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Heimerdinger, J. 2011, Music and sound in the horror film & why some modern and avant-garde music lends itself to it so well. Unpublished paper presented at Filmmusiktage.  
Added by: sirfragalot 01 Aug 2015 19:39:52 Europe/Copenhagen
Shakespeare, W. 1610-1611. The tempest. [Drama].  
Last edited by: sirfragalot 18 Jan 2016 16:52:52 Europe/Copenhagen
Lessiter, J., & Freeman, J. 2001, May 21—23 Really hear? The effects of audio quality on presence. Unpublished paper presented at 4th International Workshop on Presence, Philadelphia.  
Added by: sirfragalot 13 Feb 2019 09:41:05 Europe/Copenhagen
O'Callaghan, C. (2009). Sounds and events. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 26–49). Oxford: Oxford University Press.  
Last edited by: sirfragalot 27 Jan 2018 14:51:33 Europe/Copenhagen
Lunn, P., & Hunt, A. 2013, July 6—10 Phantom signals: Erroneous perception observed during the audification of radio astronomy data. Paper presented at International Conference on Auditory Display.  
Added by: sirfragalot 14 Nov 2013 13:11:46 Europe/Copenhagen
Garner, T. A. (2016). From sinewaves to physiologically-adaptive soundscapes: The evolving relationship between sound and emotion in video games. In K. Karpouzis & G. N. Yannakakis (Eds), Emotion in Games Vol. 4, (pp. 197–214). Berlin: Springer.  
Added by: sirfragalot 08 Nov 2016 09:37:37 Europe/Copenhagen
Calleja, G. (2014). Immersion in virtual worlds. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 222–236). New York: Oxford University Press.  
Last edited by: sirfragalot 11 Sep 2018 17:21:52 Europe/Copenhagen
Scruton, R. (2009). Sounds as secondary objects and pure events. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 50–68). Oxford: Oxford University Press.  
Added by: sirfragalot 07 Feb 2014 14:10:14 Europe/Copenhagen
Schrimshaw, W. (2013). Non-cochlear sound: On affect and exteriority. In M. Thompson & I. Biddle (Eds), Sound, Music, Affect: Theorizing Sonic Experience (pp. 27–43). New York: Bloomsbury Academic.  
Added by: sirfragalot 09 Jan 2014 10:03:11 Europe/Copenhagen
Grimshaw, M. (2008). The acoustic ecology of the first-person shooter: The player experience of sound in the first-person shooter computer game. Saarbrücken: VDM Verlag Dr. Mueller.  
Added by: sirfragalot 11 Aug 2008 13:42:25 Europe/Copenhagen
Walther-Hansen, M., & Grimshaw, M. 2016, October 2—4 Being in a virtual world: Presence, environment, salience, sound. Paper presented at Audio Mostly 2016.  
Last edited by: sirfragalot 08 Nov 2016 09:33:09 Europe/Copenhagen
Slater, M. (2009). Place illusion and plausibility can lead to realistic behaviour in immersive virtual environments. Philosophical Transactions of the Royal Society B, 3549–3557.  
Added by: sirfragalot 04 Apr 2016 10:37:15 Europe/Copenhagen
Davis, E. (1997) Acoustic cyberspace. . Retrieved March 15, 2011, http://www.techgnosis.com/acoustic.html  
Added by: sirfragalot 15 Mar 2011 11:57:03 Europe/Copenhagen
Spence, C. (2010) Crossmodal attention. Scholarpedia, 5(5) . Retrieved May 10, 2016, http://www.scholarpedia ... le/Crossmodal_attention  
Added by: sirfragalot 10 May 2016 07:35:32 Europe/Copenhagen
Böhme, G. (2000). Acoustic atmospheres: A contribution to the study of ecological acoustics. Soundscape, 1(1), 14–18.  
Added by: sirfragalot 10 Oct 2006 08:30:18 Europe/Copenhagen
Waterworth, J. A., & Waterworth, E. L. (2014). Distributed embodiment: Real presence in virtual bodies. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 589–601). New York: Oxford University Press.  
Last edited by: sirfragalot 11 Sep 2018 17:16:24 Europe/Copenhagen
Hofman, P. M., Van Riswick, J. G. A., & Van Opstal, A. J. (1998). Relearning sound localization with new ears. Nature Neuroscience, 1(5), 417–421.  
Added by: sirfragalot 02 Feb 2014 12:05:29 Europe/Copenhagen
Başdoğan, Ç., & Loftin, R. B. (2009). Multimodal display systems: Haptic, olfactory, gustatory, and vestibular. In D. Nicholson, D. Schmorrow & J. Cohn (Eds), The PSI handbook of virtual environments for training and education: VE components and training technologies Vol. 2, (pp. 116–134). Westport, CONN: Praeger Security International.  
Last edited by: sirfragalot 24 Mar 2015 14:11:21 Europe/Copenhagen
Truppin, A. (1992). And then there was sound: The films of Andrei Tarkovsky. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 235–248). New York: Routledge.  
Last edited by: sirfragalot 11 Jan 2006 02:08:06 Europe/Copenhagen
Truax, B. (2001). Acoustic communication 2nd ed. Westport, Conn: Ablex.  
Last edited by: sirfragalot 09 Feb 2008 15:40:55 Europe/Copenhagen
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