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Doane, M. A. (1980). Ideology and the practice of sound editing and mixing. In T. de Lauretis & S. Heath (Eds), The Cinematic Apparatus (pp. 47–56). London: Macmillan.  
Last edited by: sirfragalot 24 Feb 2006 09:11:15 Europe/Copenhagen
      "In the arguments over sound perspective, 'realism' (as an effect of the ideology of the visible) is viewed as conflicting with intelligibility".
Ihde, D. (2007). Listening and voice: Phenomenologies of sound 2nd ed. Albany (NY): State University of New York Press.  
Added by: sirfragalot 10 Jan 2016 09:21:22 Europe/Copenhagen
      In describing visual depth and horizonal perspective, Ihde says the latter has "a constant ratio of present to hidden, of visible to invisible" and that, auditorily, "this hidden depth is silence"
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