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LaBelle, B. (2006). Background noise: Perspectives on sound art. New York: Continuum.  
Added by: sirfragalot 09 Mar 2014 12:13:35 Europe/Copenhagen
      "Amplifying existing sounds, fostering auditory dialogues across inside and outside, tapping into structural vibrations to expand the sonic palette of tonality, and designing listening experiences by harnessing the environmental mix of found auditory events: each of these procedures come to the fore in sound installation, blossoming more fully into the beginnings of sound art as a distinct discipline."
      "Xenakis's example is indispensable to any formulation of a history of sound art by forging a dynamic mix of musical and spatial elements. To appropriate and create architecture for renewed sense of listening, sound installation moves increasingly toward public space, situating the listener within a larger framework of sonic experience that is necessarily social, thereby leaving behind the singular object or space for an enlarged environmental potential."
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