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Wang, Q. J., Wang, S., & Spence, C. (2016). "Turn up the taste": Assessing the role of taste intensity and emotion in mediating crossmodal correspondences between basic tastes and pitch. Chemical Senses, 41, 345–356.  
Last edited by: sirfragalot 06 May 2016 06:35:39 Europe/Copenhagen
Riddoch, M. 2012, September 9—14 On the non-cochlearity of the sounds themselves. Paper presented at International Computer Music Conference.  
Last edited by: sirfragalot 04 May 2014 13:00:49 Europe/Copenhagen
Clark, A., & Chalmers, D. (1998). The extended mind. Analysis, 58(1), 7–19.  
Last edited by: sirfragalot 25 Oct 2019 20:48:05 Europe/Copenhagen
Clark, A. (2013). Expecting the world: Perception, prediction, and the origins of human knowledge. Journal of Philosophy, CX(9), 469–496.  
Last edited by: sirfragalot 26 Jul 2018 10:36:16 Europe/Copenhagen
Grimshaw-Aagaard, M., Walther-Hansen, M., & Knakkergaard, M. (Eds). (2019). The Oxford handbook of sound and imagination Vol. 1 & 2. New York: Oxford University Press.  
Last edited by: sirfragalot 08 Nov 2018 07:04:43 Europe/Copenhagen
Sounding out! (n.d.). . Retrieved February 5, 2016, http://soundstudiesblog ... mental-sound-practices/  
Last edited by: sirfragalot 05 Feb 2016 11:09:07 Europe/Copenhagen
Grimshaw, M., & Walther-Hansen, M. 2015, October 7—9 The sound of the smell of my shoes. Paper presented at The 10th Audio Mostly Conference.  
Last edited by: sirfragalot 04 Nov 2015 11:46:33 Europe/Copenhagen
Slater, M. (2003). A note on presence terminology. Presence Connect, 3(3).  
Last edited by: sirfragalot 11 Sep 2018 17:16:48 Europe/Copenhagen
Ferris, T. K., & Sarter, N. B. (2008). Cross-modal links among vision, audition, and touch in complex environments. Human Factors, 50(1), 17–26.  
Last edited by: sirfragalot 27 Mar 2017 12:54:17 Europe/Copenhagen
Bull, M., & Back, L. (Eds). (2003). The auditory culture reader. Oxford: Berg.  
Added by: sirfragalot 14 May 2016 11:14:31 Europe/Copenhagen
Braund, E., & Miranda, E. 2015, April 8—10 Music with unconventional computing: Towards a step sequencer from plasmodium of physarum polycephalum. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Switzerland.  
Added by: sirfragalot 11 Apr 2015 14:18:27 Europe/Copenhagen
Grimshaw, M. (2016). Computer game sound: From diegesis to immersion to sonic emotioneering. In J. G. Papenburg & H. Schulze (Eds), Sound as Popular Culture: A Research Companion Cambridge, Massachusetts: MIT Press.  
Last edited by: sirfragalot 12 Oct 2015 08:05:51 Europe/Copenhagen
Miani, A. (2016). The impact of sex and menstrual cycle on rhythmic synchronization: An experimental approach. Unpublished Masters Thesis, Århus Universitet, Denmark.  
Last edited by: sirfragalot 13 Mar 2017 19:46:24 Europe/Copenhagen
Lloyd, D. M., Merat, N., McGlone, F., & Spence, C. (2003). Crossmodal links between audition and touch in covert endogenous spatial attention. Perception & Psychophysics, 65(6), 901–924.  
Last edited by: sirfragalot 27 Mar 2017 12:55:25 Europe/Copenhagen
Grimshaw, M. (2016). The privatization of sound space. In V. Meelberg, M. Cobussen & B. Truax (Eds), The Routledge Companion to Sounding Art (pp. 463–472). London: Routledge.  
Last edited by: sirfragalot 26 Dec 2017 15:00:17 Europe/Copenhagen
Fried, M. (1980). Absorption and theatricality: Painting and beholder in the age of Diderot. Berkeley: University of California Press.  
Last edited by: sirfragalot 11 Sep 2018 17:21:00 Europe/Copenhagen
Slater, M. (2002). Presence and the sixth sense. Presence: Teleoperators and Virtual Environments, 11(4), 435–439.  
Last edited by: sirfragalot 17 Sep 2018 17:00:21 Europe/Copenhagen
Grimshaw, M. (2015). A brief argument for, and summary of, the concept of sonic virtuality. Danish Musicology Online - Special Issue on Sound and Music Production, 81–98.  
Last edited by: sirfragalot 07 Nov 2018 14:32:42 Europe/Copenhagen
Erlmann, V. (Ed.). (2004). Hearing cultures: Essays on sound, listening and modernity. Oxford: Berg.  
Added by: sirfragalot 13 May 2016 13:02:48 Europe/Copenhagen
van Elferen, I. (2011). ¡un forastero! Issues of virtuality and diegesis in videogame music. Music and the Moving Image, 4(2), 30–39.  
Added by: sirfragalot 10 Jul 2012 11:28:50 Europe/Copenhagen
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