 2011, The linguistic analysis of sound ambiguity and meaning ambiguity. Paper presented at The Third International Workshop on Education Technology and Computer Science, Washington, USA.  
24 Nov 2014 15:03:43 Europe/Copenhagen Pop. 0%
Harvey, T. S. (2014). Virtual worlds: An ethnomusicological perspective. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 378–391). New York: Oxford University Press.  
18 Jan 2014 13:05:02 Europe/Copenhagen Pop. 10%
Asutay, E., Västfjäll, D., Tajadura-Jimenez, A., Genell, A., Bergman, P., & Kleiner, M. (2012). Emoacoustics: a study of the psychoacoustical and psychological dimensions of emotional sound design. Journal of the Audio Engineering Society, 60(1/2), 21–28.  
03 Jun 2014 21:20:42 Europe/Copenhagen Pop. 16%
Wagner, I., Broll, W., Jacucci, G., Kuutii, K., McCall, R., & Morrison, A., et al. (2009). On the role of presence in mixed reality. Presence: Teleoperators and Virtual Environments, 18(4), 249–276.  
09 Mar 2018 12:47:26 Europe/Copenhagen Pop. 10%
Ravaja, N., Saari, T., Turpeinen, M., & Laarni, J. (2006). Spatial presence and emotions during video game playing: Does it matter with whom you play? Presence: Teleoperators and Virtual Environments, 15(4), 381–392.  
09 Mar 2018 09:56:09 Europe/Copenhagen Pop. 10%
Parés, N., & Parés, R. (2006). Towards a model for a virtual reality experience: The virtual subjectiveness. Presence: Teleoperators and Virtual Environments, 15(5), 524–538.  
09 Mar 2018 10:06:47 Europe/Copenhagen Pop. 10%
Grimshaw, M. (2014). Sound. In M. J. P. Wolf & B. Perron (Eds), The Routledge Companion to Video Game Studies (pp. 117–124). London: Routledge.  
13 Oct 2015 11:58:16 Europe/Copenhagen Pop. 10%
Back, M., & Des, D. (1996) Micro-narratives in sound design: Context and caricature in waveform manipulation. January 7, 2008, http://www.icad.org/web ... ICAD96/proc96/back5.htm  
07 Jan 2008 13:54:59 Europe/Copenhagen Pop. 0%
Leddington, J.In defense of sounds as properties. [Draft on Academia.com]  
03 Jun 2014 20:19:20 Europe/Copenhagen Pop. 12%
Kirkpatrick, G. (2011). Aesthetic theory and the video game. Manchester: Manchester University Press.  
26 Oct 2015 11:58:35 Europe/Copenhagen Pop. 0%
Tyndall, J. (1867). On sound. London: Longmans, Green, and Co.  
19 Aug 2015 14:30:26 Europe/Copenhagen Pop. 13%
Schubert, T., Friedmann, F., & Regenbrecht, H. (2001). The experience of presence: Factor analytic insights. Presence: Teleoperators and Virtual Environments, 10(3), 266–281.  
28 Feb 2018 08:03:04 Europe/Copenhagen Pop. 10%
Knakkergaard, M. (2014). The music that’s not there. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 392–404). New York: Oxford University Press.  
18 Jan 2014 13:09:27 Europe/Copenhagen Pop. 13%
Heim, M. R. Surfing virtual reality wave 3. In J. Gackenbach (Ed.), Boundaries of Self and Reality Online Elsevier.  
11 Apr 2016 08:50:11 Europe/Copenhagen Pop. 10%
Dhomont, F. (1995) Acousmatic update. Contact! 8(2) February 5, 2014, http://cec.sonus.ca/contact/contact82Dhom.html  
06 Feb 2014 15:54:23 Europe/Copenhagen Pop. 0%
Zhang, J. (2013). Auditory cortex stimulation to suppress tinnitus: Mechanisms and strategies. Hearing Research, 295, 38–57.  
21 Apr 2014 10:07:40 Europe/Copenhagen Pop. 15%
Hug, D. (2011). New wine in new skins: Sketching the future of game sound design. In M. Grimshaw (Ed.), Game sound technology and player interaction: concepts and developments (pp. 384–415). Hershey (PA): IGI.  
17 Feb 2013 15:43:00 Europe/Copenhagen Pop. 10%
Badcock, N. A., Preece, K. A., de Wit, B., Glenn, K., Fieder, N., Thie, J., & McArthur, G. (2015). Validation of the Emotiv EPOC EEG system for research quality auditory event-related potentials in children. PeerJ, 3(e907).  
02 Nov 2016 16:31:51 Europe/Copenhagen Pop. 10%
World soundscape project. (n.d.). Retrieved December 8, 2014, from http://www.sfu.ca/~truax/wsp.html  
08 Dec 2014 09:38:34 Europe/Copenhagen Pop. 0%
Slater, M., & Steed, A. (2000). A virtual presence counter. Presence: Teleoperators and Virtual Environments, 9(5), 413–434.  
26 Feb 2018 11:46:45 Europe/Copenhagen Pop. 10%
Selectparks: Sonichima. (2005). Retrieved October 24, 2006, from http://www.selectparks. ... e=News&new_topic=29  
24 Oct 2006 11:46:08 Europe/Copenhagen Pop. 0%
Robinett, W. (1992). Synthetic experience: A proposed taxonomy. Presence: Teleoperators and Virtual Environments, 1(2), 229–247.  
26 Feb 2018 09:35:47 Europe/Copenhagen Pop. 10%
First-person shooter. (2002-2006) Wikipedia, April 12, 2006, http://en.wikipedia.org/wiki/First-person_shooter  
15 May 2006 12:46:23 Europe/Copenhagen Pop. 0%
Playstation sound clips: Audio bites and quotes on entertonement. (2009). Retrieved March 20, 2009, from http://www.entertonemen ... ctions/9509/Playstation  
20 Mar 2009 05:25:06 Europe/Copenhagen Pop. 0%
Piesse, G. (1857). The art of perfumery and methods of obtaining the odors of plants.  
19 May 2014 14:33:31 Europe/Copenhagen Pop. 20%
Mantovani, G., & Riva, G. (1999). "real" presence: How different ontologies generate different criteria for presence, telepresence, and virtual presence. Presence: Teleoperators and Virtual Environments, 8(5), 540–550.  
25 Feb 2018 09:46:52 Europe/Copenhagen Pop. 10%
Hermann, T., Krause, J., & Ritter, H. 2002, July 2—5 Real-time control of sonification models with a haptic interface. Paper presented at Proceedings of the 2002 International Conference on Auditory Display.  
05 Jul 2013 09:44:20 Europe/Copenhagen Pop. 11%
Farnell, A. (2011). Behaviour, structure and causality in procedural audio. In M. Grimshaw (Ed.), Game sound technology and player interaction: concepts and developments (pp. 313–339). Hershey (PA): IGI.  
17 Feb 2013 15:30:59 Europe/Copenhagen Pop. 12%
Bystrom, K.-E., Barfield, W., & Hendrix, C. (1999). A conceptual model of the sense of presence in virtual environments. Presence: Teleoperators and Virtual Environments, 8(2), 241–244.  
25 Feb 2018 09:41:02 Europe/Copenhagen Pop. 10%
Audio mostly 2008: A conference on interaction with sound. 2008. Piteå, Sweden: Interactive Institute. October 22—22 2008.  
06 Nov 2008 06:16:37 Europe/Copenhagen Pop. 14%
Zhou, Z., Cheok, A. D., & Pan, J. (2004). 3d story cube: An interactive tangible user interface for storytelling with 3d graphics and audio. Personal and Ubiquitous Computing, 8(5), 374–376.  
19 Apr 2005 13:37:05 Europe/Copenhagen Pop. 10%
Velleman, E., van Tol, R., Huiberts, S., & Verwey, H. (2004). 3d shooting games, multimodal games, sound games and more working examples of the future of games for the blind. Lecture Notes in Computer Science, 3118, 257–263.  
23 May 2005 15:45:15 Europe/Copenhagen Pop. 10%
van Nispen tot Pannerden, T., Huiberts, S., Donders, S., & Koch, S. 2011, The nln-player: A system for nonlinear music in games. Paper presented at Proceedings of the International Computer Music Conference 2011, University of Huddersfield, England.  
15 Jan 2013 11:45:30 Europe/Copenhagen Pop. 0%
Finney, E. M., Clementz, B. A., Hickok, G., & Dobkins, K. R. (2003). Visual stimuli activate auditory cortex in deaf subjects: Evidence from MEG. NeuroReport, 14(2), 1425–1427.  
15 Jun 2014 09:49:44 Europe/Copenhagen Pop. 17%
Tinwell, A., Grimshaw, M., & Abdel Nabi, D. The effect of onset asynchrony in audio visual speech and the uncanny valley in virtual characters. International Journal of Mechanisms and Robotic Systems, 2(2), 97–110.  
10 Oct 2015 17:33:24 Europe/Copenhagen Pop. 10%
Juang, D. F., Lee, C. H., Yang, T., & Chang, M. C. (2010). Noise pollution and its effects on medical care workers and patients in hospitals. International Journal of Environmental Science & Technology, 7(4), 705–716.  
11 Mar 2018 21:13:19 Europe/Copenhagen Pop. 10%
Gaver, W. W. (1989). The SonicFinder, a prototype interface that uses auditory icons. Human Computer Interaction, 4(1), 67–94.  
26 Apr 2013 16:41:21 Europe/Copenhagen Pop. 14%
Crowder, R. G., & Pitt, M. A. (1992). Research on memory/imagery for musical timbre. In D. Reisberg (Ed.), Auditory Imagery (pp. 29–44). Mahwah (NJ): Lawrence Elrbaum Associates.  
25 Dec 2014 11:00:00 Europe/Copenhagen Pop. 0%
Brown, B., Rutherford, P., & Crawford, P. (2015). The role of noise in clinical environments with particular reference to mental health care: A narrative review. International Journal of Nursing Studies, 52(9), 1514–1524.  
11 Mar 2018 21:41:05 Europe/Copenhagen Pop. 0%
Baudrillard, J. (1994). Simulacra and simulation S. Glaser, Trans. The University of Michigan Press.  
02 Jun 2013 11:19:57 Europe/Copenhagen Pop. 0%
Schafer, R. M. (1994). The soundscape: Our sonic environment and the tuning of the world. Rochester Vt: Destiny Books.  
14 Feb 2014 16:44:00 Europe/Copenhagen Pop. 0%
Grimshaw, M. (2008). Sound and immersion in the first-person shooter. International Journal of Intelligent Games & Simulation, 5(1), 119–124.  
30 Mar 2011 04:25:03 Europe/Copenhagen Pop. 22%
Schafer, D. M., Carbonara, C. P., & Popova, L. (2011). Spatial presence and perceived reality as predictors of motion-based video game enjoyment. Presence: Teleoperators and Virtual Environments, 20(6), 591–619.  
09 Mar 2018 13:04:32 Europe/Copenhagen Pop. 9%
Ribbens, W., & Malliet, S. (2010). Perceived digital game realism: A quantitative exploration of its structure. Presence: Teleoperators and Virtual Environments, 19(6), 585–600.  
09 Mar 2018 12:56:23 Europe/Copenhagen Pop. 9%
Purwins, H., Treder, M., Sturm, I., Miklody, D., & Blankertz, B. 2011, May 7—12 EEG alpha band power and immersion into music. Paper presented at Conference on Human Factors in Computing Systems.  
07 Oct 2015 15:54:31 Europe/Copenhagen Pop. 10%
Kapralos, B., Jenkin, M. R., & Milios, E. (2008). Virtual audio systems. Presence: Teleoperators and Virtual Environments, 17(6), 527–549.  
09 Mar 2018 12:34:48 Europe/Copenhagen Pop. 9%
Harvey, M. A., & Sanchez-Vives, M. V. (2005). The binding problem in presence research. Presence: Teleoperators and Virtual Environments, 14(5), 616–621.  
09 Mar 2018 09:38:55 Europe/Copenhagen Pop. 9%
Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge.  
26 Oct 2004 14:44:51 Europe/Copenhagen Pop. 0%
S. Huiberts, R. van Tol & K. Went (Eds.) Game audio lab: An architectural framework for nonlinear audio in games. 2009. London, UK. Kelly, M. Proceedings AES 35th International Conference Audio for Games. 2009.  
14 Jan 2013 14:03:52 Europe/Copenhagen Pop. 0%
Diegesis. (2005). In Oxford English Dictionary Online Oxford: Oxford University Press.  
01 Feb 2006 16:16:33 Europe/Copenhagen Pop. 0%
Bregman, A. S. (1990). Auditory scene analysis: The perceptual organization of sound. Cambridge, Massachusetts: MIT Press.  
21 Aug 2015 13:51:14 Europe/Copenhagen Pop. 0%
Castro, J. B., & Seeley, W. P. (2014). Olfaction, valuation, and action: reorienting perception. Frontiers in Psychology, 5(299), 1–4.  
29 Sep 2015 12:12:33 Europe/Copenhagen Pop. 9%
Casati, R., & Dokic, J. (2005). Sounds. Stanford Encyclopedia of Philosophy. June 3, 2014, http://plato.stanford.edu/entries/sounds/.  
04 Jun 2014 11:28:05 Europe/Copenhagen Pop. 0%
Sheridan, T. B. (1992). Defining our terms. Presence: Teleoperators and Virtual Environments, 1(2), 272–274.  
26 Feb 2018 09:36:36 Europe/Copenhagen Pop. 9%
Reeve, C. (2000). Presence in virtual theater. Presence: Teleoperators and Virtual Environments, 9(2), 209–213.  
26 Feb 2018 06:08:14 Europe/Copenhagen Pop. 9%
Plantec, P. (2008) The digital eye: Image metrics attempts to leap the uncanny valley. May 19, 2016, http://www.awn.com/vfxw ... pts-leap-uncanny-valley  
19 May 2016 11:28:46 Europe/Copenhagen Pop. 0%
Niazi, A. M.2011. Effect of music tempo in first-person shooter on arousal and aggression. Netherlands: Department of Electrical Engineering, Mathematics & Computer Science, University of Twente.  
30 Mar 2014 18:17:34 Europe/Copenhagen Pop. 9%
Murray, C. D., Arnold, P., & Thornton, B. (2000). Presence accompanying induced hearing loss: Implications for immersive virtual environments. Presence: Teleoperators and Virtual Environments, 9(2), 137–148.  
26 Feb 2018 06:00:59 Europe/Copenhagen Pop. 9%
Mitchell, T. M., Shinkareva, S. V., Carlson, A., Chang, K.-M., Malave, V. L., Mason, R. A., & Just, M. A. (2008). Predicting human brain activity associated with the meanings of nouns. Science, 320(5880), 1191–1195.  
21 Feb 2011 09:32:50 Europe/Copenhagen Pop. 11%
Klatzky, R. L., Pai, D. K., & Krotkov, E. P. (2000). Perception of material from contact sounds. Presence: Teleoperators and Virtual Environments, 9(4), 399–410.  
26 Feb 2018 11:43:52 Europe/Copenhagen Pop. 9%
Freeman, J., Avons, S. E., Meddis, R., Pearson, D. E., & IJsselsteijn, W. (2000). Using behavioral realism to estimate presence: A study of the utility of postural responses to motion stimuli. Presence: Teleoperators and Virtual Environments, 9(2), 149–164.  
26 Feb 2018 06:05:02 Europe/Copenhagen Pop. 9%
Castellano, D. J. (2003) Does Aristotle really say that bees are deaf? August 19, 2015, http://www.arcaneknowle ... ltheo/aristotlebees.htm  
19 Aug 2015 17:07:29 Europe/Copenhagen Pop. 0%
Stumpf, C. (1883). Tonpsychologie. Leipzig: Verlag Von S. Hirzel.  
21 Aug 2015 13:45:34 Europe/Copenhagen Pop. 9%
Slattery III, W. H., & Middlebrooks, J. C. (1994). Monaural sound localization: Acute versus chronic unilateral impairment. Hearing Research, 75(1-2), 38–46.  
02 Feb 2014 12:21:04 Europe/Copenhagen Pop. 12%
Singer, M. J., & Witmer, B. G. (1999). On selecting the right yardstick. Presence: Teleoperators and Virtual Environments, 8(5), 566–573.  
25 Feb 2018 09:53:36 Europe/Copenhagen Pop. 9%
Sheridan, T. B. (1999). Descartes, heidegger, gibson, and god: Toward an eclectic ontology of presence. Presence: Teleoperators and Virtual Environments, 8(5), 551–559.  
25 Feb 2018 09:50:20 Europe/Copenhagen Pop. 9%
Proceedings of the 5th Audio Mostly: A conference on interaction with sound. 2010. Piteå, Sweden: Interactive Institute. September 14—16 2010978-1-4503-0046-9.  
22 Sep 2010 04:08:20 Europe/Copenhagen Pop. 0%
Garner, T. A. (2013). Game sound from behind the sofa: An exploration into the fear potential of sound & psychophysiological approaches to audio-centric, adaptive gameplay. Unpublished PhD Thesis, University of Aalborg, Denmark.  
13 May 2013 08:37:05 Europe/Copenhagen Pop. 12%
Freeman, J., Avons, S. E., Pearson, D. E., & IJsselsteijn, W. A. (1999). Effects of sensory information and prior experience on direct subjective ratings of presence. Presence: Teleoperators and Virtual Environments, 8(1), 1–13.  
25 Feb 2018 09:41:52 Europe/Copenhagen Pop. 9%
Bernstein, D. (1997) Creating an interactive audio environment. Gamasutra, September 6, 2004, http://www.gamasutra.co ... 971114/bernstein_01.htm  
28 Jan 2008 15:33:46 Europe/Copenhagen Pop. 0%
Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge.  
14 Dec 2004 21:18:24 Europe/Copenhagen Pop. 0%
Time. (2005). In Oxford English Dictionary Online Oxford: Oxford University Press.  
06 Mar 2006 11:02:29 Europe/Copenhagen Pop. 0%
Gamasutra: The art & business of making games. (n.d.). Retrieved October 20, 2006, from http://www.gamasutra.com/  
20 Oct 2006 09:08:27 Europe/Copenhagen Pop. 0%
Curtis, S. (1992). The sound of early Warner Bros. cartoons. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 191–203). New York: Routledge.  
30 Jan 2006 07:02:57 Europe/Copenhagen Pop. 0%
Bridgett, R. (2010). From the shadows of film sound: Cinematic production & creative process in video game audio.  
01 Feb 2012 15:45:22 Europe/Copenhagen Pop. 0%
Bench, J. (1971). Anticipatory elicitation of the middle-ear muscle reflex. The Journal of Laryngology and Otology, 85(11), 1161–1165.  
02 May 2014 11:55:52 Europe/Copenhagen Pop. 0%
Schnupp, M., Nelkin, I., & King, A. (2010). Auditory neuroscience: Making sense of sound. Cambridge, Massachusetts: MIT Press.  
26 Aug 2015 08:36:03 Europe/Copenhagen Pop. 0%
Patel, A. D., Iversen, J. R., Bregman, M. R., & Shulz, I. (2009). Studying synchronization to a musical beat in nonhuman animals. The Neurosciences and Music III—Disorders and Plasticity: Annals of the New York Academy of Sciences, 459–469.  
08 Jun 2014 17:36:19 Europe/Copenhagen Pop. 11%
Glennie, E. (1993) Hearing essay. April 28, 2014, https://www.evelyn.co.uk/hearing-essay/  
19 Aug 2015 14:44:19 Europe/Copenhagen Pop. 18%
Gilfix, M., & Couch, A. 2000, December 3—8 Peep (the network auralizer): Monitoring your network with sound. Paper presented at 2000 LISA XIV.  
13 May 2013 09:55:43 Europe/Copenhagen Pop. 9%
Aarseth, E., Smedstad, S. M., & Sunnanå, L. 2003, November 4—6 A multi-dimensional typology of games. Paper presented at Level Up.  
20 Sep 2005 10:18:30 Europe/Copenhagen Pop. 0%
Tajadura-Jimenez, A., Larsson, P., Väljamäe, A., Västfjäll, D., & Kleiner, M. (2010). When room size matters: Auditory space influences on emotional response to sounds. Emotion, 10, 416–422.  
20 May 2014 03:53:42 Europe/Copenhagen Pop. 14%
Somers, E. 2000, April 2—5 Abstract sound objects to expand the vocabulary of sound design for visual and theatrical media. Paper presented at 6th International Conference on Auditory Display, Atlanta.  
16 Sep 2005 13:58:21 Europe/Copenhagen Pop. 9%
Parise, C. V., & Spence, C. (2012). Audiovisual crossmodal correspondences and sound symbolism: A study using the implicit association test. Experimental Brain Research, 220, 319–333.  
21 Oct 2012 14:22:34 Europe/Copenhagen Pop. 12%
Niedenthal, P. M. (2007). Embodying emotion. Science, 316, 1002–1005.  
26 Jan 2011 01:57:54 Europe/Copenhagen Pop. 12%
Hawley, M. L., Litovsky, R. Y., & Culling, J. F. (2004). The benefit of binaural hearing in a cocktail party: Effect of location and type of interferer. Journal of the Acoustical Society of America, 115(2), 833–843.  
18 Apr 2014 06:58:31 Europe/Copenhagen Pop. 11%
Gaver, W. W. (1993). What in the world do we hear? An ecological approach to auditory perception. Ecological Psychology, 5(1), 1–29.  
14 Oct 2008 00:12:13 Europe/Copenhagen Pop. 15%
Econtact! 14.2: Biotechnological performance practice. (2012). Retrieved April 3, 2014, from http://cec.sonus.ca/econtact/14_2/index.html  
03 Apr 2014 08:46:26 Europe/Copenhagen Pop. 0%
Brungart, D. S., & Simpson, B. D. (2007). Cocktail party listening in a dynamic multitalker environment. Perception & Psychophysics, 69(1), 79–91.  
15 Apr 2014 12:59:55 Europe/Copenhagen Pop. 11%
Bradley, M. M., & Lang, P. J. (2000). Affective reactions to acoustic stimuli. Psychophysiology, 37, 204–215.  
19 May 2014 08:30:50 Europe/Copenhagen Pop. 11%
Ballas, J. A. (1994). Delivery of information through sound. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 79–94). Reading MA: Addison-Wesley.  
28 Apr 2009 06:34:10 Europe/Copenhagen Pop. 0%
Audiogames. (n.d.). Retrieved September 22, 2005, from http://www.audiogames.net/  
23 Sep 2006 08:25:30 Europe/Copenhagen Pop. 0%
Zampini, M., & Spence, C. (2004). The role of auditory cues in modulating the perceived crispness and staleness of potato chips. Journal of Sensory Studies, 19, 347–363.  
06 Jun 2013 11:07:15 Europe/Copenhagen Pop. 15%
Kromand, D. 2008, October 22—22 Sound and the diegesis in survival-horror games. Paper presented at Audio Mostly 2008, Piteå, Sweden.  
24 Nov 2008 11:12:05 Europe/Copenhagen Pop. 0%
Jørgensen, K. (2007). ‘What are those grunts and growls over there?’ Computer game audio and player action. Unpublished Dissertation PhD.  
21 Nov 2008 10:57:14 Europe/Copenhagen Pop. 10%
Huiberts, S., van Tol, R., & Went, K. 2009, Game audio lab: An architectural framework for nonlinear audio in games. Paper presented at AES 35th International Conference Audio for Games, Royal Academy of Engineering, London, UK.  
14 Jan 2013 14:06:21 Europe/Copenhagen Pop. 0%
Gaver, W. W. (1986). Auditory icons: Using sound in computer interfaces. Human-computer Interaction, 2, 167–177.  
08 Jan 2008 08:51:52 Europe/Copenhagen Pop. 14%
Blattner, M. M., Sumikawa, D. A., & Greenberg, R. M. (1989). Earcons and icons: Their structure and common design principles. Human-computer Interaction, 4, 11–44.  
18 Jan 2016 16:54:19 Europe/Copenhagen Pop. 9%
Opie, T. (1999) Dennis Gabor. Sound in a Nutshell, August 19, 2015, http://www.granularsynt ... com/hthesis/gabor1.html  
22 Jun 2018 06:48:44 Europe/Copenhagen Pop. 0%
Kim-Cohen, S. (2009). In the blink of an ear: Toward a non-cochlear sonic art. New York: Bloomsbury Academic.  
09 Mar 2014 11:29:43 Europe/Copenhagen Pop. 0%
Humphrey, N. (2000). The privatization of sensation. In C. Hayes & L. Huber (Eds), The Evolution of Cognition (pp. 241–252). Cambridge, Massachusetts: MIT Press.  
02 Mar 2014 17:37:19 Europe/Copenhagen Pop. 0%
Crawford, C. (1997). The art of computer game design. Retrieved January 28, 2008, from http://www.vancouver.ws ... ame-book/Coverpage.html  
29 Jan 2008 11:26:59 Europe/Copenhagen Pop. 9%
Boyd, A. (2003) When worlds collide: Sound and music in films and games. Gamasutra, September 6, 2004, http://www.gamasutra.co ... /20030204/boyd_01.shtml  
11 Mar 2006 11:23:44 Europe/Copenhagen Pop. 0%
Aigaion. (2004-2006). (Version 1.1) [PHP].  
30 Jul 2006 09:15:14 Europe/Copenhagen Pop. 0%
Wightman, F. L., & Kistler, D. J. (1997). Monaural sound localization revisited. Journal of the Acoustical Society of America, 101(2), 1050–1063.  
04 Feb 2014 15:45:31 Europe/Copenhagen Pop. 12%
Van Wanrooij, M. M., & Van Opstal, A. J. (2005). Relearning sound localization with a new ear. The Journal of Neuroscience, 25(22), 5413–5424.  
02 Feb 2014 12:11:11 Europe/Copenhagen Pop. 14%
Slater, M., & Garau, M. (2007). The use of questionnaire data in presence studies: Do not seriously likert. Presence: Teleoperators and Virtual Environments, 16(4), 447–456.  
09 Mar 2018 12:00:43 Europe/Copenhagen Pop. 9%
Nowak, K. L., Krcmer, M., & Farrar, K. M. (2008). The causes and consequences of presence: Considering the influence of violent video games on presence and aggression. Presence: Teleoperators and Virtual Environments, 17(3), 256–268.  
09 Mar 2018 12:15:19 Europe/Copenhagen Pop. 9%
Lombard, M., & Markaridian Selverian, M. E. (2008). Telepresence after death. Presence: Teleoperators and Virtual Environments, 17(3), 310–325.  
09 Mar 2018 12:22:13 Europe/Copenhagen Pop. 0%
Herrera, G., Jordan, R., & Vera, L. (2006). Agency and presence: A common dependence on subjectivity? Presence: Teleoperators and Virtual Environments, 15(5), 539–552.  
09 Mar 2018 10:13:35 Europe/Copenhagen Pop. 9%
Garau, M., Friedman, D., Ritter Widenfeld, H., & Antley, A. Temporal and spatial variations in presence: Qualitative analysis of interviews from an experiment on breaks in presence. Presence: Teleoperators and Virtual Environments, 17(3), 293–309.  
09 Mar 2018 12:18:34 Europe/Copenhagen Pop. 9%
Friedman, D., Brogni, A., Guger, C., Antley, A., Steed, A., & Slater, M. (2006). Sharing and analyzing data from presence experiments. Presence: Teleoperators and Virtual Environments, 15(5), 599–610.  
09 Mar 2018 10:10:42 Europe/Copenhagen Pop. 9%
Floridi, L. (2005). The philosophy of presence: From epistemic failure to successful observation. Presence: Teleoperators and Virtual Environments, 14(6), 656–667.  
09 Mar 2018 09:42:27 Europe/Copenhagen Pop. 9%
Berry, C. (1987). The actor and his text. London: Harrap.  
04 Oct 2006 09:24:55 Europe/Copenhagen Pop. 0%
Zatorre, R. J. (2007). There’s more to auditory cortex than meets the ear. Hearing Research, 229, 24–30.  
03 May 2014 12:02:55 Europe/Copenhagen Pop. 16%
Super Nintendo sound clips: Audio bites and quotes on entertonement. (2009). Retrieved March 20, 2009, from http://www.entertonemen ... ons/1871/Super-Nintendo  
20 Mar 2009 05:25:46 Europe/Copenhagen Pop. 0%
Röber, N., & Masuch, M. (2006). Soundpipes: A new way of path sonification No. 5Magdeburg: Fakultät für Informatik, Otto-von-Guericke Universität.  
15 Feb 2008 12:24:35 Europe/Copenhagen Pop. 9%
Liljedahl, M., & Fagerlönn, J. 2010, September 14—16 Methods for sound design: A review and implications for research and practice. Paper presented at Audio Mostly 2010, New York.  
30 Oct 2014 09:01:55 Europe/Copenhagen Pop. 13%
Interactive 3D audio rendering guidelines: Level 2.0. (1999) September 1, 2005, http://www.iasig.org/pubs/3dl2v1a.pdf  
01 Sep 2005 14:17:33 Europe/Copenhagen Pop. 12%
Ihde, D. (2010). Embodied technics. Automatic Press / VIP.  
10 Jan 2016 08:58:11 Europe/Copenhagen Pop. 0%
Gaver, W. W. (1993). How do we hear in the world? Explorations in ecological acoustics. Ecological Psychology, 5(4), 285–313.  
25 Apr 2013 16:39:09 Europe/Copenhagen Pop. 16%
Böhm, S., & Bruni, A. (2003) Intro. Ephemera, 3 September 6, 2004, http://www.ephemeraweb. ... al/3-4/3-4editorial.pdf  
06 Sep 2004 16:10:52 Europe/Copenhagen Pop. 0%
Picard, R. W. (1995). Affective computing Perceptual Computing Section Technical Report No. 321Cambridge, MA: M.I.T. Media Laboratory.  
11 May 2013 09:31:40 Europe/Copenhagen Pop. 10%
Hughes, H. C., Darcey, T. M., Barkan, H. I., Williamson, P. D., Roberts, D. W., & Aslin, C. H. (2001). Responses of human auditory association cortex to the omission of an expected acoustic event. NeuroImage, 13, 1073–1089.  
02 May 2014 12:06:15 Europe/Copenhagen Pop. 10%
Grimshaw, M., & Garner, T. A. (2012). The use of sound to represent data and concepts as a means to engender creative thought: Some thoughts on implementation and a research agenda. In Proceedings of the 7th Audio Mostly Conference: A Conference on Interaction with Sound (pp. 9–15).Association for Computing Machinery.  
30 Sep 2012 08:10:44 Europe/Copenhagen Pop. 15%
Grimshaw, M., & Garner, T. 2013, September 18—20 Sonosemantics. Paper presented at Audio Mostly 2013.  
11 Apr 2014 14:00:50 Europe/Copenhagen Pop. 14%
Garner, T. A., & Grimshaw, M. (2013) The physiology of fear and sound: Working with biometrics toward automated emotion recognition in adaptive gaming systems. IADIS International Journal on WWW/Internet, 11(2) February 5, 2014, http://www.iadisportal. ... i/papers/2013112106.pdf  
05 Feb 2014 14:02:55 Europe/Copenhagen Pop. 13%
Eliot, T. S. (1945). Burnt Norton. In Four Quartets.  
14 Jul 2010 02:58:08 Europe/Copenhagen Pop. 0%
Blacking, J. (1977). How musical is man? 1st ed. University of Washington Press.  
08 Oct 2015 15:43:41 Europe/Copenhagen Pop. 0%
Pasley, B. N., David, S. V., Mesgarani, N., Flinker, A., Shamma, S. A., & Crone, N. E., et al. (2012). Reconstructing speech from human auditory cortex. PLoS Biology, 10(1).  
21 Apr 2014 07:44:46 Europe/Copenhagen Pop. 14%
O'Shaughnessy, B. (2009). The location of a perceived sound. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 111–125). Oxford: Oxford University Press.  
01 Feb 2014 12:14:12 Europe/Copenhagen Pop. 0%
Nacke, L., Grimshaw, M., & Lindley, C. A. (2010). More than a feeling: Measurement of sonic user experience and psychophysiology in a first-person shooter game. Interacting with Computers, 22(5), 336–343.  
05 Mar 2011 09:13:38 Europe/Copenhagen Pop. 20%
Locke, J. (1690). An essay concerning human understanding 2nd ed.  
02 May 2014 12:50:50 Europe/Copenhagen Pop. 10%
Jentsch, E. (1997). On the psychology of the uncanny. Angelaki, 2(1), 7–16.  
06 Sep 2010 12:21:20 Europe/Copenhagen Pop. 16%
Chu, J. (2008) A musical score for disease: Converting genetic activity into music may be a way to monitor health. Technology Review, July 24, 2008, http://www.technologyreview.com/Biotech/21094/?a=f  
24 Jul 2008 07:57:09 Europe/Copenhagen Pop. 0%
Casati, R., & Dokic, J. (2009). Some varieties of spatial hearing. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 97–110). Oxford: Oxford University Press.  
01 Feb 2014 12:15:41 Europe/Copenhagen Pop. 0%
Bridgett, R. (2001) Sync-sound in web design and interactive media. March 8, 2004, http://www3.sympatico.ca/qualish/web.htm  
06 Sep 2004 17:37:08 Europe/Copenhagen Pop. 0%
Affordance. (2004-2006) Wikipedia, March 20, 2006, http://en.wikipedia.org/wiki/Affordance  
15 May 2006 12:45:31 Europe/Copenhagen Pop. 0%
Aarseth, E. (2001) Computer game studies, year one. Game Studies, 1(1) August 31, 2006, http://www.gamestudies.org/0101/editorial.html  
31 Aug 2006 09:49:18 Europe/Copenhagen Pop. 0%
Peep. (n.d.). May 12, 2003, http://peep.sourceforge ... docs/peep-proposal.html  
11 May 2013 13:44:01 Europe/Copenhagen Pop. 0%
Nudds, M. (2001). Experiencing the production of sounds. European Journal of Philosophy, 9(2), 210–229.  
05 Jun 2014 07:52:22 Europe/Copenhagen Pop. 8%
Murch, W. (2005) The transom review: Walter Murch. March 18, 2014, http://transom.org/2005/walter-murch-part-1/  
18 Mar 2014 15:33:51 Europe/Copenhagen Pop. 8%
LvL: Q3A custom maps (CTF). (n.d.). Retrieved July 30, 2006, from http://lvlworld.com/top.php?m=CTF&v=40  
23 Sep 2006 08:26:38 Europe/Copenhagen Pop. 0%
Lewicki, M. S. (2002). Efficient coding of natural sounds. Nature Neuroscience, 5(4), 356–363.  
24 Jul 2014 11:32:17 Europe/Copenhagen Pop. 10%
Huiberts, S. 2011, Listen: Improving the cooperation between game designers and audio designers. Unpublished paper presented at Think Design Play: The fifth international conference of the Digital Research Association (DIGRA), Hilversum, the Netherlands.  
15 Jan 2013 11:51:28 Europe/Copenhagen Pop. 0%
Glass, S. T., Lingg, E., & Heuberger, E. (2013). Do ambient urban odors evoke basic emotions? Frontiers in Psychology, 5(340), 1–11.  
29 Sep 2015 12:08:49 Europe/Copenhagen Pop. 11%
Casey, M. A. (1998). Auditory group theory with applications to statistical basis methods for structured audio. Unpublished PhD Thesis, Massachusetts Institute of Technology, Cambridge, MA.  
12 May 2013 09:50:16 Europe/Copenhagen Pop. 8%
Westerkamp, H. (2000). Editorial. Soundscape, 1(1), 3–4.  
17 Nov 2006 11:17:28 Europe/Copenhagen Pop. 0%
LaBelle, B. (2006). Background noise: Perspectives on sound art. New York: Continuum.  
09 Mar 2014 12:13:35 Europe/Copenhagen Pop. 0%
Halpern, D. Lynn., Blake, R., & Hillenbrand, J. (1986). Psychoacoustics of a chilling sound. Percept Psychophys, 39(2), 77–80.  
09 Dec 2008 07:00:28 Europe/Copenhagen Pop. 14%
Grimshaw, M. 2007, November 14—15 The resonating spaces of first-person shooter games. Paper presented at The 5th International Conference on Game Design and Technology, Liverpool.  
31 Dec 2007 06:20:05 Europe/Copenhagen Pop. 13%
Georgantzas, N. C. Self-organization dynamics. November 21, 2006, http://www.systemdynami ... apers/Georgantzas_2.pdf  
28 Nov 2006 15:29:24 Europe/Copenhagen Pop. 10%
Garbarini, F., & Adenzato, M. (2004). At the root of embodied cognition: Cognitive science meets neurophysiology. Brain and Cognition, 56(1), 100–106.  
23 May 2014 09:13:50 Europe/Copenhagen Pop. 10%
Dick, P. K. (1978) How to build a universe that doesn't fall apart two days later. January 6, 2008, http://deoxy.org/pkd_how2build.htm  
06 Jan 2008 08:25:08 Europe/Copenhagen Pop. 0%
Blaszczak, D. 2007, September 28—29 Practical aspects of audio design for virtual environments. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.  
14 Jan 2009 10:14:29 Europe/Copenhagen Pop. 0%
Atari. (1972). Pong. [Computer Game]. New York: Atari.  
01 Sep 2006 12:58:04 Europe/Copenhagen Pop. 0%
Paul, L. J. 2003, March 6—8 Game audio: Coding vs. aesthetics. Unpublished paper presented at Game Developers' Conference.  
19 Jun 2008 09:05:29 Europe/Copenhagen Pop. 9%
Fan fiction inspired by Halo. (n.d.). April 13, 2006, http://halosn.bungie.org/fanfic/  
17 Apr 2006 11:46:53 Europe/Copenhagen Pop. 0%
Designing sound. (n.d.). Retrieved October 27, 2010, from http://designingsound.org/  
27 Oct 2010 07:12:37 Europe/Copenhagen Pop. 0%
Derrida, J. (1982). Tympan (A. Bass, Trans.). In Margins of Philosophy (pp. ix–xxix). Brighton, Sussex: The Harvester Press.  
29 Jan 2014 17:12:17 Europe/Copenhagen Pop. 10%
Collins, K. (2013). Playing with sound. Cambridge, Massachusetts: MIT Press.  
10 Mar 2014 15:35:27 Europe/Copenhagen Pop. 0%
Canossa, A. (2009). Play-persona: Modeling player behaviour in computer games. Unpublished thesis PhD, Danish Design School of Copenhagen, Denmark.  
11 Dec 2009 08:50:41 Europe/Copenhagen Pop. 8%
Bunzeck, N., Wuestenberg, T., Lutz, K., Heinze, H.-J., & Jancke, L. (2005). Scanning silence: Mental imagery of complex sounds. NeuroImage, 26(4), 1119–1127.  
03 May 2014 11:59:59 Europe/Copenhagen Pop. 13%
Szabó Gendler, T. (2010). Intuition, imagination, & philosophical methodology. Oxford: Oxford University Press.  
18 Apr 2013 17:40:14 Europe/Copenhagen Pop. 0%
Quake III Arena review. (n.d.). April 14, 2006, http://www.makeitsimple ... e_reviews/quake3_arena/  
14 Apr 2006 07:51:36 Europe/Copenhagen Pop. 0%
Pasnau, R. (2007). The event of color. Philosophical Studies, 142(3), 353–369.  
05 Jun 2014 07:46:19 Europe/Copenhagen Pop. 10%
Namba, S., Kuwano, S., Hashimoto, T., Berglund, B., Rui, Z. D., & Schick, A., et al. (1991). Verbal expression of emotional impression of sound: A cross-cultural study. Journal of the Acoustical Society of Japan (E), 12(1), 19–29.  
01 Apr 2014 16:07:59 Europe/Copenhagen Pop. 10%
McMahan, A. (2003). Immersion, engagement, and presence: A new method for analyzing 3-D video games. In M. J. P. Wolf & B. Perron (Eds), The Video Game Theory Reader (pp. 67–87). New York: Routledge.  
01 Feb 2018 15:16:24 Europe/Copenhagen Pop. 0%
Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press.  
13 Mar 2006 10:16:44 Europe/Copenhagen Pop. 0%
Jennett, C. I. (2010). Is game immersion just another form of selective attention? An empirical investigation of real world dissociation in computer game immersion. Unpublished thesis PhD, University College London, United Kingdom.  
21 Sep 2010 09:17:27 Europe/Copenhagen Pop. 9%
Gamer's Edge. (1992). The catacomb abyss. [Computer Game]. Shreveport LA: Softdisk Publishing.  
04 Mar 2006 11:35:25 Europe/Copenhagen Pop. 0%
Ekman, I., & Kajastila, R. 2009, February 11—13 Localisation cues affect emotional judgements: Results from a user study on scary sound. Unpublished paper presented at AES 35th International Conference, London.  
02 Feb 2009 10:39:12 Europe/Copenhagen Pop. 15%
Brown, E., & Cairns, P. 2004, April 24—29 A grounded investigation of game immersion. Paper presented at Human Factors in Computing Systems, Vienna.  
15 Feb 2014 17:15:44 Europe/Copenhagen Pop. 14%
Ball, S. K. V. M. (2006). The uncanny in Japanese and American horror film: Hideo Nakata's Ringu and Gore Verbinski's Ring. Unpublished thesis master's, North Carolina State University, Raleigh, NC.  
22 Apr 2009 09:52:11 Europe/Copenhagen Pop. 10%
Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale and Edwardsville: Southern Illinois University Press.  
28 Oct 2016 18:06:43 Europe/Copenhagen Pop. 0%
Adorno, T. W., & Eisler, H. (1994). Composing for the films. London: Athlone Press.  
06 Jan 2007 07:09:36 Europe/Copenhagen Pop. 0%
Williamson, B. (2003) Accessing games through sound, motion and emotion. March 12, 2004, http://www.gamasutra.co ... 030528/whitmore_pfv.htm  
19 Sep 2004 11:15:40 Europe/Copenhagen Pop. 0%
Schmidt, L. A., & Trainor, L. J. (2001). Frontal brain electrical activity (EEG) distinguishes valence and intensity of musical emotions. Cognition and Emotion, 15(4), 487–500.  
28 May 2009 09:04:33 Europe/Copenhagen Pop. 8%
Quake III arena. (2001-2006) Wikipedia, May 15, 2006, http://en.wikipedia.org/wiki/Quake_3  
15 May 2006 12:47:03 Europe/Copenhagen Pop. 0%
Michael Giacchino. (n.d.). February 10, 2006, http://www.michaelgiacchino.com/credits.html  
10 Feb 2006 13:33:28 Europe/Copenhagen Pop. 0%
King, G., & Krzywinska, T. (2006). Film studies and digital games. In J. Rutter & J. Bryce (Eds), Understanding digital games (pp. 112–128). London: Sage Publications.  
02 Jun 2007 02:39:36 Europe/Copenhagen Pop. 0%
Familant, M. E., & Detweiler, M. C. (1993). Iconic reference: Evolving perspectives and an organizing framework. International Journal of Man-Machine Studies, 39(5), 705–728.  
24 Aug 2005 14:22:48 Europe/Copenhagen Pop. 0%
Diegesis. (2003-2006) Wikipedia, January 12, 2006, http://en.wikipedia.org/wiki/Diegetic  
15 May 2006 12:44:20 Europe/Copenhagen Pop. 0%
Coward, S. W., & Stevens, C. J. (2004). Extracting meaning from sound: Nomic mappings, everyday listening, and perceiving object size from frequency. The Psychological Record, 54(3), 349–364.  
24 Feb 2006 12:40:37 Europe/Copenhagen Pop. 9%
Bull, M. (2004). Thinking about sound, proximity and distance in western experience: The case of Odysseus' walkman. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 173–190). Oxford: Berg.  
20 Dec 2007 16:44:35 Europe/Copenhagen Pop. 0%
Bridgett, R. (2002) Problems with the film music model. March 8, 2004, http://www3.sympatico.ca/qualish/problems.htm  
06 Sep 2004 17:32:21 Europe/Copenhagen Pop. 0%
Breinbjerg, M. (2005) The aesthetic experience of sound: Staging of auditory spaces in 3D computer games. January 24, 2006, http://www.aestheticsofplay.org/breinbjerg.php  
28 Aug 2006 13:30:54 Europe/Copenhagen Pop. 0%
Barthes, R. (1977). The grain of the voice. In Image Music Text (pp. 179–188). London: Fontana Press.  
20 Dec 2007 16:43:14 Europe/Copenhagen Pop. 0%
Warren, D. H., Welch, R. B., & McCarthy, T. J. (1981). The role of visual-auditory "compellingness" in the ventriloquism effect: Implications for transitivity among the spatial senses. Perception & Psychophysics, 30(6), 557–564.  
26 Aug 2015 08:42:49 Europe/Copenhagen Pop. 19%
Voisin, J., Bidet-Caulet, A., Bertrand, O., & Fonlupt, P. (2006). Listening in silence activates auditory areas: A functional magnetic resonance imaging study. The Journal of Neuroscience, 26(1), 273–278.  
02 May 2014 11:34:03 Europe/Copenhagen Pop. 13%
Väljamäe, A., Larsson, P., Västfjäll, D., & Kleiner, M. (2008). Sound representing self-motion in virtual environments enhances linear vection. Presence: Teleoperators and Virtual Environments, 17(1), 43–56.  
09 Mar 2018 12:09:43 Europe/Copenhagen Pop. 8%
Shilling, R., Zyda, M., & Wardynski, E. C. 2002, November 30 Introducing emotion into military simulation and videogame design: America’s Army: Operations and VIRTE. Paper presented at GameOn, London.  
19 Dec 2010 06:19:33 Europe/Copenhagen Pop. 14%
Rocket arena. (2000-2006). [Computer Game].  
15 May 2006 12:52:33 Europe/Copenhagen Pop. 0%
Grimshaw, M. 2007, November 21—23 Sound and immersion in the first-person shooter. Paper presented at The 11th International Computer Games Conference, La Rochelle.  
31 Dec 2007 06:23:24 Europe/Copenhagen Pop. 13%
Douglas, Y., & Hargadon, A. 2000, May 30—June 3 The pleasure principle: Immersion, engagement, flow. Paper presented at Proceedings of the eleventh ACM on Hypertext and hypermedia, San Antonio, Texas.  
04 Dec 2009 05:58:50 Europe/Copenhagen Pop. 13%
Danks, M. September 10 EAPd/Pure Data. (to: M. Dalgleish). [Email]  
10 Sep 2008 15:42:08 Europe/Copenhagen Pop. 0%
Tuuri, K., Mustonen, M.-S., & Pirhonen, A. 2007, September 27—28 Same sound — different meanings: A novel scheme for different modes of listening. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.  
07 May 2008 12:43:35 Europe/Copenhagen Pop. 0%
Norman, K. (2004). Sounding art: Eight literary excursions through electronic music. Aldershot: Ashgate.  
21 Oct 2013 14:42:46 Europe/Copenhagen Pop. 0%
Nacke, L., Lindley, C. A., & Stellmach, S. 2008, October 20—21 Log who's playing: Psychophysiological game analysis made easy through event logging. Paper presented at Fun and Games, Eindhoven.  
31 Jul 2009 16:50:40 Europe/Copenhagen Pop. 10%
Murray, J. H. (1997). Hamlet on the holodeck: The future of narrative in cyberspace. Cambridge: The MIT Press.  
21 Aug 2006 15:46:01 Europe/Copenhagen Pop. 0%
Moncrieff, S., Dorai, C., & Venkatesh, S. 2001, Affect computing in film through sound energy dynamics. Paper presented at The ninth ACM international conference on Multimedia.  
27 Apr 2014 08:45:24 Europe/Copenhagen Pop. 8%
Liu, Y., Sourina, O., & Nguyen, M. K. (2011). Real-time EEG-based emotion recognition and its applications. In M. L. Gavrilova, C. J. K. Tan, A. Sourin & O. Sourina (Eds), Transactions on Computational Science: Special Issue on Cyberworlds Vol. XII, (pp. 256–277). Berlin: Springer.  
23 Apr 2014 08:09:30 Europe/Copenhagen Pop. 10%
Kress, G. (2003). Literacy in the new media age. London: Routledge.  
11 Aug 2006 12:37:22 Europe/Copenhagen Pop. 0%
Kallinen, K., & Ravaja, N. (2007). Comparing speakers versus headphones in listening to news from a computer: Individual differences and psychophysiological responses. Computers in Human Behavior, 23(1), 303–317.  
01 Jun 2010 04:32:35 Europe/Copenhagen Pop. 8%
Jørgensen, K. 2006, October 11—12 On the functional aspects of computer game audio. Paper presented at Audio Mostly 2006, Piteå, Sweden.  
20 Sep 2009 10:53:05 Europe/Copenhagen Pop. 9%
Ekman, I., & Lankoski, P. (2009). Hair-raising entertainment: Emotions, sound, and structure in silent hill 2 and fatal frame. In B. Perron (Ed.), Horror Video Games: Essays on the Fusion of Fear and Play Jefferson, NC: McFarland.  
03 Mar 2013 09:37:46 Europe/Copenhagen Pop. 0%
Cano, P., Koppenberger, M., le Groux, S., Ricard, J., Wack, N., & Herrera, P. (2005). Nearest neighbor automatic sound annotation with a WordNet taxonomy. Journal of Intelligent Systems, 24(2/3), 99–111.  
26 Jan 2006 11:52:40 Europe/Copenhagen Pop. 8%
Buckingham, D. (2006). Studying computer games. In Computer Games: Text, Narrative and Play Cambridge: Polity.  
08 Sep 2006 12:11:16 Europe/Copenhagen Pop. 0%
Bridgett, R. (1999) Aural imagery: Sonic ambiguity in time based media. September 18, 2003, http://www3.sympatico.ca/qualish/aural.htm  
06 Sep 2004 16:57:52 Europe/Copenhagen Pop. 0%
Berressem, H. (2005) n-1 sexes. Rhizomes, 11(12) July 7, 2006, http://www.rhizomes.net ... 11/berressem/index.html  
07 Jul 2006 10:46:44 Europe/Copenhagen Pop. 0%
Audio Mostly 2007: 2nd Conference on interaction with sound. 2007. Röntgenbau, Ilmenau: Fraunhofer Institute for Digital Media Technology. September 27—28 2007.  
06 May 2008 15:30:25 Europe/Copenhagen Pop. 11%
Alten, S. R. (2002). Audio in media 6th ed. Belmont CA: Wadsworth/Thomson Learning.  
07 Mar 2006 13:22:04 Europe/Copenhagen Pop. 0%
Västfjäll, D. (2012). Emotional reactions to sounds without meaning. Psychology, 3(8), 606–609.  
19 May 2014 08:25:15 Europe/Copenhagen Pop. 8%
Tinwell, A., Grimshaw, M., & Williams, A. (2011). The uncanny wall. International Journal of Arts and Technology, 4(3), 326–341.  
15 Nov 2011 10:11:14 Europe/Copenhagen Pop. 18%
Thompson, E., & Varela, F. J. (2001). Radical embodiment: Neural dynamics and consciousness. Trends in Cognitive Science, 5(10), 418–425.  
05 Jun 2014 11:28:03 Europe/Copenhagen Pop. 8%
Thompson, K., & Bordwell, D. (2003). Film history: An introduction 2nd ed. New York: McGraw-Hill.  
16 Feb 2006 09:46:05 Europe/Copenhagen Pop. 0%
Slater, M. (2007) If you respond as if it were real, then it is Presence. Starlab, September 30, 2010, http://www.cs.ucl.ac.uk ... ater-June07-STARLAB.pdf  
30 Sep 2010 03:42:02 Europe/Copenhagen Pop. 12%
Reiner, M., & Hecht, D. (2009). Behavioral indications of object-presence in haptic virtual environments. Cyberpsychology & Behavior, 12(2), 183–186.  
14 Apr 2009 03:55:56 Europe/Copenhagen Pop. 16%
Jennett, C., Cox, A. L., Cairns, P., Dhopare, S., Epps, A., Tijs, T., & Walton, A. (2008). Measuring and defining the experience of immersion in games. International Journal of Human-Computer Studies, 66, 641–661.  
30 Nov 2010 07:58:31 Europe/Copenhagen Pop. 12%
Grimshaw, M. (2001). Grim Shores 3: Atlantis. [Computer Game].  
30 Jul 2006 08:59:15 Europe/Copenhagen Pop. 0%
Grimshaw, M. 2009, September 2—3 The audio uncanny valley: Sound, fear and the horror game. Paper presented at Audio Mostly 2009, Glasgow, UK.  
31 Oct 2017 06:43:12 Europe/Copenhagen Pop. 17%
Friberg, J., & Gärdenfors, D. 2004, June 3—5 Audio games: New perspectives on game audio. Paper presented at Advances in Computer Entertainment Technology '04, Singapore.  
04 Apr 2016 13:09:02 Europe/Copenhagen Pop. 11%
Ekman, I. 2005, Meaningful noise: Understanding sound effects in computer games. Paper presented at Digital Arts and Cultures, Kopenhagen.  
14 Oct 2008 01:21:01 Europe/Copenhagen Pop. 9%
Eidos Interactive. (1998). Thief: The dark project. [Computer Game]. Activision.  
12 Apr 2006 15:26:30 Europe/Copenhagen Pop. 0%
Cox, T. J. 2007, September 2—7 Bad vibes: An investigation into the worst sounds in the world. Paper presented at 19th International Congress on Acoustics, Madrid.  
11 Oct 2010 07:00:04 Europe/Copenhagen Pop. 11%
Carter, P. (2004). Ambiguous traces, mishearing, and auditory space. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 43–63). Oxford: Berg.  
20 Dec 2007 17:14:31 Europe/Copenhagen Pop. 0%
Campbell, R. H., Grimshaw, M., & Green, G. M. (2009) Relational agents: A critical review. The Open Virtual Reality Journal, 1 April 9, 2009, http://www.bentham.org/open/tovrj/openaccess2.htm  
28 Mar 2013 09:29:19 Europe/Copenhagen Pop. 10%
Bungie Studios. (2001-2004). Halo series. [Computer Game]. Redmond: Microsoft.  
13 Apr 2006 14:39:10 Europe/Copenhagen Pop. 0%
Blesser, B., & Salter, L.-R. (2007). Spaces speak, are you listening? Experiencing aural architecture. Cambridge, Massachusetts: MIT Press.  
12 Feb 2014 16:37:10 Europe/Copenhagen Pop. 0%
Barthes, R. (1967) The death of the author. Aspen, 5+6 December 18, 2006, http://www.ubu.com/aspe ... hreeEssays.html#barthes  
18 Dec 2006 11:24:51 Europe/Copenhagen Pop. 0%
Ambrosetti, F. Urban Terror 2.6 released. June 2, 2006, http://www.gamershell.com/news/4383.html  
02 Jun 2006 07:49:23 Europe/Copenhagen Pop. 0%
Ambroise, C. (2005-2006). dokuwikibibtexplugin. [Dokuwiki plug-in].  
12 Dec 2006 17:07:17 Europe/Copenhagen Pop. 0%
Altman, R. (1992). Sound space. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 46–64). New York: Routledge.  
16 Feb 2006 08:28:24 Europe/Copenhagen Pop. 0%
Altman, R. (1992). The material heterogeneity of recorded sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 15–31). New York: Routledge.  
14 Oct 2004 12:19:52 Europe/Copenhagen Pop. 0%
Altman, R. (1992). Introduction: Four and a half film fallacies. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 35–45). New York: Routledge.  
23 Apr 2007 21:17:19 Europe/Copenhagen Pop. 0%
Wasik, B. 2006, SeptemberGrand theft education: Literacy in the age of video games. Harper's Magazine, 31–39.  
23 Sep 2006 16:12:55 Europe/Copenhagen Pop. 8%
Puterbaugh, J. (1999) Sonopoietic space. July 7, 2006, http://www.music.prince ... n/sonopoietic_space.htm  
01 Nov 2006 14:46:11 Europe/Copenhagen Pop. 0%
Lindley, C. A., & Sennersten, C. C. (2008). Game play schemas: From player analysis to adaptive game mechanics. International Journal of Computer Games Technology, 2008,  
06 May 2008 10:43:37 Europe/Copenhagen Pop. 0%
Everest, F. A. (1984). Acoustic techniques for home and studio 2nd ed. Blue Ridge Summit, PA: Tab Books.  
10 Sep 2004 08:01:08 Europe/Copenhagen Pop. 0%
Bridgett, R. (1999) The aesthetics of film music: From romanticism to modernism. March 8, 2004, http://www3.sympatico.ca/qualish/music.htm  
06 Sep 2004 17:32:38 Europe/Copenhagen Pop. 0%
Bohemia Interactive Studio. (2001). Operation flashpoint: Cold war crisis. [Computer Game]. Codemasters.  
12 Apr 2006 15:29:56 Europe/Copenhagen Pop. 0%
Altman, R. (1992). Introduction: Sound's dark corners. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 171–177). New York: Routledge.  
27 Jan 2006 09:51:32 Europe/Copenhagen Pop. 0%
Stockburger, A. (2006). The rendered arena: Modalities of space in video and computer games. Unpublished thesis PhD, University of the Arts, London.  
15 May 2008 15:04:43 Europe/Copenhagen Pop. 9%
Snow, B. (2009) Realistic game audio has us pining for beeps of yesteryear. ars technica, March 20, 2009, http://arstechnica.com/ ... c-punch-to-the-face.ars  
20 Mar 2009 05:39:27 Europe/Copenhagen Pop. 0%
Sloboda, J. A., & Juslin, P. N. (2002). Psychological perspectives on music and emotion. In P. N. Juslin & J. A. Sloboda (Eds), Music and Emotion: Theory and Research (pp. 71–104). Oxford: Oxford University Press.  
01 Nov 2010 03:55:13 Europe/Copenhagen Pop. 0%
Ryan, M.-L. (2001) Beyond myth and metaphor: The case of narrative in digital media. Game Studies, 1(1) July 25, 2006, http://www.gamestudies.org/0101/ryan/  
25 Jul 2006 13:15:20 Europe/Copenhagen Pop. 0%
Raghuvanshi, N., Lauterbach, C., Chandak, A., Manocha, D., & Lin, M. C. (2007). Symphony: Realtime physically based sound synthesis for large environments. Communications of the ACM, 50(7), 66–73.  
22 Jan 2008 04:03:45 Europe/Copenhagen Pop. 8%
Nudds, M. (2009). Sounds and space. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 69–96). Oxford: Oxford University Press.  
01 Feb 2014 12:09:49 Europe/Copenhagen Pop. 0%
Lindley, C. A. (2002) Conditioning, learning and creation in games: Narrative, the gameplay gestalt and generative simulation. May 24, 2004, http://zerogame.tii.se/pdfs/NILE.pdf  
26 Sep 2005 11:12:45 Europe/Copenhagen Pop. 0%
Kramer, G., Walker, B., Bonebright, T., Cook, P., Flowers, J., & Miner, N., et al. (1997) Sonification report: Status of the field and research agenda. September 1, 2005, http://www.icad.org/web ... 2.0/References/nsf.html  
10 May 2013 14:38:33 Europe/Copenhagen Pop. 13%
Kearney, P. R., & Pivec, M. 2007, June 13—15 Immersed and how? That is the question. Unpublished paper presented at Game in' Action, Sweden.  
02 Mar 2014 17:38:12 Europe/Copenhagen Pop. 18%
Grimshaw, M., & Schott, G. 2007, September 24—28 Situating gaming as a sonic experience: The acoustic ecology of first person shooters. Paper presented at Situated Play, University of Tokyo.  
15 Feb 2008 10:41:58 Europe/Copenhagen Pop. 11%
Grimshaw, M. (2001). Grim Shores 2: Devil's Island. [Computer Game].  
30 Jul 2006 08:59:50 Europe/Copenhagen Pop. 0%
Entertainment and Leisure Software Publishers Association. (n.d.). Retrieved October 4, 2003, from http://www.elspa.co.uk/  
23 Sep 2006 08:24:38 Europe/Copenhagen Pop. 0%
Coleman, G. W., Macaulay, C., & Newell, A. F. (2006). Listen to this: Using ethnography to inform the design of auditory interfaces. Haptic and Audio Interaction Design, Proceedings, 2006, 133–144.  
15 May 2008 15:13:15 Europe/Copenhagen Pop. 9%
Carlsson, A. (2010). Power users and retro puppets: A critical study of the methods and motivations in chipmusic. Unpublished thesis master's, Lund University.  
13 Feb 2012 16:29:54 Europe/Copenhagen Pop. 0%
Burn, A., & Schott, G. (2004). Heavy hero or digital dummy? Multimodal player-avatar relations in Final Fantasy 7. visual communication, 3(2), 213–233.  
15 Aug 2006 15:13:37 Europe/Copenhagen Pop. 0%
Adams, E. W. 2003, November 4—6 The construction of ludic space. Paper presented at Level Up.  
20 Sep 2005 10:17:44 Europe/Copenhagen Pop. 0%
Wrightson, K. (2000). An introduction to acoustic ecology. Soundscape, 1(1), 10–13.  
10 Oct 2006 08:36:59 Europe/Copenhagen Pop. 0%
Wilhelmsson, U. (2001). Enacting the point of being: Computer games, interaction and film theory. Unpublished thesis PhD, University of Copenhagen, Denmark.  
19 Jun 2008 10:46:57 Europe/Copenhagen Pop. 9%
Whittington, W. (2007) Sound, silence and horror. Offscreen, 11(8-9) November 20, 2008, http://www.offscreen.co ... /whittington_forum1.pdf  
20 Nov 2008 09:57:35 Europe/Copenhagen Pop. 9%
Tinwell, A., Grimshaw, M., & Abdel Nabi, D. 2011, October 9—12 Effect of emotion and articulation of speech on the Uncanny Valley in virtual characters. Paper presented at ACII 2011 Part II.  
28 May 2013 16:14:36 Europe/Copenhagen Pop. 8%
Raij, T., McEvoy, L., Mäkelä, J. P., & Hari, R. (1997). Human auditory cortex is activated by omissions of auditory stimuli. Brain Research, 745, 134–143.  
02 May 2014 10:03:53 Europe/Copenhagen Pop. 13%
Mustonen, M.-S. (2007). Introducing timbre to design of semi-abstract earcons: The role of timbre in meaning creation of non-speech interface sounds. Saarbrücken: VDM Verlag Dr. Mueller.  
06 May 2013 18:35:28 Europe/Copenhagen Pop. 0%
Garner, T., Grimshaw, M., & Abdel Nabi, D. 2010, September 14—16 A preliminary experiment to assess the fear value of preselected sound parameters in a survival horror game. Paper presented at Audio Mostly 2010, Piteå, Sweden.  
22 Sep 2010 04:15:53 Europe/Copenhagen Pop. 12%
Fairclough, S. H. 2007, Psychophysiological inference and physiological computer games. Paper presented at Brainplay’07: Brain-Computer Interfaces and Games, Salzburg, Austria.  
14 Jan 2010 09:45:12 Europe/Copenhagen Pop. 8%
Cheng, K., & Cairns, P. A. 2005, April 2—7 Behaviour, realism and immersion in games. Paper presented at Conference on Human Factors in Computing Systems, Portland, Oregon.  
27 Nov 2009 05:15:40 Europe/Copenhagen Pop. 9%
Carr, D. (2006). Games and narrative. In Computer Games: Text, Narrative and Play (pp. 30–44). Cambridge: Polity.  
21 Aug 2006 15:48:56 Europe/Copenhagen Pop. 0%
Calleja, G. (2007). Digital games as designed experience: Reframing the concept of immersion. Unpublished thesis PhD, Victoria University, Wellington, New Zealand.  
12 Sep 2008 20:15:37 Europe/Copenhagen Pop. 10%
Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170.  
11 Apr 2006 10:47:24 Europe/Copenhagen Pop. 9%
Bartkowiak, A. (Director) (2005). Doom III [Film]. J. Wells (Producer). USA: Universal Pictures.  
12 Feb 2006 13:23:47 Europe/Copenhagen Pop. 0%
Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 249–253). New York: Routledge.  
04 Nov 2004 12:57:41 Europe/Copenhagen Pop. 0%
Weske, J. Digital sound and music in computer games. Retrieved December 20, 2007, from http://www.tu-chemnitz. ... l/hypertexte/gamesound/  
20 Dec 2007 06:24:00 Europe/Copenhagen Pop. 0%
Rinman, M.-L., Friberg, A., Bendiksen, B., Cirotteau, D., Dahl, S., & Kjellmo, I., et al. (2004). Ghost in the cave -- an interactive collaborative game using non-verbal communication. Lecture Notes in Artificial Intelligence, 2915, 549–556.  
06 Jun 2005 12:08:52 Europe/Copenhagen Pop. 8%
Mala, E. 2008, November 24The sound of horror. Newsweek,  
20 Nov 2008 10:46:21 Europe/Copenhagen Pop. 0%
Mactavish, A. (2002). Technological pleasure: The performance and narrative of technology in Half-Life and other high-tech computer games. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 33–49). London: Wallflower Press.  
13 Jan 2006 13:10:53 Europe/Copenhagen Pop. 0%
MacDorman, K. F., & Ishiguro, H. (2006). The uncanny advantage of using androids in cognitive and social science research. Interaction Studies, 7(3), 297–337.  
21 May 2009 04:05:32 Europe/Copenhagen Pop. 8%
Laurel, B. (1993). Computers as theatre. New York: Addison-Wesley.  
15 May 2008 10:25:48 Europe/Copenhagen Pop. 0%
Huiberts, S. (2010). Captivating sound: The role of audio for immersion in games. Unpublished Thesis PhD, University of Portsmouth and Utrecht School of the Arts, Portsmouth.  
28 Feb 2011 09:13:24 Europe/Copenhagen Pop. 0%
Grimshaw, M. (2012). Sound and player immersion in digital games. In T. Pinch & K. Bijsterveld (Eds), The Oxford Handbook of Sound Studies (pp. 347–366). New York: Oxford University Press.  
20 Jan 2012 16:28:26 Europe/Copenhagen Pop. 0%
Fritz, J. B., Elhilali, M., David, S. V., & Shamma, S. A. (2007). Auditory attention: Focusing the searchlight on sound. Current Opinion in Neurobiology, 17(4), 437–455.  
15 Apr 2014 13:13:17 Europe/Copenhagen Pop. 8%
Folmann, T. B. Dimensions of game audio. November 23, 2004, http://www.itu.dk/peopl ... ions-of-game-audio.html  
28 Mar 2006 16:45:30 Europe/Copenhagen Pop. 0%
Eisenstein, S. M., & Aleksandrov, G. (Directors) (1925). Bronenosets Potyomkin [Film]. USSR:  
09 Feb 2006 15:53:30 Europe/Copenhagen Pop. 0%
Damasio, A. (2006). Descartes' error Revised ed. London: Vintage.  
11 May 2012 09:04:40 Europe/Copenhagen Pop. 0%
Collins, K. (2005). From bits to hits: Video games music changes its tune. Film International, 12, 4–19.  
24 Sep 2010 08:02:39 Europe/Copenhagen Pop. 8%
Byrne, R. M. J. (2007). The rational imagination: How people create alternatives to reality. Cambridge: The MIT Press.  
27 Aug 2011 04:49:23 Europe/Copenhagen Pop. 0%
Bacon, F. (1627). The New Atlantis 11th ed. Project Gutenberg.  
15 Sep 2006 07:01:41 Europe/Copenhagen Pop. 0%
State University Center of Creative and Performing Arts. 1968. In C. In C. T. Riley (Comp.)Sony. [Vinyl Record] 7178.  
17 Oct 2006 13:48:18 Europe/Copenhagen Pop. 0%
Naito, T. 2005Interview with Hideo Nakata, specter director. Kateigaho, Winter,  
20 Nov 2008 10:45:20 Europe/Copenhagen Pop. 0%
Lastra, J. (1992). Reading, writing, and representing sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 65–86). New York: Routledge.  
03 Mar 2006 14:09:52 Europe/Copenhagen Pop. 0%
Kapralos, B., Jenkin, M., & Milios, E. (2003). Auditory perception and spatial (3D) auditory systems Technical Report No. CS-2003-07Toronto, Canada: York University.  
21 May 2008 16:54:47 Europe/Copenhagen Pop. 10%
Grimshaw, M., & Schott, G. (2008). A conceptual framework for the analysis of first-person shooter audio and its potential use for game engines. International Journal of Computer Games Technology, 2008,  
30 Jan 2008 10:27:10 Europe/Copenhagen Pop. 13%
Fernández-Vara, C., Zagal, J. P., & Mateas, M. 2005, June 16—20 Evolution of spatial configurations in videogames. Paper presented at Changing Views -- Worlds in Play, Toronto.  
05 Aug 2005 10:48:22 Europe/Copenhagen Pop. 8%
Evans, D. (2001). Emotion: A very short introduction. Oxford: Oxford University Press.  
28 May 2011 07:52:39 Europe/Copenhagen Pop. 0%
Epic Games, & Digital Extremes. (2004). Unreal tournament 2004. [Computer Game]. New York: Atari.  
13 Apr 2006 16:35:33 Europe/Copenhagen Pop. 0%
Cohen, A. J. (2002). Music as a source of emotion in film. In P. N. Juslin & J. A. Sloboda (Eds), Music and Emotion: Theory and Research (pp. 249–272). Oxford: Oxford University Press.  
02 Sep 2005 12:50:21 Europe/Copenhagen Pop. 0%
Carr, D. (2006). Space, navigation and affect. In Computer Games: Text, Narrative and Play (pp. 59–71). Cambridge: Polity.  
17 Sep 2009 09:41:22 Europe/Copenhagen Pop. 0%
Calleja, G. 2007, September 24—28 Revising immersion: A conceptual model for the analysis of digital game involvement. Paper presented at Situated Play, University of Tokyo.  
23 Aug 2009 11:31:43 Europe/Copenhagen Pop. 9%
Bross, M. (1997) Effective music for games and multimedia. Gamasutra, 1 September 6, 2004, http://www.gamasutra.co ... 497/effective_music.htm  
06 Sep 2004 17:53:16 Europe/Copenhagen Pop. 0%
Bringsjord, S. (2001) Is it possible to build dramatically compelling interactive digital entertainment (in the form, e.g., of computer games)? Game Studies, 1(1) September 16, 2003, http://www.gamestudies.org/0101/bringsjord/  
04 Sep 2006 15:00:43 Europe/Copenhagen Pop. 0%
Bernds, E. (1999). Mr. Bernds goes to Hollywood: My early life and career in sound recording at Columbia with Frank Capra and others. Lanham MD: Scarecrow Press.  
12 Feb 2006 10:23:42 Europe/Copenhagen Pop. 0%
Bakker, E. M., & Lewis, M. S. (2002). Semantic video retrieval using audio analysis. Lecture Notes in Computer Science, 2383, 271–277.  
20 Apr 2005 16:19:07 Europe/Copenhagen Pop. 8%
Bach, D. R., Neuhoff, J. G., Perrig, W., & Seifritz, E. (2008). Looming sounds as warning signals: The function of motion cues. International Journal of Psychophysiology, 74(1), 28–33.  
27 Apr 2014 08:57:08 Europe/Copenhagen Pop. 9%
Anderson, M. L. (2003). Embodied cognition: A field guide. Articificial Intelligence, 149, 91–130.  
17 Feb 2011 07:55:55 Europe/Copenhagen Pop. 8%
Wolf, M. J. P. (2001). Time in the video game. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 78–91). Austin: University of Texas Press.  
14 Feb 2006 11:28:37 Europe/Copenhagen Pop. 0%
Stockburger, A. 2003, November 4—6 The game environment from an auditive perspective. Paper presented at Level Up, Utrecht Universiteit.  
15 May 2008 10:09:26 Europe/Copenhagen Pop. 0%
Röber, N., & Masuch, M. 2005, June 16—20 Playing audio-only games: A compendium of interacting with virtual auditory worlds. Paper presented at Changing Views -- Worlds in Play, Toronto.  
27 Jul 2005 11:13:39 Europe/Copenhagen Pop. 7%
Moll, J., Huang, Y., & Sallnäs, E.-L. (2010). Audio makes a difference in haptic collaborative virtual environments. Interacting with Computers, 22(5).  
29 Jun 2010 02:37:44 Europe/Copenhagen Pop. 7%
Johnson, K. (1997). Acoustics and auditory phonetics. Oxford: Blackwell.  
11 Sep 2004 13:32:57 Europe/Copenhagen Pop. 0%
Huiberts, S., & van Tol, R. (2008) IEZA: A framework for game audio. Gamasutra, January 24, 2008, http://www.gamasutra.co ... work_for_game_audio.php  
24 Jan 2008 12:25:46 Europe/Copenhagen Pop. 0%
Ho, C.-C., MacDorman, K. F., & Dwi Pramono, Z. A. 2008, March 12—15 Human emotion and the Uncanny Valley: A GLM, MDS, and isomap analysis of robot video ratings. Paper presented at Third ACM/IEEE International Conference on Human-Robot Interaction, Amsterdam.  
15 May 2009 09:37:36 Europe/Copenhagen Pop. 7%
Grimshaw, M. (2010). Relaciones mediadas por el sonido entre jugadores en el entorno de juegos multijugador. Comunicar, 34, 73–81.  
19 Apr 2010 08:43:26 Europe/Copenhagen Pop. 9%
Grimshaw, M., & Schott, G. 2007, September 10—11 A conceptual framework for the design and analysis of first-person shooter audio. Paper presented at Third International Conference on Games Research and Development, Manchester.  
14 Sep 2007 19:54:59 Europe/Copenhagen Pop. 11%
Ermi, L., & Mäyrä, F. 2005, June 16—20 Fundamental components of the gameplay experience: Analysing immersion. Paper presented at Changing Views -- Worlds in Play, Toronto.  
30 Mar 2011 04:15:12 Europe/Copenhagen Pop. 13%
Chekhov, A. (1986) The telephone. Journal of Alternative Philosophy et Alia Omnia Superna et Inferna, 1(2) June 21, 2006, http://atschool.eduweb. ... hilosophy/chekhov1.html  
21 Jun 2006 06:50:56 Europe/Copenhagen Pop. 0%
Benjamin, W. (1936) The work of art in the age of mechanical reproduction. March 8, 2006, http://www.marxists.org ... y/works/ge/benjamin.htm  
13 Mar 2006 14:29:27 Europe/Copenhagen Pop. 0%
Zhang, J. Categorization of affordances. March 20, 2006, http://acad88.sahs.uth. ... /hi6301/affordance.html  
20 Mar 2006 16:30:12 Europe/Copenhagen Pop. 0%
Spadoni, R. (2007) The sound and the horror. University of Chicago Magazine, 100(1) November 20, 2008, http://magazine.uchicag ... 0/features/horror.shtml  
20 Nov 2008 08:38:19 Europe/Copenhagen Pop. 0%
Russolo, L. 1913. The art of noise: Futurist manifesto. [Manifesto].  
21 Sep 2012 08:15:48 Europe/Copenhagen Pop. 7%
C. Peter, E. Crane, M. Fabri, H. Agius & L. Axelrod (Eds.) Emotion in HCI: Designing for people. 2010. Liverpool, UK: Liverpool John Moores University. September 2 2008978-3-8396-0089-4.  
19 Sep 2010 10:11:29 Europe/Copenhagen Pop. 7%
O'Callaghan, C. (2007). Sounds. Oxford: Oxford University Press.  
09 May 2013 09:23:59 Europe/Copenhagen Pop. 0%
Nordahl, R., Serafin, S., Böttcher, N., & Gelineck, S. 2006, October 11—12 Physically based sonic interaction synthesis for computer games. Paper presented at Audio Mostly 2006, Piteå, Sweden.  
05 May 2008 10:41:24 Europe/Copenhagen Pop. 0%
Nacke, L., & Grimshaw, M. (2011). Player-game interaction through affective sound. In M. Grimshaw (Ed.), Game sound technology and player interaction: concepts and developments (pp. 264–285). Hershey (PA): IGI.  
14 Jul 2011 09:33:50 Europe/Copenhagen Pop. 13%
Ion Storm. (2000). Deus ex. [Computer Game]. Eidos Interactive.  
12 Apr 2006 15:28:00 Europe/Copenhagen Pop. 0%
Hoeger, L., & Huber, W. 2007, September 24—28 Ghostly manipulation: Fatal Frame II and the videogame uncanny. Paper presented at Situated Play, University of Tokyo.  
08 May 2009 04:27:58 Europe/Copenhagen Pop. 8%
Droumeva, M., & Wakkary, R. (2007). AmbientSonic map: Towards a new conceptualization of sound design for games. Loading... 1(1).  
14 Feb 2008 12:31:46 Europe/Copenhagen Pop. 9%
Bridgett, R. (2003) Off screen sound in interactive media. September 9, 2003, http://www3.sympatico.ca/qualish/off.htm  
06 Sep 2004 17:10:58 Europe/Copenhagen Pop. 0%
Bregman, A. S. (1993). Auditory scene analysis: Hearing in complex environments. In S. McAdams & E. Bigand (Eds), Thinking in Sound: The Cognitive Psychology of Human Audition (pp. 10–36). Oxford: Clarendon Press.  
28 Sep 2005 10:43:03 Europe/Copenhagen Pop. 0%
Bessell, D. (2002). What's that funny noise? An examination of the role of music in Cool Boarders 2, Alien Trilogy and Medievil 2. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 136–144). London: Wallflower Press.  
04 Oct 2004 17:07:31 Europe/Copenhagen Pop. 0%
Berndt, A., & Hartmann, K. 2007, September 28—29 Strategies for narrative and adaptive game scoring. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.  
08 May 2008 08:04:44 Europe/Copenhagen Pop. 0%
Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge.  
26 Oct 2004 11:56:38 Europe/Copenhagen Pop. 0%
Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 1–14). New York: Routledge.  
18 Apr 2005 16:26:08 Europe/Copenhagen Pop. 0%
White, G. R., Fitzpatrick, G., & McAllister, G. 2008, September 10—12 Toward accessible 3D virtual environments for the blind and visually impaired. Paper presented at 3rd international conference on Digital Interactive Media in Entertainment and Arts, Athens, Greece.  
09 Dec 2008 06:23:56 Europe/Copenhagen Pop. 8%
Smith, B. R. (2004). Listening to the wild blue yonder: The challenges of acoustic ecology. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 21–41). Oxford: Berg.  
20 Sep 2012 12:10:56 Europe/Copenhagen Pop. 10%
Owren, M. J., & Bachorowski, J.-A. (2003). Reconsidering the evolution of nonlinguistic communication: The case of laughter. Journal of Nonverbal Behavior, 27(3), 183–200.  
05 May 2009 09:12:25 Europe/Copenhagen Pop. 9%
Martin, R. L., Thrift, N. J., & Bennett, R. J. (Eds). (1978). Towards the dynamic analysis of spatial systems. London: Pion.  
01 Aug 2006 15:05:53 Europe/Copenhagen Pop. 0%
Kracauer, S. (1960) Dialogue and sound. February 13, 2014, http://analysis3.com/Di ... 60-download-w32223.html  
13 Feb 2014 09:26:58 Europe/Copenhagen Pop. 12%
Kahn, D. (1999). Noise, water, meat: A history of sound in the arts. Cambridge, Massachusetts: MIT Press.  
13 Oct 2007 06:01:28 Europe/Copenhagen Pop. 0%
Gonot, A., Natkin, S., Emerit, M., & Chateau, N. (2007) The roles of spatial auditory perception and cognition in the accessibility of a game map with a first person view. International Journal of Intelligent Games & Simulation, 4(2) December 31, 2007, http://ijigs.scit.wlv.ac.uk/AGonot.pdf  
09 Feb 2008 15:39:03 Europe/Copenhagen Pop. 9%
Evens, A. (2005). Sound ideas: Music, machines, and experience. Minneapolis: University of Minnesota Press.  
01 Mar 2006 13:02:08 Europe/Copenhagen Pop. 0%
Darley, A. (2000). Visual digital culture: Surface play and spectacle in new media genres. London: Routledge.  
05 Nov 2006 11:59:08 Europe/Copenhagen Pop. 0%
DanC. (2006) Creating a system of game play notation. February 21, 2006, http://lostgarden.com/2 ... game-play-notation.html  
21 Feb 2006 17:01:27 Europe/Copenhagen Pop. 0%
Cho, J., Yi, E., & Cho, G. (2001). Physiological responses evoked by fabric sounds and related mechanical and acoustical properties. Textile Research Journal, 71(12), 1068–1073.  
22 Apr 2009 09:29:06 Europe/Copenhagen Pop. 12%
The sound of horror. 2003, August 29B. Carpenter (Producer). Boston: WZBC 90.3 FM Boston College.  
20 Nov 2008 08:48:02 Europe/Copenhagen Pop. 0%
Burn, A., & Parker, D. (2003). Analysing media texts. London: Continuum.  
08 Nov 2006 10:44:10 Europe/Copenhagen Pop. 0%
Bridgett, R. (2003) The first stage of sound design is ... well ... er ... design. March 8, 2004, http://www3.sympatico.ca/qualish/design.htm  
06 Sep 2004 17:24:38 Europe/Copenhagen Pop. 0%
Bridgett, R., & Paul, L. J. (2006) Establishing an aesthetic in next generation sound design. Gamasutra, June 18, 2008, http://www.gamasutra.co ... 60621/bridgett_01.shtml  
18 Jun 2008 11:35:06 Europe/Copenhagen Pop. 8%
Bramas, B., Kim, Y.-M., & Kwon, D.-S. 2008, October 14—17 Design of a sound system to increase emotional expression impact in human-robot interaction. Paper presented at International Conference on Control, Automation and Systems, Seoul, Korea.  
20 Apr 2009 09:30:23 Europe/Copenhagen Pop. 8%
Bernds, E. The state of the art – 1928. February 12, 2006, http://www.filmsound.or ... tory/sound1928part1.htm  
12 Feb 2006 10:28:22 Europe/Copenhagen Pop. 0%
Balázs, B. (1952) The theory of the film: Sound. January 16, 2006, http://atc.berkeley.edu ... adings/Humon_Belazs.pdf  
23 Oct 2015 15:31:49 Europe/Copenhagen Pop. 0%
Xu, M., Duan, L.-Y., Cai, J., Chia, L.-T., Xu, C., & Tian, Q. (2004). HMM-based audio keyword generation. Lecture Notes in Computer Science, 3333, 556–574.  
06 Jun 2005 10:48:06 Europe/Copenhagen Pop. 7%
Whalen, Z. (2004) Play along -- an approach to videogame music. Game Studies, 4(1) February 20, 2005, http://www.gamestudies.org/0401/whalen/  
06 Dec 2015 19:50:01 Europe/Copenhagen Pop. 9%
Tusing, K. J., & Dillard, J. P. (2000). The sounds of dominance: Vocal precursors of perceived dominance during interpersonal influence. Human Communication Research, 26(1), 148–171.  
20 Apr 2005 10:45:56 Europe/Copenhagen Pop. 7%
Tinwell, A., Grimshaw, M., & Williams, A. (2010). Uncanny behaviour in survival horror games. Journal of Gaming and Virtual Worlds, 2(1), 3–25.  
29 Jun 2010 03:29:01 Europe/Copenhagen Pop. 9%
Palmer, I. J. (2002). How realistic is the sound design in the D-Day landing sequence in Saving Private Ryan? Unpublished thesis master's, Bournemouth University.  
11 Mar 2006 11:12:43 Europe/Copenhagen Pop. 0%
Kelleghan, F. (1996) Sound effects in science fiction and horror films. November 20, 2008, http://filmsound.org/ar ... orsound/horrorsound.htm  
22 Apr 2009 10:11:17 Europe/Copenhagen Pop. 0%
id Software. (2004). Doom 3. [Computer Game]. Activision.  
06 Mar 2006 08:14:42 Europe/Copenhagen Pop. 0%
Grönlund, B. 1997, March 21 Urbanity: Lived space and difference. Paper presented at Urbanity & Aesthetics, Copenhagen University.  
25 Jan 2006 13:48:52 Europe/Copenhagen Pop. 0%
Grimshaw, M., Charlton, J., & Jagger, R. (2011). First-person shooters: Immersion and attention. Eludamos. Journal for Computer Game Culture, 5(1), 19–34.  
11 Jul 2011 03:27:08 Europe/Copenhagen Pop. 11%
Czyzewski, A., Rostek, B., Odya, P., & Zielinski, S. (2001). Determining influence of visual cues on the perception of surround sound using soft computing. Lecture Notes in Artificial Intelligence, 2005, 545–552.  
12 Oct 2005 11:38:43 Europe/Copenhagen Pop. 7%
Corbett, M. J. (2003) Sound organisation: A brief history of psychosonic management. Ephemera, 3 April 19, 2004, http://www.ephemeraweb. ... rnal/3-4/3-4corbett.pdf  
19 Apr 2005 12:03:03 Europe/Copenhagen Pop. 7%
Chagas, P. C. (2005) Polyphony and embodiment: A critical approach to the theory of autopoiesis. Revista Transcultural de Música, 9 July 7, 2006, http://www.sibetrans.com/trans/trans9/chagas.htm  
07 Jul 2006 11:11:38 Europe/Copenhagen Pop. 0%
Burroughs, E. R. (2008). The beasts of Tarzan. Project Gutenberg.  
24 Nov 2008 12:16:11 Europe/Copenhagen Pop. 0%
Bryce, J., & Rutter, J. (2002). Spectacle of the deathmatch: Character and narrative in first-person shooters. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 66–80). London: Wallflower Press.  
23 Sep 2004 14:59:38 Europe/Copenhagen Pop. 0%
Bridgett, R. (2003) Subtlety and silence. September 9, 2003, http://www3.sympatico.c ... evelop-Oct2002-Pg28.jpg  
06 Sep 2004 17:31:58 Europe/Copenhagen Pop. 0%
Andersson, P., Carlander, O., Hörberg, U., Jander, H., Kindström, M., & Sandberg, S. (2005). Invisning med fritt tal, bäring 3D-ljud User Report No. FOI-R--1786--SELinköping: FOI - Swedish Defence Research Agency.  
15 May 2008 14:34:13 Europe/Copenhagen Pop. 7%
Zehnder, S. M., & Lipscomb, S. D. (2006). The role of music in video games. In P. Vorderer & J. Bryant (Eds), Playing Video Games: Motives, Responses, and Consequences (pp. 241–258). Mahwah (NJ): Lawrence Elrbaum Associates.  
18 Oct 2010 04:40:50 Europe/Copenhagen Pop. 10%
Wright, T., Boria, E., & Breidenbach, P. (2002) Creative player actions in FPS online video games. Game Studies, 2(2) September 16, 2003, http://www.gamestudies.org/0202/wright/  
04 Sep 2006 15:06:26 Europe/Copenhagen Pop. 0%
Tykwer, T. (Director) (1998). Lola rennt [Film]. S. Arndt (Producer). Germany: Prokino Plus.  
10 Mar 2006 11:47:48 Europe/Copenhagen Pop. 0%
Tinwell, A., Grimshaw, M., & Williams, A. (2011). Uncanny speech. In M. Grimshaw (Ed.), Game sound technology and player interaction: concepts and developments (pp. 213–234). Hershey (PA): IGI.  
14 Jul 2011 09:30:47 Europe/Copenhagen Pop. 0%
Spielberg, S. (Director) (1998). Saving private Ryan [Film]. S. Spielberg, M. Gordon, G. Levinsohn & I. Bryce (Producers). USA: Dreamworks SKG.  
07 Jun 2006 08:08:58 Europe/Copenhagen Pop. 0%
Spasim. (1974). [Computer Game].  
10 Aug 2006 17:04:51 Europe/Copenhagen Pop. 0%
Mori, M. (2012). The uncanny valley. IEEE Robotics & Automation Magazine, 1–4.  
30 Apr 2016 12:05:58 Europe/Copenhagen Pop. 8%
Lévy, P. (1998). Becoming virtual: Reality in the digital age R. Bononno, Trans. London: Plenum Trade.  
23 Jun 2006 13:19:19 Europe/Copenhagen Pop. 0%
King, G. (2003). Die hard/try harder: Narrative, spectacle and beyond, from hollywood to videogame. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 50–65). London: Wallflower Press.  
23 Sep 2004 12:28:20 Europe/Copenhagen Pop. 0%
Kattenbelt, C., & Raessens, J. 2003, November 4—6 Computer games and the complexity of experience. Paper presented at Level Up.  
31 Aug 2006 10:58:59 Europe/Copenhagen Pop. 0%
Collins, K. (2007). An introduction to the participatory and non-linear aspects of video games audio. In S. Hawkins & J. Richardson (Eds), Essays on Sound and Vision Helsinki: Helsinki University Press.  
03 Feb 2009 06:00:19 Europe/Copenhagen Pop. 9%
Clair, R. (1929) The art of sound. January 16, 2006, https://web.archive.org ... ne/575/art-of-sound.htm  
20 Jun 2006 08:17:52 Europe/Copenhagen Pop. 7%
Velivelli, A., Ngo, C.-W., & Huang, T. S. (2003). Detection of documentary scene changes by audio-visual fusion. Lecture Notes in Computer Science, 2728, 227–238.  
09 Jun 2005 11:21:24 Europe/Copenhagen Pop. 7%
Taylor, L. N. (2002). Video games: Perspective, point-of-view, and immersion. Unpublished thesis master's, University of Florida.  
04 Nov 2006 12:01:23 Europe/Copenhagen Pop. 0%
Parkes, D. N., & Thrift, N. J. (1980). Times, spaces, and places: A chronogeographic perspective. New York: John Wiley & Sons.  
30 Jun 2006 12:54:11 Europe/Copenhagen Pop. 0%
Morgan, G. (1990). Images of organization. London: Sage Publications.  
04 Nov 2006 15:41:57 Europe/Copenhagen Pop. 0%
McDonald, G. A brief timeline of video game music. September 18, 2003, http://www.gamespot.com ... eatures/video/vg_music/  
17 Sep 2004 07:52:15 Europe/Copenhagen Pop. 0%
Maturana, H., & Varela, F. (1980). Autopoiesis and cognition: The realization of the living. Dordecht: D. Reidel Publishing Co.  
20 Jun 2006 08:13:11 Europe/Copenhagen Pop. 0%
Kücklich, J. (2003) Perspectives of computer game philology. Game Studies, 3(1) September 16, 2003, http://www.gamestudies.org/0301/kucklich/  
04 Sep 2006 15:02:44 Europe/Copenhagen Pop. 0%
Kramer, G. (1994). Some organizing principles for representing data with sound. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 185–221). Reading MA: Addison-Wesley.  
21 Oct 2005 14:49:20 Europe/Copenhagen Pop. 0%
King, G., & Krzywinska, T. (2002). Cinema/videogames/interfaces. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 1–32). London: Wallflower Press.  
11 Apr 2006 13:42:10 Europe/Copenhagen Pop. 0%
Innocent, T. 2003, May 19—23 Exploring the nature of electronic space through semiotic morphism. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
07 Mar 2006 06:54:04 Europe/Copenhagen Pop. 0%
Grieb, M. (2002). Run lara run. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 157–170). London: Wallflower Press.  
04 Oct 2004 17:01:57 Europe/Copenhagen Pop. 0%
Gibson, J. J. (1966). The senses considered as perceptual systems. Boston: Houghton Mifflin.  
26 Apr 2013 10:00:55 Europe/Copenhagen Pop. 0%
Foucault, M. (1984). Of other spaces, heterotopias. Architecture, Mouvement, Continuité, 5, 46–49.  
20 Apr 2016 09:36:44 Europe/Copenhagen Pop. 0%
Ekman, I. 2007, September 27—28 Sound-based gaming for sighted audiences: Experiences from a mobile multiplayer location aware game. Paper presented at Audio Mostly 2007.  
11 Aug 2008 13:01:43 Europe/Copenhagen Pop. 7%
Carr, D. (2002). Playing with lara. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 171–180). London: Wallflower Press.  
05 Oct 2004 12:03:13 Europe/Copenhagen Pop. 0%
Bross, M. (1997) Powerful audio tips for game and multimedia developers. Gamasutra, September 6, 2004, http://www.gamasutra.co ... ./103197/audio_tips.htm  
06 Sep 2004 17:50:46 Europe/Copenhagen Pop. 0%
Williams, A. (1992). Historical and theoretical issues in the coming of recorded sound to the cinema. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 126–137). New York: Routledge.  
26 Oct 2004 12:45:30 Europe/Copenhagen Pop. 0%
Ward, M. (2010). Voice, videogames, and the technologies of immersion. In N. Neumark, R. Gibson & T. van Leeuwen (Eds), VOICE Vocal Aesthetics in Digital Arts and Media (pp. 265–277). Cambridge, Massachusetts: MIT Press.  
21 Jul 2011 10:38:46 Europe/Copenhagen Pop. 11%
Tinwell, A. 2009, July 19—24 Uncanny as usability obstacle. Paper presented at Online Communities and Social Computing.  
05 Aug 2009 04:14:45 Europe/Copenhagen Pop. 9%
Taylor, L. N. (2003) When seams fall apart: Video game space and the player. Game Studies, 3(2) March 15, 2006, http://gamestudies.org/0302/taylor/  
15 Mar 2006 11:32:53 Europe/Copenhagen Pop. 0%
Spadoni, R. (2007). Uncanny bodies: The coming of sound film and the origins of the horror genre. Berkeley: University of California Press.  
05 Jan 2009 11:05:00 Europe/Copenhagen Pop. 0%
Renoir, J. (1974). My life and my films N. Denny, Trans. London: Collins.  
08 Feb 2006 07:43:47 Europe/Copenhagen Pop. 0%
Picker, J. M. (2003). Victorian soundscapes. New York: Oxford University Press.  
19 Oct 2012 10:02:47 Europe/Copenhagen Pop. 0%
Parker, J. R., & Heerema, J. (2008) Audio interaction in computer mediated games. International Journal of Computer Games Technology, 2008 December 31, 2007, http://www.hindawi.com/ ... doi=10.1155/2008/178923  
31 Dec 2007 06:36:55 Europe/Copenhagen Pop. 9%
Nuckolls, J. B. (2004). Language and nature in sound alignment. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 65–85). Oxford: Berg.  
20 Dec 2007 16:59:30 Europe/Copenhagen Pop. 0%
Nitsche, M., & Thomas, M. 2003, November 4—6 Stepping back: Players as active participators. Paper presented at Level Up.  
11 Sep 2006 10:57:29 Europe/Copenhagen Pop. 8%
Moncrieff, S., Venkatesh, S., & Dorai, C. 2003, July 6—9 Horror film genre typing and scene labelling via audio analysis. Paper presented at International Conference on Multimedia and Expo.  
15 Dec 2008 03:11:52 Europe/Copenhagen Pop. 10%
Mendels, P. (2007). The audio adventurer. Unpublished thesis Master's, Eindhoven University of Technology.  
15 Jan 2009 11:06:32 Europe/Copenhagen Pop. 0%
McAdams, S. (1993). Recognition of sound sources and events. In S. McAdams & E. Bigand (Eds), Thinking in Sound: The Cognitive Psychology of Human Audition (pp. 146–198). Oxford: Clarendon Press.  
21 Sep 2005 14:45:47 Europe/Copenhagen Pop. 0%
Law, C. Urban Terror! GameSpy, June 2, 2006, http://archive.gamespy. ... ghts/urbanterror_a.shtm  
02 Jun 2006 07:33:41 Europe/Copenhagen Pop. 0%
Jørgensen, K. (2007). On transdiegetic sounds in computer games. Northern Lights, 5, 105–117.  
05 Jan 2009 10:37:08 Europe/Copenhagen Pop. 0%
Grodal, T. (2003). Stories for eye, ear, and muscles: Video games, media, and embodied experiences. In M. J. P. Wolf & B. Perron (Eds), The Video Game Theory Reader (pp. 129–155). New York: Routledge.  
22 Aug 2006 08:23:03 Europe/Copenhagen Pop. 0%
Grimshaw, M. 2008, November 12—13 Autopoiesis and sonic immersion: Modelling sound-based player relationships as a self-organizing system. Paper presented at Sixth Annual International Conference in Computer Game Design and Technology, Liverpool.  
23 Nov 2008 04:32:27 Europe/Copenhagen Pop. 8%
Gouk, P. (2004). Raising spirits and restoring souls: Early modern medical explanations for music's effect. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 87–105). Oxford: Berg.  
15 May 2008 10:18:18 Europe/Copenhagen Pop. 0%
Farnell, A. J. (2007) An introduction to procedural audio and its application in computer games. December 20, 2007, http://www.obiwannabe.c ... c-audio/proc-audio.html  
20 Dec 2007 06:10:20 Europe/Copenhagen Pop. 0%
Bussemakers, M. P., & de Haan, A. 1998, November 1—4 Using earcons and icons in categorisation tasks to improve multimedia interfaces. Paper presented at 5th International Conference on Auditory Display, Glasgow.  
23 Feb 2006 14:18:09 Europe/Copenhagen Pop. 8%
Bruner, J. S. (1957). On perceptual readiness. Psychological Review, 64(2), 123–152.  
21 Oct 2005 14:48:18 Europe/Copenhagen Pop. 0%
Bridgett, R. (2002) Citizen kane: Acoustic sound as expressionist device. March 8, 2004, http://www3.sympatico.ca/qualish/kane.htm  
06 May 2008 15:43:10 Europe/Copenhagen Pop. 0%
Wurtzler, S. (1992). "She sang live, but the microphone was turned off": The live, the recorded and the subject of representation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 87–103). New York: Routledge.  
03 Mar 2006 14:56:51 Europe/Copenhagen Pop. 0%
Wolf, M. J. P. (2001). Introduction. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 1–9). Austin: University of Texas Press.  
08 Oct 2004 16:57:28 Europe/Copenhagen Pop. 0%
Walker, R. (1987). The effects of culture, environment, age, and musical training on choices of visual metaphors for sound. Perception & Psychophysics, 42(5), 491–502.  
06 Mar 2006 13:30:22 Europe/Copenhagen Pop. 7%
Shinn-Cunningham, B. G. 2004, April 4—9 The perceptual consequences of creating a realistic, reverberant 3-D audio display. Paper presented at The International Congress on Acoustics, Kyoto, Japan.  
02 Feb 2006 13:48:52 Europe/Copenhagen Pop. 7%
Rutter, J., & Bryce, J. (Eds). (2006). Understanding digital games. London: Sage Publications.  
02 Jun 2007 02:32:24 Europe/Copenhagen Pop. 0%
Redström, J. (1998) Is acoustic ecology about ecology? Reflections on the International Conference on Acoustic Ecology “Stockholm, Hey Listen!” 1998. November 20, 2008, http://www.tii.se/play/ ... ations/1998/ecology.pdf  
21 Nov 2008 10:56:27 Europe/Copenhagen Pop. 8%
Rebelo, P. 2003, Performing space. Unpublished paper presented at Symposium on Systems Research in the Arts: Music, Environmental Design, and the Choreography of Space.  
01 Nov 2006 14:34:56 Europe/Copenhagen Pop. 7%
Lumann, N. (1995). Social systems J. Bednarz Jr. & D. Baecker, Trans. Stanford: Stanford University Press.  
01 May 2008 13:15:33 Europe/Copenhagen Pop. 0%
Kress, G., & van Leeuwen, T. (2001). Multimodal discourse: The modes and media of contemporary communication. London: Hodder Arnold.  
20 Oct 2006 12:12:37 Europe/Copenhagen Pop. 0%
Kapralos, B., Zikovitz, D., Jenkin, M. R., & Harris, L. R. 2004, May 8—11 Auditory cues in the perception of self motion. Paper presented at Audio Engineering Society 116th Convention, Berlin.  
21 May 2008 16:50:58 Europe/Copenhagen Pop. 8%
Jennett, C., Cox, A. L., & Cairns, P. A. 2009, April 4—9 Investigating computer game immersion and the component real world dissociation. Paper presented at Human Factors in Computing Systems, Boston, MA.  
27 Nov 2009 05:26:53 Europe/Copenhagen Pop. 9%
Heath, S. (1976). Narrative space. Screen, 17, 68–112.  
19 Apr 2005 09:36:05 Europe/Copenhagen Pop. 0%
Granner, C. (1999) Tales from the trenches of coin-op audio. Gamasutra, September 18, 2003, http://www.extraball.co ... /chrisgranner/index.htm  
23 Apr 2015 14:27:05 Europe/Copenhagen Pop. 0%
Garcia, J. M. 2006, October 11—12 From heartland values to killing prostitutes: An overview of sound in the video game Grand Theft Auto Liberty City Stories. Paper presented at Audio Mostly 2006, Piteå, Sweden.  
17 Sep 2009 09:49:33 Europe/Copenhagen Pop. 0%
Edworthy, J., Loxley, S., & Dennis, I. (1991). Improving auditory warning design: Relationship between warning sound parameters and perceived urgency. Human Factors, 33(2), 205–231.  
28 Apr 2009 06:42:47 Europe/Copenhagen Pop. 15%
Brand, J. E., Knight, S., & Majewski, J. 2003, November 4—6 The diverse worlds of computer games: A content analysis of spaces, populations, styles and narratives. Paper presented at Level Up, Utrecht Universiteit.  
11 Sep 2006 10:59:16 Europe/Copenhagen Pop. 7%
Bel, B. Concepts of time in the contemporary performing arts. March 20, 2006, http://www.lpl.univ-aix ... nard/music/timeperf.htm  
20 Mar 2006 15:55:02 Europe/Copenhagen Pop. 0%
Zagal, J. P., Mateas, M., Fernández-Vara, C., Hochhalter, B., & Lichti, N. 2005, June 16—20 Towards an ontological language for game analysis. Paper presented at Changing Views -- Worlds in Play, Toronto.  
28 Mar 2006 11:20:39 Europe/Copenhagen Pop. 7%
Young, K. (2006) Recreating reality. March 9, 2009, http://www.gamesound.or ... /RecreatingReality.html  
09 Mar 2009 10:47:52 Europe/Copenhagen Pop. 0%
Wenzel, E. M. (1992). Localization in virtual acoustic displays. Presence: Teleoperators and Virtual Environments, 1(1), 80–107.  
28 Feb 2018 09:15:16 Europe/Copenhagen Pop. 7%
Thrift, N. (1996). Spatial formations. London: Sage Publications.  
30 Jun 2006 12:34:47 Europe/Copenhagen Pop. 0%
Théberge, P. (1989). The 'sound' of music: Technological rationalization and the production of popular music. New Formations, 8, 99–111.  
14 Mar 2006 14:09:20 Europe/Copenhagen Pop. 0%
Steckenfinger, S. A., & Ghazanfar, A. A. (2010). Monkey visual behavior falls into the uncanny valley. Proceedings of the National Academy of Sciences of the United States of America, 107(40).  
11 Oct 2010 08:22:42 Europe/Copenhagen Pop. 8%
Sopory, P., & Dillard, J. P. (2002). The persuasive effects of metaphor: A meta-analysis. Human Communication Research, 28(3), 382–419.  
23 May 2005 23:16:04 Europe/Copenhagen Pop. 7%
Rheingold, H. (1991). Virtual reality: The revolutionary technology of computer-generated artificial worlds -- and how it promises and threatens to transform business and society. New York: Summit Books.  
28 Apr 2005 20:58:34 Europe/Copenhagen Pop. 0%
Pace, S. 2008, May 12—15 Immersion, flow and the experiences of game players. Paper presented at Simulation Technology and Training Conference, Melbourne.  
27 Nov 2009 05:22:11 Europe/Copenhagen Pop. 11%
Medal of Honor series. (1999-2012). [Computer Game].  
10 Mar 2014 16:37:25 Europe/Copenhagen Pop. 0%
Markosian, N. (2002) Time. Stanford Encyclopedia of Philosophy, Winter March 6, 2006, http://plato.stanford.e ... s/win2002/entries/time/  
06 Mar 2006 10:32:39 Europe/Copenhagen Pop. 0%
Liang, W., & Tan, M. C. C. (2002). Vision and virtuality: The construction of narrative space in film and computer games. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 98–109). London: Wallflower Press.  
22 Sep 2005 13:11:20 Europe/Copenhagen Pop. 0%
van Leeuwen, T. (1999). Speech, music, sound. London: MacMillan Press.  
22 Sep 2006 15:16:22 Europe/Copenhagen Pop. 0%
Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 204–216). New York: Routledge.  
01 Nov 2004 11:44:56 Europe/Copenhagen Pop. 0%
Keane, S. (2002). From hardware to fleshware: Plugging into David Cronenberg's eXistenZ. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 145–156). London: Wallflower Press.  
04 Oct 2004 17:04:15 Europe/Copenhagen Pop. 0%
Johnson, S. (2001). Emergence: The connected lives of ants, brains, cities and software. London: Penguin Books.  
28 Nov 2006 15:28:55 Europe/Copenhagen Pop. 0%
Guy, W. (2003) Design with music in mind: A guide to adaptive audio for game designers. Gamasutra, September 19, 2004, http://www.gamasutra.co ... 030528/whitmore_pfv.htm  
19 Sep 2004 11:13:03 Europe/Copenhagen Pop. 0%
Freire, C. (2006) In Japan, Mona Lisa's voice finally heard. Globe and Mail, June 21, 2006, http://www.theglobeandm ... BNStory/Technology/home  
21 Jun 2006 06:42:10 Europe/Copenhagen Pop. 0%
Fencott, C. (1999) Presence and the content of virtual environments. August 4, 2005, http://web.onyxnet.co.u ... co.uk/pres99/pres99.htm  
04 Aug 2005 14:24:44 Europe/Copenhagen Pop. 0%
Farnell, A. 2007, September 28—29 Synthetic game audio with puredata. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.  
07 May 2008 12:19:16 Europe/Copenhagen Pop. 0%
Ekman, I. 2008, October 22—23 Psychologically motivated techniques for emotional sound in computer games. Paper presented at Audio Mostly 2008, Piteå, Sweden.  
08 Jan 2009 11:14:13 Europe/Copenhagen Pop. 0%
Chion, M. (1992). Wasted words. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 104–110). New York: Routledge.  
26 Oct 2004 10:29:43 Europe/Copenhagen Pop. 0%
Bridgett, R. (2002) Sound design: An introduction. March 8, 2004, http://www3.sympatico.ca/qualish/introduction.htm  
06 Sep 2004 17:21:18 Europe/Copenhagen Pop. 0%
Bregman, A. S., & Pinker, S. (1978). Auditory streaming and the building of timbre. Canadian Journal of Psychology, 31(1), 19–31.  
05 Oct 2005 11:02:11 Europe/Copenhagen Pop. 0%
Witkin, H. A., Wapner, S., & Leventhal, T. (1952). Sound localization with conflicting visual and auditory cues. Journal of Experimental Psychology, 43, 58–67.  
22 Jul 2005 16:56:04 Europe/Copenhagen Pop. 0%
Tsingos, N., Gallo, E., & Drettakis, G. (2003) Breaking the 64 spatialized sources barrier. Gamasutra, September 19, 2004, http://www.gamasutra.co ... 0030528/tsingos_pfv.htm  
19 Sep 2004 11:10:50 Europe/Copenhagen Pop. 0%
Tews, R. R. (2001). Archetypes on acid: Video games and culture. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 169–182). Austin: University of Texas Press.  
18 Oct 2004 17:28:49 Europe/Copenhagen Pop. 0%
Tarkovsky, A. (Director) (1972). Solyaris [Film]. USSR: Mosfilm.  
23 Feb 2006 16:35:50 Europe/Copenhagen Pop. 0%
Maturana, H., & Varela, F. (1987). The tree of knowledge: The biological roots of human understanding R. Paolucci, Trans. Boston: Shambhala.  
27 Mar 2006 08:08:13 Europe/Copenhagen Pop. 0%
MacDorman, K. F. (2006) Subjective ratings of robot video clips for human likeness, familiarity, and eeriness: An exploration of the Uncanny Valley. May 15, 2009, http://www.macdorman.co ... 06SubjectiveRatings.pdf  
15 May 2009 09:44:56 Europe/Copenhagen Pop. 8%
Lefevbre, H. (1991). The production of space D. Nicholson-Smith, Trans. Oxford: Blackwell.  
22 Mar 2006 16:07:35 Europe/Copenhagen Pop. 0%
Krez, I., & Niedenthal, S. (2008). Lighting in digital game worlds: Effects on affect and play performance. Cyberpsychology & Behavior, 11(2), 129–137.  
31 Jul 2009 04:16:08 Europe/Copenhagen Pop. 7%
Howard, D. M., & Angus, J. (1996). Acoustics and psychoacoustics. Oxford: Focal Press.  
10 Feb 2014 08:47:19 Europe/Copenhagen Pop. 0%
Gonot, A., Natkin, S., Emerit, M., & Chateau, N. 2006, November 22—24 An experiment in the perception of space through sound in virtual world and games. Paper presented at 9th International Conference on Computer Games: Artificial Intelligence and Mobile Systems, Dublin Institute of Technology.  
29 Jan 2008 12:22:44 Europe/Copenhagen Pop. 7%
Digital Illusions. (2002). Battlefield 1942. [Computer Game]. Electronic Arts.  
06 Mar 2006 07:50:42 Europe/Copenhagen Pop. 0%
Davies, G., Cunningham, S., & Grout, V. 2007, September 27—28 Visual stimulus for aural pleasure. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.  
07 May 2008 10:56:44 Europe/Copenhagen Pop. 0%
Cruz, R. (2007) I-sounds emotion-based sound generation for virtual environments. April 20, 2009, http://isounds.files.wo ... .com/2007/04/report.pdf  
22 Apr 2009 10:04:09 Europe/Copenhagen Pop. 8%
Crowder, R. G. (1993). Auditory memory. In S. McAdams & E. Bigand (Eds), Thinking in Sound: The Cognitive Psychology of Human Audition (pp. 113–145). Oxford: Clarendon Press.  
06 May 2008 15:43:30 Europe/Copenhagen Pop. 0%
Consalvo, M. (2003). Zelda 64 and video game fans. Television & New Media, 4, 321–334.  
01 Jul 2010 03:11:16 Europe/Copenhagen Pop. 0%
Connor, S. (2004). Edison's teeth: Touching hearing. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 153–172). Oxford: Berg.  
20 Dec 2007 16:49:05 Europe/Copenhagen Pop. 0%
Collins, K. E. Video games audio. November 19, 2003, http://www.dullien-inc. ... llins/texts/vgaudio.pdf  
09 Sep 2004 20:50:48 Europe/Copenhagen Pop. 7%
Bird, B. (Director) (2004). The Incredibles [Film]. J. Walker (Producer). USA: Disney/Pixar Animation Studios.  
09 Jun 2012 09:44:15 Europe/Copenhagen Pop. 0%
Warren, W. H., & Verbrugge, R. R. (1984). Auditory perception of breaking and bouncing events: A case study in ecological acoustics. Journal of Experimental Psychology: Human Perception and Performance, 10(5), 704–712.  
26 Apr 2013 09:53:13 Europe/Copenhagen Pop. 0%
Tinwell, A., & Grimshaw, M. 2009, April 23—25 Survival horror games: An uncanny modality. Paper presented at Thinking After Dark, Montreal.  
05 Aug 2009 04:14:17 Europe/Copenhagen Pop. 9%
Martinez Hernandez, E., Adiloglu, K., Annies, R., Purwins, H., & Obermayer, K. 2007, September 28—29 Perceptual representations for classification of everyday sounds. Paper presented at Audio Mostly 2007, Röntgenbau, Ilmenau, Germany.  
08 May 2008 07:48:42 Europe/Copenhagen Pop. 0%
Malaby, T. M. (2006) Stopping play: A new approach to games. Social Science Research Network, August 11, 2006, http://ssrn.com/abstract=922456  
04 Oct 2006 11:09:20 Europe/Copenhagen Pop. 7%
Lindley, C. A. (2005) The semiotics of time structure in ludic space as a foundation for analysis and design. Game Studies, 5(1) March 22, 2006, http://www.gamestudies.org/0501/lindley/  
22 Mar 2006 16:10:46 Europe/Copenhagen Pop. 0%
Järvinen, A. 2005, June 16—20 Theory as game: Designing the gamegame. Paper presented at Changing Views -- Worlds in Play, Toronto.  
02 Aug 2005 14:59:48 Europe/Copenhagen Pop. 7%
Innes, H. A. (1972). Empire and communication 2nd ed. Toronto: University of Toronto Press.  
03 Feb 2006 15:09:41 Europe/Copenhagen Pop. 0%
Hayward, P. (Ed.). (2004). Off the planet: Music, sound and science fiction cinema. London: John Libbey.  
28 Nov 2005 15:23:02 Europe/Copenhagen Pop. 0%
Fastl, H. , Neutralizing the meaning of sound for sound quality evaluations. Paper presented at International Congress on Acoustics.  
11 Oct 2010 07:05:15 Europe/Copenhagen Pop. 8%
Farnell, A. J. (2006) Sound synthesis for games. December 20, 2007, http://www.obiwannabe.c ... thetic-games-sound.html  
20 Dec 2007 06:09:39 Europe/Copenhagen Pop. 0%
Eskelinen, M. (2001) The gaming situation. Game Studies, 1(1) August 31, 2006, http://www.gamestudies.org/0101/eskelinen/  
31 Aug 2006 14:44:52 Europe/Copenhagen Pop. 0%
Drewes, T. M., Myatt, E. D., & Gandy, M. 2000, April 2—5 Sleuth: An audio experience. Paper presented at 6th International Conference on Auditory Display, Atlanta.  
16 Sep 2005 13:26:21 Europe/Copenhagen Pop. 7%
Cobussen, M. (2003) Ethics and/in/as silence. Ephemera, 3 September 9, 2004, http://www.ephemeraweb. ... nal/3-4/3-4cobussen.pdf  
09 Sep 2004 20:47:00 Europe/Copenhagen Pop. 0%
Bridgett, R. (2002) Interactive music. August 3, 2003, http://www3.sympatico.ca/qualish/interactive.htm  
06 Sep 2004 17:16:13 Europe/Copenhagen Pop. 0%
Bartneck, C., Kanda, T., Ishiguro, H., & Hagita, N. 2007, August 26—29 Is the Uncanny Valley An Uncanny Cliff? Paper presented at 16th IEEE International Conference on Robot & Human Interactive Communication, Jeju, Korea.  
08 May 2009 04:40:19 Europe/Copenhagen Pop. 10%
Watamaniuk, J. Neverwinter Nights: Interview with composer David John. February 10, 2006, http://nwn.bioware.com/ ... profile_david_john.html  
10 Feb 2006 12:54:13 Europe/Copenhagen Pop. 0%
Pudovkin, V. I. (1934) Asynchronism as a principle of sound film. January 26, 2006, http://lavender.fortune ... ne/575/asynchronism.htm  
26 Jan 2006 12:26:12 Europe/Copenhagen Pop. 0%
Murphy, D., & Pitt, I. (2001). Spatial sound enhancing virtual story telling. Lecture Notes in Computer Science, 2197, 20–29.  
08 Jun 2012 14:59:27 Europe/Copenhagen Pop. 8%
Montgomery, R. (Director) (1947). Lady in the lake [Film]. USA: MGM.  
20 Jan 2006 16:40:27 Europe/Copenhagen Pop. 0%
Minato, T., Shimada, M., Ishiguro, H., & Itakura, S. (2004). Development of an android robot for studying human-robot interaction. In Innovations in Applied Artificial Intelligence Vol. 3029, (pp. 424–434). Berlin: Springer.  
21 May 2009 04:06:24 Europe/Copenhagen Pop. 7%
Maitland, F. (2001) The risk factor. September 18, 2003, http://www.gignews.com/fraseredit.htm  
14 Sep 2004 09:47:23 Europe/Copenhagen Pop. 0%
King, G., & Krzywinska, T. 2003, November 4—6 Gamescapes: Exploration and virtual presence in game-worlds. Paper presented at Level Up, Utrecht Universiteit.  
20 Sep 2005 10:14:24 Europe/Copenhagen Pop. 0%
Keller, P., & Stevens, C. (2004). Meaning from environmental sounds: Types of signal-referent relations and their effect on recognizing auditory icons. Journal of Experimental Psychology, 10(1), 3–12.  
14 Oct 2008 00:11:01 Europe/Copenhagen Pop. 7%
Jørgensen, K. (2009). A comprehensive study of sound in computer games: How audio affects player action. Queenston: The Edwin Mellen Press.  
23 May 2012 09:02:37 Europe/Copenhagen Pop. 0%
IASIG wiki. (n.d.). Retrieved January 4, 2008, from http://www.iasig.org/wi ... p?title=IASIG_Wiki_Home  
04 Jan 2008 08:58:29 Europe/Copenhagen Pop. 0%
Gray Matter Studios, & id Software. (2001). Return to Castle Wolfenstein. [Computer Game]. Activision.  
06 Mar 2006 08:11:27 Europe/Copenhagen Pop. 0%
Bregman, A. S., & Campbell, J. (1971). Primary auditory stream segregation and perception of order in rapid sequences of tones. Journal of Experimental Psychology, 89(2), 244–249.  
28 Sep 2005 10:26:09 Europe/Copenhagen Pop. 0%
Wenzel, E. M. (1994). Spatial sound and sonification. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 127–150). Reading MA: Addison-Wesley.  
28 Sep 2005 10:42:14 Europe/Copenhagen Pop. 0%
Tompkins, E. L., & Adger, W. N. (2004) Does adaptive management of natural resources enhance resilience to climate change? Ecology and Society, 9(2) July 6, 2006, http://www.ecologyandsociety.org/vol9/iss2/art10/  
06 Jul 2006 22:24:13 Europe/Copenhagen Pop. 0%
Sweetser, P., & Wyeth, P. 2005, July GameFlow: A model for evaluating player enjoyment in games. Paper presented at Computers in Entertainment.  
05 Aug 2009 05:06:28 Europe/Copenhagen Pop. 6%
Schneider, E. F., Lang, A., Shin, M., & Bradley, S. D. (2004). Death with a story: How story impacts emotional, motivational, and physiological responses to first-person shooter video games. Human Communication Research, 30, 361–375.  
03 Jun 2008 15:53:15 Europe/Copenhagen Pop. 8%
Röber, N., & Masuch, M. 2004, November 8—10 Auditory game authoring: From virtual worlds to auditory environments. Paper presented at International Conference on Computer Games: Artificial Intelligence, Design and Education, University of Wolverhampton, UK.  
31 Aug 2005 14:51:20 Europe/Copenhagen Pop. 7%
PainBerry. Realism: Is it possible in any quake game? June 2, 2006, http://planetquake.game ... rials.Detail&id=110  
02 Jun 2006 07:43:14 Europe/Copenhagen Pop. 0%
Morris, S. (2002). First person shooters -- a game apparatus. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 81–97). London: Wallflower Press.  
23 Sep 2004 15:57:54 Europe/Copenhagen Pop. 0%
Moncrieff, S., Dorai, C., & Venkatesh, S. (2001). Analysis of environmental sounds as indexical signs in film. Lecture Notes in Computer Science, 2195, 538–545.  
24 Aug 2005 14:36:26 Europe/Copenhagen Pop. 7%
Miller, K. (2012). Playing along: Digital games, youtube, and virtual performance. Oxford: Oxford Music/Media.  
21 May 2012 11:01:18 Europe/Copenhagen Pop. 0%
Latour, B. The powers of fac similes: A turing test on science and literature. July 14, 2006, http://www.ensmp.fr/~la ... %20TURING.html#_ftnref6  
14 Jul 2006 13:45:03 Europe/Copenhagen Pop. 0%
Krzywinska, T. (2002). Hands-on horror. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 206–223). London: Wallflower Press.  
05 Oct 2004 12:09:13 Europe/Copenhagen Pop. 0%
Khan, L., McLeod, D., & Hovy, E. (2004). Retrieval effectiveness of an ontology-based model for information selection. Very Large Data Bases, 13, 71–85.  
06 Jun 2005 10:49:50 Europe/Copenhagen Pop. 7%
Kent, S. L. (2001). Super mario nation. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 35–48). Austin: University of Texas Press.  
08 Oct 2004 17:00:37 Europe/Copenhagen Pop. 0%
Kahn, D. (2002) Digits on the historical pulse: Being a way to think about how so much is happening and has happened in sound in the arts. September 21, 2005, http://cara.gsu.edu/pulsefield/kahn_essay.html  
21 Sep 2005 13:38:45 Europe/Copenhagen Pop. 6%
Johannesen, H.-L. Performative space: Architecture beyond media? March 21, 2006, http://www.diffus.dk/di ... designskolen/paper1.pdf  
21 Mar 2006 12:53:46 Europe/Copenhagen Pop. 0%
Droney, M. (2005) On his game. February 10, 2006, http://emusician.com/mag/emusic_game_3/  
10 Feb 2006 13:02:26 Europe/Copenhagen Pop. 0%
Crang, M., & Thrift, N. (Eds). (2000). Thinking space. London: Routledge.  
30 Jun 2006 12:32:18 Europe/Copenhagen Pop. 0%
Collins, K. E. (2007). GamesSound.com: Academic research into games audio. Retrieved January 4, 2008, from http://gamessound.com/  
10 Mar 2014 15:28:49 Europe/Copenhagen Pop. 0%
Cavalcanti, A. (1939) Sound in films. January 16, 2006, https://web.archive.org ... /575/sound-in-films.htm  
10 Feb 2006 16:33:41 Europe/Copenhagen Pop. 7%
Wolf, M. J. P. (2001). The video game as a medium. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 13–33). Austin: University of Texas Press.  
08 Oct 2004 16:59:14 Europe/Copenhagen Pop. 0%
Williams, S. M. (1994). Perceptual principles in sound grouping. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 95–125). Reading MA: Addison-Wesley.  
06 May 2008 15:42:50 Europe/Copenhagen Pop. 0%
Shinn-Cunningham, B. 2001, August 5—10 Creating three dimensions in virtual auditory displays. Paper presented at International Cognitive Engineering, Intelligent Agents and Virtual Reality, New Orleans.  
26 Aug 2005 15:57:41 Europe/Copenhagen Pop. 6%
Röber, N., & Masuch, M. 2004, July 6—9 Interacting with sound: An interaction paradigm for virtual auditory worlds. Paper presented at Tenth Meeting of the International Conference on Auditory Display, Sydney, Australia.  
27 Jul 2005 11:47:58 Europe/Copenhagen Pop. 6%
Poole, S. (2000). Trigger happy: Videogames and the entertainment revolution. New York: Arcade.  
29 Nov 2004 13:42:58 Europe/Copenhagen Pop. 0%
Pinchbeck, D. (2008). Story and recall in first-person shooters. International Journal of Computer Games Technology, 2008,  
27 May 2008 09:20:07 Europe/Copenhagen Pop. 6%
Pfeiffer, S., Fischer, S., & Effelsberg, W. 1996, November 18—22 Automatic audio content analysis. Paper presented at fourth ACM international conference on Multimedia, Boston.  
10 Dec 2008 10:59:55 Europe/Copenhagen Pop. 7%
Kramer, G. (1994). Introduction to auditory display. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 1–77). Reading MA: Addison-Wesley.  
03 Feb 2006 12:00:42 Europe/Copenhagen Pop. 0%
Koster, R. (2005) A grammar of gameplay. February 21, 2006, http://www.theoryoffun.com/grammar/gdc2005.htm  
21 Feb 2006 17:12:41 Europe/Copenhagen Pop. 0%
Kline, S., Dyer-Witheford, N., & de Peuter, G. (2003). Digital play: Violence, gender, and the bias of game experience. McGill-Queen's University Press.  
14 Jan 2005 15:25:31 Europe/Copenhagen Pop. 0%
Klem, M. November 12 Urban Terror audio (3). (to: M. Grimshaw). [Email]  
10 Feb 2006 14:45:44 Europe/Copenhagen Pop. 0%
Klem, M. September 21 Urban Terror audio (1). (to: M. Grimshaw). [Email]  
10 Feb 2006 14:41:44 Europe/Copenhagen Pop. 0%
Kiss, J., Dahan, K., Soueina, S., & Laliberté, M. 2006, November 22—24 Voice attack recognition for lyric singing learning gesture: An adaptive video game interface. Paper presented at 9th International Conference on Computer Games: Artificial Intelligence and Mobile Systems, Dublin Institute of Technology.  
29 Jan 2008 17:21:23 Europe/Copenhagen Pop. 0%
Jones, M. R., & Yee, W. (1993). Attending to auditory events: The role of temporal organization. In S. McAdams & E. Bigand (Eds), Thinking in Sound: The Cognitive Psychology of Human Audition (pp. 69–112). Oxford: Clarendon Press.  
20 Sep 2005 15:38:06 Europe/Copenhagen Pop. 0%
id Software. (1999). Quake III Arena. [Computer Game]. Activision.  
06 Mar 2006 08:08:53 Europe/Copenhagen Pop. 0%
Crogan, P. , The experience of information in computer games. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
09 Sep 2004 21:14:04 Europe/Copenhagen Pop. 0%
Carr, D. (2003) Play dead: Genre and affect in silent hill and planescape torment. Game Studies, 3(1) September 16, 2003, http://www.gamestudies.org/0301/carr/  
04 Sep 2006 15:01:25 Europe/Copenhagen Pop. 0%
Carr, D., Buckingham, D., Burn, A., & Schott, G. (2006). Computer games: Text, narrative and play. Cambridge: Polity.  
21 Aug 2006 15:38:16 Europe/Copenhagen Pop. 0%
Bridgett, R. (2003) Audio pre-design. March 8, 2004, http://www3.sympatico.ca/qualish/pre.htm  
10 Oct 2006 10:42:22 Europe/Copenhagen Pop. 0%
Brandon, A. (2005). Audio for games: Planning, process, and production. Berkeley: New Riders.  
14 Jan 2009 10:40:07 Europe/Copenhagen Pop. 0%
Boulanger, C. (2006). Bibliograph. (Version 0.9) [Python/PHP/Javascript].  
30 Jul 2006 09:32:34 Europe/Copenhagen Pop. 0%
Wolf, M. J. P. (2001). Space in the video game. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 51–75). Austin: University of Texas Press.  
08 Oct 2004 17:10:37 Europe/Copenhagen Pop. 0%
Whitelock, D., Romano, D., Jelfs, A., & Brna, P. (2000). Perfect presence: What does this mean for the design of virtual learning environments? Education and Information Technologies, 5(4), 277–289.  
19 Apr 2005 12:07:47 Europe/Copenhagen Pop. 7%
de Valck, M. (2005). Sound gag: The use of sound for comic effect in the films of Jacques Tati. New Review of Film and Television Studies, 3(2), 223–235.  
21 Oct 2005 14:46:45 Europe/Copenhagen Pop. 6%
Paul, L. J. (2003) Audio prototyping with pure data. Gamasutra, September 15, 2003, http://www.gamasutra.co ... /20030528/paul_01.shtml  
17 Sep 2004 09:30:29 Europe/Copenhagen Pop. 0%
NASA exploration soil bibliographic database. (2006). Retrieved August 24, 2006, from http://outtek.grc.nasa.gov/Soils-Bib/  
23 Sep 2006 08:27:03 Europe/Copenhagen Pop. 0%
Manninen, T. (2003) Interaction forms and communicative actions in multiplayer games. Game Studies, 3(1) September 16, 2004, http://www.gamestudies.org/0301/manninen/  
04 Sep 2006 15:03:14 Europe/Copenhagen Pop. 0%
LoBrutto, V. (1994). Sound-on-film: Interviews with creators of film sound. Westport, CT: Praeger.  
06 Sep 2005 13:25:02 Europe/Copenhagen Pop. 0%
van den Hoogen, W. M., IJsselsteijn, W. A., & de Kort, Y. A. W. 2009, September 1—4 Effects of sensory immersion on behavioural indicators of player experience: Movement synchrony and controller pressure. Paper presented at Breaking New Ground: Innovation in Games, Play, Practice and Theory, Brunel University.  
02 Nov 2009 07:05:49 Europe/Copenhagen Pop. 8%
Grimshaw, M. (2008). Per un'analisi comparata del suono nei videogiochi e nel cinema (M. Bittanti, Trans.). In M. Bittanti (Ed.), Schermi interattivi saggi critici su videogiochi e cinema (pp. 95–121). Roma: Meltemi.  
11 Aug 2008 13:46:38 Europe/Copenhagen Pop. 0%
Grimshaw, M. (Ed.). (2011). Game sound technology and player interaction: Concepts and developments. Hershey (PA): IGI.  
29 Oct 2010 04:26:33 Europe/Copenhagen Pop. 0%
Fitch, W. T., & Kramer, G. (1994). Sonifying the body electric: Superiority of an auditory over a visual display in a complex, multivariate system. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 307–325). Reading MA: Addison-Wesley.  
16 Sep 2005 12:19:19 Europe/Copenhagen Pop. 0%
Bernstein, C. (2001). Play it again pac-man. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 155–168). Austin: University of Texas Press.  
12 Oct 2004 17:08:40 Europe/Copenhagen Pop. 0%
Shinn-Cunningham, B. G., Lin, I.-F., & Streeter, T. 2005, July 22—27 Trading directional accuracy for realism in virtual auditory display. Paper presented at 1st. International Conference on Virtual Reality.  
01 Sep 2005 14:19:56 Europe/Copenhagen Pop. 7%
Shinn-Cunningham, B. 2001, May 26—29 Localizing sound in rooms. Paper presented at ACM SIGGRAPH and Eurographics Campfire: Acoustic Rendering for Virtual Environments, Snowbird, Utah.  
30 Aug 2005 11:06:32 Europe/Copenhagen Pop. 7%
Primentas, G. (2003). The musical aspects of sound (pitch, dynamics, timbre) as the core element for interaction in sound based computer games. Unpublished thesis master's, The London Institute.  
04 Nov 2006 12:00:59 Europe/Copenhagen Pop. 0%
Paul, L. J. (2007) Video game audio prototyping with pure data. June 18, 2008, http://www.sfu.ca/~leon ... PureData-LPaul-2007.pdf  
18 Jun 2008 11:30:19 Europe/Copenhagen Pop. 7%
Jackson, P. (Director) (2005). King Kong [Film]. J. Blenkin, C. Cunningham, P. Jackson & F. Walsh (Producers). New Zealand: Universal Pictures.  
10 Oct 2006 10:33:34 Europe/Copenhagen Pop. 0%
id Software. (1993). Doom. [Computer Game]. Activision.  
12 Apr 2006 15:23:09 Europe/Copenhagen Pop. 0%
Gröhn, M., Lokki, T., Savioja, L., & Takala, T. 2001, January 22—23 Some aspects of role of audio in immersive visualization. Paper presented at Visual Data Exploration and Analysis VIII, San Jose.  
16 Feb 2006 08:30:25 Europe/Copenhagen Pop. 0%
Gamestudies.org. (n.d.). Retrieved August 31, 2006, from http://www.gamestudies.org  
23 Sep 2006 08:28:42 Europe/Copenhagen Pop. 0%
Fong, D. Thresh's quake bible. September 23, 2004, http://www.quaketerminus.com/quakebible/  
24 Sep 2004 09:55:05 Europe/Copenhagen Pop. 0%
Folmann, T. B. Auditory perception in games. August 8, 2005, http://www.gamesconfere ... viewabstract.php?id=361  
20 Oct 2006 08:51:43 Europe/Copenhagen Pop. 0%
Doane, M. A. (1980). Ideology and the practice of sound editing and mixing. In T. de Lauretis & S. Heath (Eds), The Cinematic Apparatus (pp. 47–56). London: Macmillan.  
24 Feb 2006 09:11:15 Europe/Copenhagen Pop. 0%
Corner, J. (1992). Presumption as theory: 'realism' in television studies. Screen, 33(1), 97–102.  
28 Mar 2006 11:02:36 Europe/Copenhagen Pop. 0%
Cameron, J. (Director) (1991). Terminator 2: Judgement day [Film]. J. Cameron (Producer). USA: Tri-Star Pictures.  
07 May 2006 16:51:14 Europe/Copenhagen Pop. 0%
Wolf, M. J. P. (2001). Narrative in the video game. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 94–111). Austin: University of Texas Press.  
04 Oct 2006 12:59:15 Europe/Copenhagen Pop. 0%
Shilling, R., & Krebs, E. 2002, Videogame and entertainment industry standard sound design techniques and architectures for use in videogames, virtual environments and training. , Naval Postgraduate School.  
02 Feb 2009 08:34:17 Europe/Copenhagen Pop. 6%
Schut, K. 2003, November 4—6 Technology tells a tale: Digital games and narrative. Paper presented at Level Up, Utrecht Universiteit.  
11 Sep 2006 11:00:25 Europe/Copenhagen Pop. 6%
Savitt, S. (2002) Being and becoming in modern physics. The Stanford Encyclopedia of Philosophy, Spring March 6, 2006, http://plato.stanford.e ... ies/spacetime-bebecome/  
06 Mar 2006 10:37:43 Europe/Copenhagen Pop. 0%
Kim, K., Choi, J., Kim, N., & Kim, P. (2002). Extracting semantic information from basketball video based on audio-visual features. Lecture Notes in Computer Science, 2383, 278–288.  
09 Jun 2005 13:20:49 Europe/Copenhagen Pop. 6%
Keller, D., Capasso, A., & Wilson, S. R. (2002) Urban corridor:: Accumulation and interaction as form- bearing processes. March 21, 2006, http://ccrma.stanford.e ... erCapassoWilson2002.pdf  
21 Mar 2006 11:28:17 Europe/Copenhagen Pop. 0%
Carlsson, S. E. Sounds of illusions: Sounds of moving images. September 18, 2003, http://www.filmsound.or ... icles/moving_images.htm  
07 Sep 2004 11:58:51 Europe/Copenhagen Pop. 0%
Cambron, M. A chat with Chance Thomas. December 20, 2004, http://www.gignews.com/goddess/chancethomas.htm  
22 Jul 2006 12:52:58 Europe/Copenhagen Pop. 0%
Wolf, M. J. P. (2001). Genre and the video game. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 114–134). Austin: University of Texas Press.  
12 Oct 2004 17:05:52 Europe/Copenhagen Pop. 0%
Ward, P. (2002). Videogames as remediated animation. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 122–135). London: Wallflower Press.  
23 Apr 2007 21:40:44 Europe/Copenhagen Pop. 0%
de Souza, C. S. (1993). The semiotic engineering of user interface languages. International Journal of Man-Machine Studies, 39(5), 753–773.  
27 Sep 2005 12:17:39 Europe/Copenhagen Pop. 0%
Schott, G., & Kambouri, M. (2003). Moving between the spectral and material plane: Interactivity in social play with computer games. Convergence, 9(3), 41–55.  
20 Oct 2006 12:07:50 Europe/Copenhagen Pop. 0%
Rumsey, F., & McCormick, T. (1998). Sound and recording: An introduction 3rd ed. Oxford: Focal Press.  
28 Nov 2004 14:20:20 Europe/Copenhagen Pop. 0%
Metz, C. (1982). The imaginary signifier: Psychoanalysis and the cinema C. Britton, A. Williams, B. Brewster & A. Guzzetti, Trans. Bloomington: Indiana University Press.  
14 Dec 2004 12:37:50 Europe/Copenhagen Pop. 0%
McGonigal, J. , 'this is not a game': Immersive aesthetics and collective play. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
17 Sep 2004 07:55:08 Europe/Copenhagen Pop. 0%
McCrindle, R. J., & Symons, D. , Audio space invaders. Paper presented at 3rd International Conference on Disability, Virtual Reality and Associated Technologies, Alghero, Italy.  
05 Aug 2005 12:53:35 Europe/Copenhagen Pop. 6%
Larsson, P., Västfjäll, D., & Kleiner, M. 2001, October 4—5 Do we really live in a silent world? The (mis)use of audio in virtual environments. Paper presented at AVR II and CONVR 2001, Gothenburg, Sweden.  
31 Aug 2005 12:16:24 Europe/Copenhagen Pop. 0%
Kent, S. L. (2001). The ultimate history of video games: From pong to pokémon -- the story behind the craze that touched our lives and changed the world. Prima Publishing.  
28 Nov 2004 14:21:24 Europe/Copenhagen Pop. 0%
Juul, J. (2001) Games telling stories? A brief note on games and narratives. Game Studies, 1(1) September 16, 2003, http://www.gamestudies.org/0101/juul-gts/  
04 Sep 2006 15:02:08 Europe/Copenhagen Pop. 0%
Jørgensen, K. (2008) Audio and gameplay: An analysis of PvP battlegrounds in World of Warcraft. Game Studies, 8(2) January 6, 2009, http://gamestudies.org/0802/articles/jorgensen  
06 Jan 2009 04:42:11 Europe/Copenhagen Pop. 0%
Interactive audio special interest group. (n.d.). Retrieved July 26, 2005, from http://www.iasig.org/index.shtml  
23 Sep 2006 08:25:11 Europe/Copenhagen Pop. 0%
Güttler, C., & Johansson, T. D. , Spatial principles of level-design in multi-player first-person shooters. Paper presented at Proceedings of the 2nd workshop on Network and system support for games, Redwood City, California.  
14 Jan 2005 12:29:34 Europe/Copenhagen Pop. 0%
Grimshaw, M., Steffens, M., & Pozzi, D. Bibliophile. Retrieved July 30, 2006, from http://bibliophile.sourceforge.net/  
23 Sep 2006 08:29:43 Europe/Copenhagen Pop. 0%
Bioware. (2002). Neverwinter Nights. (Version Premium Modules) [Computer Game]. Lyon: Infogrames.  
10 Feb 2006 16:52:38 Europe/Copenhagen Pop. 0%
Weis, E., & Belton, J. (Eds). (1985). Film sound: Theory and practice. New York: Columbia University Press.  
07 Sep 2006 11:02:06 Europe/Copenhagen Pop. 0%
Thompson, E. (2004). Wiring the world: Acoustical engineers and the empire of sound in the motion picture industry, 1927-1930. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 191–209). Oxford: Berg.  
20 Dec 2007 16:34:26 Europe/Copenhagen Pop. 0%
Schott, G., & Burn, A. (2004). Art (re)production as an expression of collective agency within Oddworld fan-culture. Work and Days 43/44, 22(1&2), 251–274.  
21 Aug 2006 15:36:22 Europe/Copenhagen Pop. 0%
Randell, C., Price, S., Rogers, Y., Harris, E., & Fitzpatrick, G. (2004). The ambient horn: Designing a novel audio-based learning experience. Personal and Ubiquitous Computing, 8, 177–183.  
12 May 2005 18:03:41 Europe/Copenhagen Pop. 6%
Le Poidevin, R. (2004) The experience and perception of time. The Stanford Encyclopedia of Philosophy, Winter March 6, 2006, http://plato.stanford.e ... ntries/time-experience/  
07 Mar 2006 04:57:01 Europe/Copenhagen Pop. 0%
Noser, H., & Thalmann, D. (1998). Sensor-based synthetic actors in a tennis game simulation. The Visual Computer, 14, 193–205.  
02 Jun 2005 11:07:05 Europe/Copenhagen Pop. 6%
Munster, A. (2006). Materializing new media: Embodiment in information aesthetics. London: University Press of New England.  
22 Mar 2006 11:51:40 Europe/Copenhagen Pop. 0%
Klem, M. September 21 Urban Terror audio (2). (to: M. Grimshaw). [Email]  
10 Feb 2006 14:43:31 Europe/Copenhagen Pop. 0%
Halloran, J., Rogers, Y., & Fitzpatrick, G. 2003, November 4—6 From text to talk: Multiplayer games and voiceover ip. Paper presented at Level Up.  
20 Sep 2005 10:16:57 Europe/Copenhagen Pop. 0%
Gomery, D. (1980). Towards an economic history of cinema: The coming of sound to Hollywood. In T. de Lauretis & S. Heath (Eds), The Cinema Apparatus (pp. 38–46). London: Macmillan.  
16 Feb 2006 08:04:07 Europe/Copenhagen Pop. 0%
Ďurovičová, N. (1992). Translating America: The Hollywood multilinguals 1929-1933. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 138–153). New York: Routledge.  
16 Oct 2006 12:00:14 Europe/Copenhagen Pop. 0%
Youngblood, G. (1970). Expanded cinema. London: Studio Vista.  
05 Mar 2006 11:41:49 Europe/Copenhagen Pop. 0%
Ruoff, J. K. (1992). Conventions of sound in documentary. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 217–234). New York: Routledge.  
01 Nov 2004 12:11:05 Europe/Copenhagen Pop. 0%
Roudavski, S., & Penz, F. 2003, November 4—6 Space, agency, meaning and drama in navigable real-time virtual environments. Paper presented at Level Up.  
11 Sep 2006 11:06:21 Europe/Copenhagen Pop. 0%
Law, J. (1992) Notes on the theory of the actor network: Ordering, strategy and heterogeneity. July 14, 2006, http://www.lancs.ac.uk/ ... rs/law-notes-on-ant.pdf  
04 Oct 2006 08:47:23 Europe/Copenhagen Pop. 7%
PHP bibtex database manager. (2006). (Version 1.3) [PHP].  
30 Jul 2006 09:31:12 Europe/Copenhagen Pop. 0%
Klem, M. December 15 Urban Terror audio (4). (to: M. Grimshaw). [Email]  
10 Feb 2006 14:50:00 Europe/Copenhagen Pop. 0%
Hourigan, B. , The utopia of open space in role-playing videogames. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
10 Sep 2004 08:42:52 Europe/Copenhagen Pop. 0%
Hahn, J. K., Fouad, H., Gritz, L., & Lee, J. W. (1998). Integrating sounds and motions in virtual environments. Presence: Teleoperators and Virtual Environments, 7(1), 67–77.  
22 Feb 2018 10:13:49 Europe/Copenhagen Pop. 6%
Gröhn, M.Localization, accuracy, and utilization of a spatial audio in virtual environments. Espoo, Finland: CSC- Scientific Computing Ltd.  
30 Aug 2005 09:27:49 Europe/Copenhagen Pop. 6%
Grimshaw, M. (2003-2008). WIKINDX. (Version 3.8.2) [PHP].  
19 Oct 2008 03:38:28 Europe/Copenhagen Pop. 0%
Bloom, K., Zajac, D. J., & Titus, J. (1999). The influence of nasality of voice on sex-stereotyped perceptions. Journal of Nonverbal Behavior, 23(4), 271–281.  
26 May 2009 10:19:03 Europe/Copenhagen Pop. 6%
Pearsall, J. (Ed.). (1999). Concise Oxford English dictionary 10th ed. Oxford: Oxford University Press.  
20 Jun 2006 08:11:39 Europe/Copenhagen Pop. 0%
Morris, S. 2003, WADs, bots and mods: Multiplayer FPS games as co-creative media. Unpublished paper presented at DIGRA.  
02 Mar 2006 13:23:29 Europe/Copenhagen Pop. 6%
Lord, M. Why is that thing beeping? A sound design primer. August 17, 2009, http://www.boxesandarro ... g_a_sound_design_primer  
17 Aug 2009 09:19:02 Europe/Copenhagen Pop. 0%
Kociatkiewicz, J., & Kostera, M. (2003) Shadows of silence. Ephemera, 3 January 20, 2004, http://www.ephemeraweb. ... -4/3-4kocia-kostera.pdf  
14 Sep 2004 08:34:32 Europe/Copenhagen Pop. 0%
Digital games research association. (n.d.). Retrieved November 18, 2006, from http://www.digra.org/  
18 Nov 2006 15:50:49 Europe/Copenhagen Pop. 0%
Collins, K. (2008). Game sound: An introduction to the history, theory, and practice of video game music and sound design. Cambridge, Massachusetts: MIT Press.  
19 Oct 2008 03:44:06 Europe/Copenhagen Pop. 0%
Bridgett, R. (2007) Audio postmortem: Scarface: The world is yours. Gamasutra, January 8, 2009, http://www.gamasutra.co ... 070322/bridgett_pfv.htm  
08 Jan 2009 10:47:24 Europe/Copenhagen Pop. 0%
Théberge, P. (1997). Any sound you can imagine: Making music/consuming technology. Hanover, NH: Wesleyan University Press.  
19 Sep 2004 11:01:01 Europe/Copenhagen Pop. 0%
Metal gear solid 2: Sons of liberty. (2001). [Computer game]. Konami Computer Entertainment Japan Inc.  
28 Sep 2005 13:11:12 Europe/Copenhagen Pop. 0%
Hitman series. (2000-2006). [Computer Game]. Eidos.  
10 Feb 2006 13:04:28 Europe/Copenhagen Pop. 0%
Yuille, J. , Smearing discontinuity: In-game sound. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
14 Dec 2004 21:43:00 Europe/Copenhagen Pop. 0%
Stuart, C. , The object of performance: Aural performativity in contemporary laptop music. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
19 Sep 2004 10:32:01 Europe/Copenhagen Pop. 0%
Sánchez, J., & Lumbreras, M. 1999, May 15 Interactive 3d sound hyperstories for blind children. Paper presented at Conference on Human Factors in Computing Systems, Pittsburgh, USA.  
19 Apr 2005 10:30:53 Europe/Copenhagen Pop. 0%
More, G., Harvey, L., Moloney, J., & Burry, M. , Implementing nonlinear sound strategies within spatial design: Learning sound and spatial design within a collaborative virtual environment. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
14 Sep 2004 09:57:56 Europe/Copenhagen Pop. 0%
Lipscomb, S. D., & Zehnder, S. M. (2005). Immersion in the virtual environment: The effect of a musical score on the video gaming experience. Journal of Physiological Anthropology and Applied Human Science, 23, 89–95.  
18 Oct 2010 04:50:11 Europe/Copenhagen Pop. 9%
Digital game audio WIKINDX. (2003-2006). Retrieved July 30, 2006, from http://shiva.smst.waikato.ac.nz/wikindx3/  
23 Sep 2006 08:44:40 Europe/Copenhagen Pop. 0%
Chanan, M. (1995). Repeated takes: A short history of recording and its effect on music. London: Verso.  
07 Sep 2004 12:06:13 Europe/Copenhagen Pop. 0%
Wiki research bibliography. (2005-2006). Retrieved August 3, 2006, from http://tools.wikimedia.de/~voj/bibliography/  
18 Nov 2006 16:07:00 Europe/Copenhagen Pop. 0%
Metz, C. (1985). Aural objects. In E. Weis & J. Belton (Eds), Film Sound: Theory and Practice (pp. 154–161). New York: Columbia University Press.  
27 Sep 2005 15:27:03 Europe/Copenhagen Pop. 0%
Järvinen, A. 2003, November 4—6 Making and breaking games: A typology of rules. Paper presented at Level Up.  
20 Sep 2005 10:16:12 Europe/Copenhagen Pop. 0%
Jackson, P. (Director) (2001-2003). The lord of the rings trilogy [Film]. New Zealand/USA: New Line Cinema.  
14 Oct 2006 12:14:49 Europe/Copenhagen Pop. 0%
Eisenstein, S. M., Pudovkin, V. I., & Alexandrov, G. V. (1928) A statement. January 16, 2006, http://lavender.fortune ... slane/575/statement.htm  
27 Jan 2006 12:24:56 Europe/Copenhagen Pop. 0%
Cunningham, S., Grout, V., & Hebblewhite, R. 2006, October 11—12 Computer game audio: The unappreciated scholar of the Half-Life generation. Paper presented at Audio Mostly 2006, Piteå, Sweden.  
15 Feb 2008 11:56:25 Europe/Copenhagen Pop. 0%
Röber, N. (2008). Interaction with sound: Explorations beyond the frontiers of 3D virtual auditory environments. Unpublished Dissertation Dr.-Ing, Fakultät für Informatik, Magdeburg.  
06 Nov 2008 06:30:15 Europe/Copenhagen Pop. 0%
Röber, N., Deutshmann, E. C., & Masuch, M. 2006, October 11—12 Authoring of 3D virtual auditory environments. Paper presented at Audio Mostly 2006, Piteå, Sweden.  
15 Feb 2008 12:45:01 Europe/Copenhagen Pop. 0%
Burill, D. A. (2002). 'oh grow up 007': The performance of bond and boyhood in film and videogames. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 181–193). London: Wallflower Press.  
05 Oct 2004 12:02:49 Europe/Copenhagen Pop. 0%
Schubert, E. D. (1975). The role of auditory perception in language processing. In D. D. Duane & M. B. Rawson (Eds), Reading, Perception and Language: Papers from the World Congress on Dyslexia (pp. 97–130). Baltimore: York Press.  
26 Apr 2013 09:57:51 Europe/Copenhagen Pop. 0%
Lasseter, J. (Director) (1995). Toy story [Film]. B. Arnold (Producer). USA: Buena Vista.  
05 Mar 2006 11:55:08 Europe/Copenhagen Pop. 0%
Gaudy, T., Natkin, S., & Archambault, D. 2006, November 22—24 Playing audiogames without instructions for use? To do without an instruction leaflet or without language itself. Paper presented at 9th International Conference on Computer Games: Artificial Intelligence and Mobile Systems, Dublin Institute of Technology.  
29 Jan 2008 17:20:48 Europe/Copenhagen Pop. 0%
Wolfson, S., & Case, G. (2000). The effects of sound and colour on responses to a computer game. Interacting with Computers, 13(2), 183–192.  
08 Jan 2007 07:00:39 Europe/Copenhagen Pop. 0%
Cahen, R., Rodet, X., & Lambert, J.-P. 2005, Sound navigation in phase installation: Producing music as performing a game using haptic feedback. Paper presented at International Conference on Virtual Storytelling.  
08 Jan 2007 07:00:38 Europe/Copenhagen Pop. 0%
Klabbers, J. H. G. 2003, November 4—6 The gaming landscape: A taxonomy for classifying games and simulations. Paper presented at Level Up, Utrecht Universiteit.  
20 Sep 2005 10:13:31 Europe/Copenhagen Pop. 0%
Huizinga, J. (1971). Homo ludens: A study of the play element in culture. Boston: Beacon Press.  
10 Nov 2008 09:34:22 Europe/Copenhagen Pop. 0%
Flynn, B. , Languages of navigation within computer games. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
10 Sep 2004 08:16:45 Europe/Copenhagen Pop. 0%
Juul, J. 2003, November 4—6 The game, the player, the world: Looking for a heart of gameness. Paper presented at Level Up, Utrecht Universiteit.  
20 Sep 2005 10:15:25 Europe/Copenhagen Pop. 0%
Thom, R. (1999) Designing a movie for sound. September 29, 2003, http://www.filmsound.or ... designing_for_sound.htm  
27 Nov 2014 09:44:04 Europe/Copenhagen Pop. 0%
Scott, R. (Director) (1979). Alien [Film]. G. Carroll, D. Giler & W. Hill (Producers). USA: 20th Century Fox.  
07 May 2006 16:54:37 Europe/Copenhagen Pop. 0%
Marks, A. (2001). The complete guide to game audio: For composers, musicians, sound designers, and game developers. Lawrence, Kansas: CMP Books.  
20 Oct 2005 14:02:45 Europe/Copenhagen Pop. 0%
Lawrence, A. (1992). Women's voices in third world cinema. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 178–190). New York: Routledge.  
27 Oct 2004 16:00:10 Europe/Copenhagen Pop. 0%
Lauwaert, M. 2003, November 4—6 In search of a "fifth dimension". Paper presented at Level Up, Utrecht Universiteit.  
20 Sep 2005 10:12:27 Europe/Copenhagen Pop. 0%
Ekman, I., Lahti, J., Nummela, J., Lankoski, P., & Mäyrä, F. 2005, June 16—20 Designing sound for a pervasive mobile game. Paper presented at Changing Views -- Worlds in Play, Toronto.  
05 Aug 2005 11:30:12 Europe/Copenhagen Pop. 5%
Warner, T. (2003). Pop music ― Technology and creativity: Trevor Horn and digital revolution. Aldershot: Ashgate.  
03 Mar 2006 15:46:03 Europe/Copenhagen Pop. 0%
Turcan, P., & Wasson, M. (2003). Fundamentals of audio and video programming for games. Redmond: Microsoft Press.  
05 Oct 2005 10:52:09 Europe/Copenhagen Pop. 0%
Pine, B. J., & Gilmore, J. H. (1999). The experience economy: Work is theatre & every business a stage. Boston: Harvard Business School Press.  
05 Mar 2006 10:41:46 Europe/Copenhagen Pop. 0%
Ess, C. (2000) Ethical decision-making and Internet research. November 18, 2006, http://www.aoir.org/reports/ethics.pdf  
18 Nov 2006 15:35:56 Europe/Copenhagen Pop. 0%
Burn, A., Carr, D., & Schott, G. 2003, September 1Why should we study digital games? MediaMagazine, pp. 9–11.  
06 Sep 2004 17:52:42 Europe/Copenhagen Pop. 0%
Young, K. Gamesound.org: Sound in interactive media. Retrieved January 25, 2008, from http://www.gamesound.org/  
25 Jan 2008 08:15:08 Europe/Copenhagen Pop. 0%
Szakal, T., Groenegress, C., Strauss, W., & Peranovic, P. , Phonic frequencies: Shaping networked realities. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne.  
19 Sep 2004 10:34:05 Europe/Copenhagen Pop. 0%
Sanger, G. A. (2004). The fat man on game audio: Tasty morsels of sonic goodness. Indianapolis: New Riders.  
28 Oct 2005 13:42:18 Europe/Copenhagen Pop. 0%
Hitchcock, A. (Director) (1929). Blackmail [Film]. UK: British International Pictures.  
16 Feb 2006 09:34:47 Europe/Copenhagen Pop. 0%
Coppola, F. F. (Director) (1972). The Godfather [Film]. F. F. Coppola (Producer). USA: Paramount Pictures.  
26 May 2006 11:35:36 Europe/Copenhagen Pop. 0%
Copier, M. 2003, November 4—6 The other game researcher: Participating in and watching the construction of boundaries in game studies. Paper presented at Level Up.  
31 Aug 2006 10:57:52 Europe/Copenhagen Pop. 0%
McCloud, S. (1993). Understanding comics: The invisible art. New York: Harper Collins.  
09 Feb 2006 17:28:55 Europe/Copenhagen Pop. 0%
Kristeva, J. (1984). Revolution in poetic language M. Waller, Trans. New York: Columbia University Press.  
07 May 2006 16:38:21 Europe/Copenhagen Pop. 0%
Dodge, C., & Jerse, T. A. (1985). Computer music: Synthesis, composition, and performance. New York: Schirmer Books.  
10 Sep 2004 07:59:31 Europe/Copenhagen Pop. 0%
Cyan. (1993). Myst. [Computer game]. Brøderbund.  
20 Jan 2006 16:25:45 Europe/Copenhagen Pop. 0%
Hess, D. (Director) (2005). Stranger [Film]. USA:  
10 Feb 2006 13:08:54 Europe/Copenhagen Pop. 0%
Esposito, N. 2005, June 16—20 A short and simple definition of what a videogame is. Paper presented at Changing Views -- Worlds in Play, Toronto.  
09 Aug 2005 10:55:30 Europe/Copenhagen Pop. 5%
Souriau, E. (Ed.). (1953). L'Univers filmique. Paris: Flammarion.  
01 Feb 2006 16:43:03 Europe/Copenhagen Pop. 0%
Gardey, G. (2005). BibORB. (Version 1.3.3) [PHP].  
30 Jul 2006 09:23:32 Europe/Copenhagen Pop. 0%
Free Software Foundation. (1989) GNU general public license. June 8, 2006, http://www.fsf.org/licensing/licenses/gpl.html  
08 Jun 2006 08:51:56 Europe/Copenhagen Pop. 0%
Cook, P. R. (2002). Sound production and modelling. IEEE Computer Graphics and Applications, 22(4), 23–27.  
14 Feb 2006 15:07:52 Europe/Copenhagen Pop. 0%
Valve Software. (2004). Half-Life 2. [Computer Game]. Electronic Arts.  
14 Sep 2007 19:55:52 Europe/Copenhagen Pop. 0%
Valve Software. (1998). Half-life. [Computer Game]. Sierra Studios.  
12 Apr 2006 15:33:13 Europe/Copenhagen Pop. 0%
Pozzi, D. (2004). PHPBibMan. (Version 0.4) [PHP].  
30 Jul 2006 09:25:59 Europe/Copenhagen Pop. 0%
Sutherland, I. E. 1965, Ultimate display. Paper presented at IFIP Congress.  
01 Sep 2005 12:10:53 Europe/Copenhagen Pop. 5%
Kücklich, J. (2005) Precarious playbour: Modders and the digital games industry. fibreculture, 5 October 19, 2005, http://journal.fibrecul ... rg/issue5/kucklich.html  
20 Oct 2005 15:36:35 Europe/Copenhagen Pop. 0%
Gardenfors, D. (2003). Designing sound-based computer games. Digital Creativity, 14(2), 111–114.  
08 Jan 2007 07:00:38 Europe/Copenhagen Pop. 0%
Zizza, K. (2000) Your audio design document: Important items to consider in audio design, production, and support. Gamasutra, September 18, 2003, http://www.gamasutra.co ... s/20000726/zizza_01.htm  
19 Sep 2004 11:25:07 Europe/Copenhagen Pop. 0%
Narayanan, S., & Potamianos, A. (2002). Creating conversational interfaces for children. Ieee Transactions on Speech and Audio Processing, 10(2), 65–78.  
08 Jan 2007 07:00:38 Europe/Copenhagen Pop. 0%
Hunt, L. (2002). 'i know kung fu!': The martial arts in the age of digital reproduction. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 194–205). London: Wallflower Press.  
05 Oct 2004 12:04:44 Europe/Copenhagen Pop. 0%
Howells, S. A. (2002). Watching a game, playing a movie: When media collide. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 110–121). London: Wallflower Press.  
30 Sep 2004 08:02:56 Europe/Copenhagen Pop. 0%
Steffens, M., & Karnesky, R. (2006). Refbase. (Version 0.9) [PHP].  
30 Jul 2006 09:29:50 Europe/Copenhagen Pop. 0%
Silicon Ice. (2005). Urban Terror. (Version 3.7) [Computer Game].  
10 Feb 2006 17:20:52 Europe/Copenhagen Pop. 0%
Miyamoto, S. (1981). Donkey kong. [Computer Game]. Nintendo.  
31 Aug 2006 12:40:57 Europe/Copenhagen Pop. 0%
Valve Software. (1999). Counter-strike. [Computer Game]. Vivendi Universal.  
12 Apr 2006 15:34:38 Europe/Copenhagen Pop. 0%
Slovin, R. (2001). Hot circuits: Reflections on the 1989 video game exhibition of the american museum of the moving image. In M. J. P. Wolf (Ed.), The Medium of the Video Game (pp. 137–154). Austin: University of Texas Press.  
12 Oct 2004 17:07:32 Europe/Copenhagen Pop. 0%
de Palma, B. (Director) (1987). The Untouchables [Film]. A. Linson (Producer). USA:  
09 Feb 2006 16:00:10 Europe/Copenhagen Pop. 0%
Law, J. (1999) Traduction/Trahison: Notes on ANT. July 14, 2006, http://www.lancs.ac.uk/ ... traduction-trahison.pdf  
16 Jul 2006 10:57:35 Europe/Copenhagen Pop. 4%
McLuhan, M. (1964). Understanding media: The extensions of man. London: Sphere.  
19 Jan 2006 13:06:49 Europe/Copenhagen Pop. 0%
Pratchett, R. (2005) Gamers in the uk: Digital play, digital lifestyles. January 26, 2006, http://crystaltips.type ... games_research_2005.pdf  
26 Jan 2006 13:44:06 Europe/Copenhagen Pop. 0%
Hicks, M., Nichols, S., & O'Malley, C. (2004). Comparing the roles of 3D representations in audio and audio-visual collaborations. Virtual Reality, 7, 148–163.  
09 Jun 2005 13:24:02 Europe/Copenhagen Pop. 4%
wikindx 5.3.1 ©2018 | Total resources: 972 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Associação Brasileira de Normas Técnicas (ABNT) | Database queries: 91 | DB execution: 0.38881 secs | Script execution: 1.14166 secs