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Abbate, C. (2004). Music: Drastic or gnostic? Critical Inquiry, 30(3), 505–536.  
18 May 2016 12:03:01 Europe/Copenhagen Pop. 32%
Wesson, D. W., & Wilson, D. A. (2010). Smelling sounds: Olfactory–auditory sensory convergence in the olfactory tubercle. The Journal of Neuroscience, 30(8), 3013–3021.  
28 Sep 2015 10:44:53 Europe/Copenhagen Pop. 30%
Garner, T., & Jordanous, A. 2016, June 27 Emergent perception and video games that listen: Applying sonic virtuality for creative and intelligent npc behaviours. Unpublished paper presented at The 2nd Computational Creativity and Games Workshop, Paris.  
11 Jan 2018 17:08:19 Europe/Copenhagen Pop. 27%
Zatorre, R. J., Belin, P., & Penhune, V. B. (2002). Structure and function of auditory cortex: Music and speech. Trends in Cognitive Science, 6(1), 37–46.  
30 May 2016 10:36:35 Europe/Copenhagen Pop. 26%
Schulkin, J., & Raglan, G. B. (2014). The evolution of music and human social capability. Frontiers in Neuroscience, 8,  
30 May 2016 10:41:53 Europe/Copenhagen Pop. 24%
Unnikrishnan, C. S. (2005). On the gravitational deflection of light and particles. Current Science, 88(7), 1155–1159.  
15 May 2016 10:03:10 Europe/Copenhagen Pop. 22%
Sterne, J. (2012). Sonic imaginations. In J. Sterne (Ed.), The Sound Studies Reader (pp. 1–17). London: Routledge.  
13 May 2016 14:30:26 Europe/Copenhagen Pop. 0%
Pinch, T., & Bijsterveld, K. (2012). New keys to the world of science. In T. Pinch & K. Bijsterveld (Eds), The Oxford Handbook of Sound Studies (pp. 3–35). New York: Oxford University Press.  
13 May 2016 14:17:18 Europe/Copenhagen Pop. 0%
Freud, S. (1919). The "uncanny". Imago, V,  
06 May 2016 06:37:14 Europe/Copenhagen Pop. 23%
Nagel, T. The absurd. The Journal of Philosophy, 68(20), 716–727.  
13 Jan 2015 10:59:38 Europe/Copenhagen Pop. 20%
Miani, A. (2016). The impact of sex and menstrual cycle on rhythmic synchronization: An experimental approach. Unpublished Masters Thesis, Århus Universitet, Denmark.  
13 Mar 2017 19:46:24 Europe/Copenhagen Pop. 26%
Clark, A. (2013). Expecting the world: Perception, prediction, and the origins of human knowledge. Journal of Philosophy, CX(9), 469–496.  
26 Jul 2018 10:36:16 Europe/Copenhagen Pop. 25%
Sounding out! (n.d.). February 5, 2016, http://soundstudiesblog ... mental-sound-practices/  
05 Feb 2016 11:09:07 Europe/Copenhagen Pop. 0%
Dean, R. T., & Bailes, F. (2007). 'Human understanding' in imagining and organising sound: Some implications of John Locke's essay for ecological, cognitive and embodied approaches to composition. Organized Sound, 12(1), 89–95.  
25 Dec 2014 11:01:45 Europe/Copenhagen Pop. 23%
Grimshaw, M., & Garner, T. A. (2015). Sonic virtuality: Sound as emergent perception. New York: Oxford University Press.  
31 May 2015 15:30:16 Europe/Copenhagen Pop. 0%
Wang, Q. J., Wang, S., & Spence, C. (2016). "Turn up the taste": Assessing the role of taste intensity and emotion in mediating crossmodal correspondences between basic tastes and pitch. Chemical Senses, 41, 345–356.  
06 May 2016 06:35:39 Europe/Copenhagen Pop. 22%
Hammershøi, D. September 2 The ANSI definition of sound. [Email]  
07 Dec 2015 08:11:33 Europe/Copenhagen Pop. 23%
Grimshaw-Aagaard, M., Walther-Hansen, M., & Knakkergaard, M. (Eds). (2019). The Oxford handbook of sound and imagination Vol. 1 & 2. New York: Oxford University Press.  
08 Nov 2018 07:04:43 Europe/Copenhagen Pop. 0%
Grimshaw, M., Tan, S.-L., & Lipscomb, S. D. (2013). Playing with sound: The role of music and sound effects in gaming. In A. Cohen, S.-L. Tan, R. Kendall & S. D. Lipscomb (Eds), Psychology of Music in Multimedia (pp. 289–314). New York: Oxford University Press.  
25 Oct 2015 08:13:13 Europe/Copenhagen Pop. 25%
Ferris, T. K., & Sarter, N. B. (2008). Cross-modal links among vision, audition, and touch in complex environments. Human Factors, 50(1), 17–26.  
27 Mar 2017 12:54:17 Europe/Copenhagen Pop. 21%
Bull, M., & Back, L. (Eds). (2003). The auditory culture reader. Oxford: Berg.  
14 May 2016 11:14:31 Europe/Copenhagen Pop. 0%
Grimshaw, M., & Walther-Hansen, M. 2015, October 7—9 The sound of the smell of my shoes. Paper presented at The 10th Audio Mostly Conference.  
04 Nov 2015 11:46:33 Europe/Copenhagen Pop. 23%
Grimshaw, M. (2016). Computer game sound: From diegesis to immersion to sonic emotioneering. In J. G. Papenburg & H. Schulze (Eds), Sound as Popular Culture: A Research Companion Cambridge, Massachusetts: MIT Press.  
12 Oct 2015 08:05:51 Europe/Copenhagen Pop. 0%
Riddoch, M. 2012, September 9—14 On the non-cochlearity of the sounds themselves. Paper presented at International Computer Music Conference.  
04 May 2014 13:00:49 Europe/Copenhagen Pop. 25%
Lloyd, D. M., Merat, N., McGlone, F., & Spence, C. (2003). Crossmodal links between audition and touch in covert endogenous spatial attention. Perception & Psychophysics, 65(6), 901–924.  
27 Mar 2017 12:55:25 Europe/Copenhagen Pop. 19%
Braund, E., & Miranda, E. 2015, April 8—10 Music with unconventional computing: Towards a step sequencer from plasmodium of physarum polycephalum. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
11 Apr 2015 14:18:27 Europe/Copenhagen Pop. 20%
Slater, M. (2003). A note on presence terminology. Presence Connect, 3(3).  
11 Sep 2018 17:16:48 Europe/Copenhagen Pop. 25%
Erlmann, V. (Ed.). (2004). Hearing cultures: Essays on sound, listening and modernity. Oxford: Berg.  
13 May 2016 13:02:48 Europe/Copenhagen Pop. 0%
Slater, M. (2002). Presence and the sixth sense. Presence: Teleoperators and Virtual Environments, 11(4), 435–439.  
17 Sep 2018 17:00:21 Europe/Copenhagen Pop. 27%
Grimshaw, M. (2016). The privatization of sound space. In V. Meelberg, M. Cobussen & B. Truax (Eds), The Routledge Companion to Sounding Art (pp. 463–472). London: Routledge.  
26 Dec 2017 15:00:17 Europe/Copenhagen Pop. 0%
Grimshaw, M. (2015). A brief argument for, and summary of, the concept of sonic virtuality. Danish Musicology Online - Special Issue on Sound and Music Production, 81–98.  
07 Nov 2018 14:32:42 Europe/Copenhagen Pop. 20%
Revill, G. (2016). How is space made in sound? Spatial mediation, critical phenomenology and the political agency of sound. Progress in Human Geography, 40(2), 240–256.  
07 Jan 2017 16:12:24 Europe/Copenhagen Pop. 19%
Ntalampiras, S. (2017). A transfer learning framework for predicting the emotional content of generalized sound events. Journal of the Acoustical Society of America, 141(3).  
16 Mar 2017 11:59:37 Europe/Copenhagen Pop. 0%
Boevé, J.-L., & Giot, R. 2014, June 22—25 Volatiles that sound bad: Sonification of defensive chemical signals from insects against insects. Paper presented at The 20th International Conference on Auditory Display.  
09 Mar 2015 12:59:20 Europe/Copenhagen Pop. 22%
Sounds of space. (2014). Retrieved December 12, 2014, from http://sonicstudies.org/current  
12 Dec 2014 09:57:36 Europe/Copenhagen Pop. 0%
von Hornbostel, E. (1938). The unity of the senses (E. Koffka & W. Vinton, Trans.). In W. D. Ellis (Ed.), A Source Book of Gestalt Psychology (pp. 210–216). New York: Harcourt-Brace.  
27 Mar 2017 13:16:40 Europe/Copenhagen Pop. 17%
Escalante, J. M. 2015, April 8—10 The sound digestive system: A strategy for music and sound composition. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
09 Apr 2015 09:59:34 Europe/Copenhagen Pop. 18%
Sasamoto, R., & Jackson, R. (2015). Onomatopoeia – showing-word or saying-word? Relevance theory, lexis, and the communication of impressions. Lingua,  
11 Mar 2016 09:18:02 Europe/Copenhagen Pop. 23%
Walther-Hansen, M., & Grimshaw, M. 2016, October 2—4 Being in a virtual world: Presence, environment, salience, sound. Paper presented at Audio Mostly 2016.  
08 Nov 2016 09:33:09 Europe/Copenhagen Pop. 21%
J. Fagerlönn & S. Larsson (Eds.) Proceedings of the 10th audio mostly: A conference on interaction with sound. 2016. October 4—6 2016978-1-4503-4822-5.  
07 Oct 2016 05:34:51 Europe/Copenhagen Pop. 0%
The sound ambiguity. April 24—25 2014.  
24 Nov 2014 14:35:10 Europe/Copenhagen Pop. 17%
Falconer, L., & Green, J. (2015). Exploring the learning potential of acoustic design in 3D virtual environments. Literacy Information and Computer Education Journal, 6(1), 1267–1273.  
22 Mar 2015 20:15:49 Europe/Copenhagen Pop. 16%
Scirea, M., Togelius, J., & Nelson, M. 2015, April 8—10 Moody music generator: Characterising control parameters using crowdsourcing. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
09 Apr 2015 10:10:55 Europe/Copenhagen Pop. 17%
Fried, M. (1980). Absorption and theatricality: Painting and beholder in the age of Diderot. Berkeley: University of California Press.  
11 Sep 2018 17:21:00 Europe/Copenhagen Pop. 0%
Wordsworth, W. 1828. On the power of sound. [Poem].  
19 Jan 2016 12:34:05 Europe/Copenhagen Pop. 0%
Hoover, A. K., Cachia, W., Lapias, A., & Yannanakis, G. N. 2015, April 8—10 AudioInSpace: Exploring the creative fusion of generative audio, visualsand gameplay. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
09 Apr 2015 09:53:21 Europe/Copenhagen Pop. 17%
van Elferen, I. (2011). ¡un forastero! Issues of virtuality and diegesis in videogame music. Music and the Moving Image, 4(2), 30–39.  
10 Jul 2012 11:28:50 Europe/Copenhagen Pop. 16%
Garner, T. A. (2016). From sinewaves to physiologically-adaptive soundscapes: The evolving relationship between sound and emotion in video games. In K. Karpouzis & G. N. Yannakakis (Eds), Emotion in Games Vol. 4, (pp. 197–214). Berlin: Springer.  
08 Nov 2016 09:37:37 Europe/Copenhagen Pop. 24%
Slater, M. (2009). Place illusion and plausibility can lead to realistic behaviour in immersive virtual environments. Philosophical Transactions of the Royal Society B, 3549–3557.  
04 Apr 2016 10:37:15 Europe/Copenhagen Pop. 18%
Spence, C. (2010) Crossmodal attention. Scholarpedia, 5(5) May 10, 2016, http://www.scholarpedia ... le/Crossmodal_attention  
10 May 2016 07:35:32 Europe/Copenhagen Pop. 0%
Shakespeare, W. 1610-1611. The tempest. [Drama].  
18 Jan 2016 16:52:52 Europe/Copenhagen Pop. 0%
Heimerdinger, J. 2011, Music and sound in the horror film & why some modern and avant-garde music lends itself to it so well. Unpublished paper presented at Filmmusiktage.  
01 Aug 2015 19:39:52 Europe/Copenhagen Pop. 27%
Woods, A. T., Poliakoff, E., Lloyd, D. M., Kuenzel, J., Hodson, R., & Gonda, H., et al. (2011). Effect of background noise on food perception. Food quality and preference, 22(1), 42–47.  
04 May 2016 07:23:32 Europe/Copenhagen Pop. 16%
Hendrix, C., & Barfield, W. (1996). The sense of presence within auditory virtual environments. Presence: Teleoperators and Virtual Environments, 5(3), 290–301.  
27 Jul 2018 08:52:17 Europe/Copenhagen Pop. 21%
Tinwell, A., Grimshaw, M., & Abdel Nabi, D. (2015). The effect of onset asynchrony in audio-visual speech and the Uncanny Valley in virtual characters. International Journal of Mechanisms and Robotic Systems, 2(2), 97–110.  
11 Mar 2016 09:23:20 Europe/Copenhagen Pop. 17%
Williams, D., Mears, J., Kirke, A., Miranda, E., Daly, I., & Malik, A., et al. (2016). A perceptual and affective evaluation of an affectively-driven engine for video game soundtracking. ACM Computers in Entertainment, 14(3).  
20 Feb 2017 09:18:17 Europe/Copenhagen Pop. 16%
Nishimoto, S., Vu, A. T., Naselaris, T., Benjamini, Y., Yu, B., & Gallant, J. L. (2011). Reconstructing visual experiences from brain activity evoked by natural movies. Current Biology, 21, 1641–1646.  
26 Mar 2014 12:45:41 Europe/Copenhagen Pop. 19%
Andersen, A. This is how the fantastical sound of Game Of Thrones is made. August 13, 2014, http://www.asoundeffect ... und-of-game-of-thrones/  
13 Aug 2014 12:46:00 Europe/Copenhagen Pop. 0%
Shakespeare, W. 1606. King Lear. [Drama].  
23 Dec 2015 10:41:32 Europe/Copenhagen Pop. 0%
Gettier, E. (1963). Is justified true belief knowledge? Analysis, 23(6), 121–123.  
07 Jan 2017 12:24:10 Europe/Copenhagen Pop. 15%
Gameaudiomix. (n.d.). Retrieved June 25, 2013, from http://gameaudiomix.com/  
25 Jun 2013 11:16:06 Europe/Copenhagen Pop. 0%
Gallese, V. (2016). The multimodal nature of visual perception: Facts and speculations. Gestalt Theory, 38(2/3), 127–140.  
09 Dec 2016 11:29:57 Europe/Copenhagen Pop. 15%
Calleja, G. (2014). Immersion in virtual worlds. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 222–236). New York: Oxford University Press.  
11 Sep 2018 17:21:52 Europe/Copenhagen Pop. 19%
Patrick, E., Cosgrove, D., Slavkovie, A., Rode, J. A., Verratti, T., & Chiselko, G. 2000, April 1—6 Using a large projection screen as an alternative to head-mounted displays for virtual environments. Paper presented at Proceedings of the SIGCHI conference on Human Factors in Computing Systems.  
08 May 2016 11:33:51 Europe/Copenhagen Pop. 14%
Lunn, P., & Hunt, A. 2013, July 6—10 Phantom signals: Erroneous perception observed during the audification of radio astronomy data. Paper presented at International Conference on Auditory Display.  
14 Nov 2013 13:11:46 Europe/Copenhagen Pop. 18%
Erlmann, V. (2000). Reason and resonance: A history of modern aurality. New York: Zone Books.  
27 Nov 2014 09:46:54 Europe/Copenhagen Pop. 0%
Deuel, T. A., Pampin, J., Sundstrom, J., & Darvas, F. (2017). The Encephalophone: A novel musical biofeedback device using conscious control of electroencephalogram (EEG). Frontiers in Human Neuroscience, 11,  
11 Jan 2018 13:28:50 Europe/Copenhagen Pop. 28%
Başdoğan, Ç., & Loftin, R. B. (2009). Multimodal display systems: Haptic, olfactory, gustatory, and vestibular. In D. Nicholson, D. Schmorrow & J. Cohn (Eds), The PSI handbook of virtual environments for training and education: VE components and training technologies Vol. 2, (pp. 116–134). Westport, CONN: Praeger Security International.  
24 Mar 2015 14:11:21 Europe/Copenhagen Pop. 16%
Slater, M. (1999). Measuring presence: A response to the Witmer and Singer presence questionnaire. Presence: Teleoperators and Virtual Environments, 8(5), 560–565.  
02 Aug 2018 11:46:24 Europe/Copenhagen Pop. 17%
Schrimshaw, W. (2013). Non-cochlear sound: On affect and exteriority. In M. Thompson & I. Biddle (Eds), Sound, Music, Affect: Theorizing Sonic Experience (pp. 27–43). New York: Bloomsbury Academic.  
09 Jan 2014 10:03:11 Europe/Copenhagen Pop. 0%
Lee, K. M. (2004). Presence explicated. Communication Theory, 14(1), 27–50.  
23 Feb 2017 13:41:25 Europe/Copenhagen Pop. 18%
Keeler, J. R., Roth, E. A., Neuser, B. L., Spitsbergen, J. M., Waters, D. J. M., & Vianney, J.-M. (2015). The neurochemistry and social flow of singing: Bonding and oxytocin. Frontiers in Human Neuroscience, 9(518).  
31 Jan 2017 07:47:32 Europe/Copenhagen Pop. 17%
Chen, C.-Y. (1996). Early Chinese work in natural science: A re-examination of the physics of motion, acoustics, astronomy and scientific thoughts. Hong Kong: Hong Kong University Press.  
03 Feb 2016 16:34:14 Europe/Copenhagen Pop. 0%
Pinch, T., & Bijsterveld, K. (2004). Sound studies: New technologies and music. Social Studies of Science, 34(5), 635–648.  
13 May 2016 11:04:33 Europe/Copenhagen Pop. 16%
Grimshaw, M. (2007). The acoustic ecology of the first-person shooter. Unpublished thesis PhD, University of Waikato, New Zealand.  
30 May 2007 16:07:54 Europe/Copenhagen Pop. 0%
Crisinel, A.-S., & Spence, C. (2010). A sweet sound: Food names reveal implicit associations between taste and pitch. Perception, 39(3), 417–425.  
04 May 2016 07:27:56 Europe/Copenhagen Pop. 15%
Waterworth, J. A., & Waterworth, E. L. (2014). Distributed embodiment: Real presence in virtual bodies. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 589–601). New York: Oxford University Press.  
11 Sep 2018 17:16:24 Europe/Copenhagen Pop. 19%
Vallee, M. (2017). The science of listening in bioacoustics research: Sensing the animals' sounds. Theory Culture & Society, 1–19.  
02 Oct 2017 23:07:59 Europe/Copenhagen Pop. 20%
Scruton, R. (2009). Sounds as secondary objects and pure events. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 50–68). Oxford: Oxford University Press.  
07 Feb 2014 14:10:14 Europe/Copenhagen Pop. 0%
O'Callaghan, C. (2009). Sounds and events. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 26–49). Oxford: Oxford University Press.  
27 Jan 2018 14:51:33 Europe/Copenhagen Pop. 0%
Hofman, P. M., Van Riswick, J. G. A., & Van Opstal, A. J. (1998). Relearning sound localization with new ears. Nature Neuroscience, 1(5), 417–421.  
02 Feb 2014 12:05:29 Europe/Copenhagen Pop. 18%
Pasnau, R. (1999). What is sound? The Philosophical Quarterly, 49(196), 309–324.  
25 Jun 2013 12:59:40 Europe/Copenhagen Pop. 17%
Grimshaw, M. (2008). The acoustic ecology of the first-person shooter: The player experience of sound in the first-person shooter computer game. Saarbrücken: VDM Verlag Dr. Mueller.  
11 Aug 2008 13:42:25 Europe/Copenhagen Pop. 0%
Minsky, M. (1980). Telepresence. Omni, 45–51.  
13 Apr 2017 11:03:18 Europe/Copenhagen Pop. 0%
Voegelin, S. (2013). Sonic possible worlds. Leonardo Music Journal, 23,  
15 Mar 2015 16:00:35 Europe/Copenhagen Pop. 13%
Hermann, T., Hunt, A., & Neuhoff, J. G. (Eds). (2011). The sonification handbook. Berlin: Logos Verlag.  
10 Feb 2015 14:54:38 Europe/Copenhagen Pop. 14%
Grimshaw, M., & Garner, T. (2014). Embodied virtual acoustic ecologies of computer games. In K. E. Collins, B. Kapralos & H. Tessler (Eds), The Oxford Handbook of Interactive Audio (pp. 181–195). New York: Oxford University Press.  
16 May 2014 10:08:56 Europe/Copenhagen Pop. 16%
Roberts, E. (2000). Pity the damned. Queensland, Australia: Life Today.  
05 Jun 2015 10:09:06 Europe/Copenhagen Pop. 13%
Gabor, D. (1947). Acoustical quanta and the theory of hearing. Nature, 159, 591–594.  
25 Aug 2015 11:40:11 Europe/Copenhagen Pop. 14%
Cunningham, S. 2016, October 4—6 The sound of the smell (and taste) of my shoes too: Mapping the senses using emotion as a medium. Paper presented at Audio Mostly 2016, New York.  
08 Nov 2016 09:32:27 Europe/Copenhagen Pop. 13%
Böhme, G. (2000). Acoustic atmospheres: A contribution to the study of ecological acoustics. Soundscape, 1(1), 14–18.  
10 Oct 2006 08:30:18 Europe/Copenhagen Pop. 0%
Weibel, D., & Wissmath, B. (2011). Immersion in computer games: The role of spatial presence and flow. International Journal of Computer Games Technology, 2011,  
11 Apr 2016 09:06:25 Europe/Copenhagen Pop. 15%
Lombard, M., & Ditton, T. (1997). At the heart of it all: The concept of presence. Journal of computer-mediated communication, 3(2).  
11 Sep 2018 17:19:17 Europe/Copenhagen Pop. 0%
Jaseja, H. (2008). Scientific basis behind traditional practice of application of “shoe-smell” in controlling epileptic seizures in the eastern countries. Clinical Neurology and Neurosurgery, 110(2008), 535–538.  
03 Jun 2015 15:33:20 Europe/Copenhagen Pop. 13%
Davis, E. (1997) Acoustic cyberspace. March 15, 2011, http://www.techgnosis.com/acoustic.html  
15 Mar 2011 11:57:03 Europe/Copenhagen Pop. 0%
Crisinel, A.-S., & Spence, C. (2009). Implicit association between basic tastes and pitch. Neuroscience Letters, 464(1), 39–42.  
04 May 2016 07:17:25 Europe/Copenhagen Pop. 14%
The audio catheter. (1974). The New England Journal of Medicine, 290, 808–808.  
07 Oct 2016 08:15:20 Europe/Copenhagen Pop. 0%
Knakkergaard, M. (2016). Unsound sound: On the ontology of sound in the digital age. Leonardo Music Journal, 26, 64–67.  
01 Nov 2017 07:44:00 Europe/Copenhagen Pop. 0%
King, A. J. (2006). Auditory neuroscience: Activating the cortex without sound. Current Biology, 16(11), 410–411.  
18 Apr 2014 06:57:18 Europe/Copenhagen Pop. 15%
van Eijk, R. L. J. (2008). Audio-visual synchrony perception. Unpublished Proefschrift Thesis, Technische Universiteit Eindhoven, Eindhoven.  
19 Sep 2016 21:11:18 Europe/Copenhagen Pop. 13%
Truppin, A. (1992). And then there was sound: The films of Andrei Tarkovsky. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 235–248). New York: Routledge.  
11 Jan 2006 02:08:06 Europe/Copenhagen Pop. 0%
Truax, B. (2001). Acoustic communication 2nd ed. Westport, Conn: Ablex.  
09 Feb 2008 15:40:55 Europe/Copenhagen Pop. 0%
Tinwell, A., Grimshaw, M., & Abdel Nabi, D. (2014). The uncanny valley and nonverbal communication in virtual characters. In J. Tanenbaum, M. Seif El-Nasr & M. Nixon (Eds), Nonverbal Communication in Virtual Worlds: Understanding and Designing Epressive Characters (pp. 325–341).ETC Press.  
08 Feb 2014 12:21:08 Europe/Copenhagen Pop. 0%
Kohler, E., Keysers, C., Umiltà, M. A., Fogassi, L., Gallese, V., & Rizzolatti, G. (2002). Hearing sounds, understanding actions: Action representation in mirror neurons. Science, 297, 846–848.  
16 Aug 2013 12:38:58 Europe/Copenhagen Pop. 13%
IJsselsteijn, W. A., Freeman, J., & de Ridder, H. (2001). Presence: Where are we? Cyberpsychology & Behavior, 4(2), 179–182.  
11 Sep 2018 17:19:40 Europe/Copenhagen Pop. 18%
Chion, M. (1994). Audio-vision: Sound on screen C. Gorbman, Trans. New York: Columbia University Press.  
27 Apr 2016 08:51:48 Europe/Copenhagen Pop. 0%
Breitsameter, S. (2003). Acoustic ecology and the new electroacoustic space of digital networks. Soundscape, 4(2), 24–30.  
06 Dec 2006 10:41:12 Europe/Copenhagen Pop. 0%
Abraham Kuyper bibliography. (2006). Retrieved August 3, 2006, from http://www.kuyperresearch.org/wikindx3/  
23 Sep 2006 08:26:49 Europe/Copenhagen Pop. 0%
Wehbe, L., Murphy, B., Talukdar, P., Fyshe, A., Ramdas, A., & Mitchell, T. (2014). Simultaneously uncovering the patterns of brain regions involved in different story reading subprocesses. PLOS One,  
02 Dec 2014 13:24:46 Europe/Copenhagen Pop. 13%
Kwon, W.-A., Kim, S. H., Kim, S., Joung, J. Y., Chung, J., & Lee, K. H., et al. (2015). Changes in urination according to the sound of running water using a mobile phone application. PLOS One, 10(5: e0126798).  
07 Oct 2016 08:26:09 Europe/Copenhagen Pop. 14%
Grimshaw, M., Lindley, C. A., & Nacke, L. 2008, October 22—23 Sound and immersion in the first-person shooter: Mixed measurement of the player's sonic experience. Paper presented at Audio Mostly 2008, Piteå, Sweden.  
31 Jul 2009 16:58:36 Europe/Copenhagen Pop. 22%
Lindquist, M. W. (2014). The impact of sound on virtual landscape perception: An empirical evaluation of aural-visual interaction for 3d visualization. Unpublished Doctoral Thesis, University of Sheffield, United Kingdom.  
16 Sep 2014 10:53:56 Europe/Copenhagen Pop. 13%
Grimshaw, M., & Garner, T. 2014, October 1—3 Imagining sound. Paper presented at 9th Audio Mostly Conference.  
30 Oct 2014 09:00:42 Europe/Copenhagen Pop. 15%
Carpenter, E., & McLuhan, M. (1970). Acoustic space. In E. Carpenter & M. McLuhan (Eds), Explorations in Communication (pp. 65–70). London: Jonathan Cape.  
07 Jan 2017 11:56:06 Europe/Copenhagen Pop. 0%
Pollick, F. E. (In print). In search of the Uncanny Valley. In K. Grammer & A. Juett (Eds), Analog Communication: Evolution, Brain Mechanisms, Dynamics, Simulation Cambridge, Massachusetts: MIT Press.  
15 May 2009 09:38:44 Europe/Copenhagen Pop. 13%
Brennan, A. (2003). Necessary and sufficient conditions. Stanford Encyclopedia of Philosophy. October 3, 2017, https://plato.stanford. ... s/necessary-sufficient/.  
08 Oct 2017 11:35:42 Europe/Copenhagen Pop. 0%
Bovermann, T., Tünnermann, R., & Hermann, T. (2010). Auditory augmentation. International Journal of Ambient Computing and Intelligence, 2(2), 27–42.  
05 Jul 2013 09:54:47 Europe/Copenhagen Pop. 13%
Zahorik, P., & Jenison, R. L. (1998). Presence as being-in-the-world. Presence: Teleoperators and Virtual Environments, 7(1), 78–89.  
11 Sep 2018 17:15:42 Europe/Copenhagen Pop. 28%
Slater, M., & Wilbur, S. (1997). A framework for immersive virtual environments (FIVE): Speculations on the role of presence in virtual environments. Presence: Teleoperators and Virtual Environments, 6(6), 603–616.  
11 Sep 2018 17:17:14 Europe/Copenhagen Pop. 25%
Grimshaw-Aagaard, M. (2019). The necessity of vagueness and ambiguity to the imagining of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds), The Oxford Handbook of Sound and Imagination New York: Oxford University Press.  
26 Dec 2017 15:27:59 Europe/Copenhagen Pop. 18%
Brenton, H., Gillies, M., Ballin, D., & Chatting, D. 2005, September 6 The Uncanny Valley: Does it exist and is it related to presence? Paper presented at Proceedings of the Human-Animated Characters Interaction.  
26 Jul 2018 10:36:59 Europe/Copenhagen Pop. 16%
Wilson, M. (2002). Six views of embodied cognition. Psychonomic Bulletin & Review, 9(4), 625–636.  
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