Mark
Grimshaw ~ Selected Publications and Short Curriculum Vitae
Career:
•
2008-present
Reader in Creative Technologies, School of Business & Creative
Technologies, University of Bolton, United Kingdom.
•
2007-2008
Principal lecturer and Divisional Leader of Digital Media, School of
Art & Design, University of Wolverhampton, United Kingdom.
•
2002-2003
Head of the School of New Media
& Performing Arts, Southern Institute of Technology,
Invercargill, New Zealand.
•
1992-2002
Senior Lecturer in Music
Technology & Studio Production , University of Salford, School
of Media, Music & Performance.
Guest
Lectures:
•
March – July 1998, ‘replacement' lecturer in Music
Technology & Composition within the Music Department of the
University of Natal, Durban, South Africa.
•
November 1998, a series of talks on African Music to students at the
Institute for Music & Music Therapy at Aalborg University,
Denmark.
Qualifications:
•
2003-2007
PhD thesis: The Acoustic Ecology of the
First-Person Shooter.
Department of Screen & Media Studies, University of Waikato,
New Zealand.
Examined and accepted without revisions by Theo van Leeuwen
(University of Technology, Sydney) and Matteo
Bittanti (University of
Stanford).
Supervisors: Sean Cubitt, Craig Hight, Gareth Schott and
Bevin Yeatman.
•
1988-1989
MSc Music Technology: York
University, UK.
•
1984-1987
BMus(Hons) 1st
Class: Natal University, Durban, South Africa.
Selected
Publications:
• Grimshaw,
M. (Ed) (Forthcoming 2010). Game
Sound Technology and Player Interaction: Concepts and Developments.
IGI Global.
• Campbell,
Robert H., Grimshaw, Mark & Green, Gillian. (2009) "Relational
agents: A critical review". In The Open Virtual Reality Journal
1 pp1-7.
• Grimshaw,
M. (2008). The Acoustic Ecology of the
First-Person Shooter: The Player, Sound and Immersion in the
First-Person Shooter Computer Game.
Saarbrücken: VDM Verlag Dr. Mueller e.K. ISBN: 3639024087.
• Grimshaw,
M. (2008) "Per un'analisi comparata del suono nei videogiochi e nel
cinema". In Matteo Bittanti (Ed.), Schermi interattivi saggi critici su
videogiochi e cinema,
Meltemi, Roma.
• Grimshaw,
M (2008) “Sound and Immersion in the First-Person
Shooter”. In International Journal of Intelligent
Games & Simulation
5(1).
• Grimshaw,
M. & Schott, G. (2008) "A Conceptual Framework for the Design
and Analysis of First-Person Shooter Audio and its Potential Use for
Game Engines". In International
Journal of Computer Games Technology
2008.
• Grimshaw, M.
(2003) About 500 articles in Gads
Musik Leksikon including:
Grimshaw, M. (2003)
“African Music”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“AOR”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Black Sabbath”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Clinton, George”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Cure, The”. In Gravesen, F & Knakkergaard,
M. (eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Deep Purple”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Dion”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Fuji”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Ghana”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Herman's Hermits”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Highlife”. In Gravesen, F & Knakkergaard,
M. (eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Isicathamiya”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Juju”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Kinks, The”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“KLF”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Kora”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Kwela”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Led Zeppelin”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Lowe, Nick”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Madchester”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Manding”. In Gravesen, F & Knakkergaard,
M. (eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Marabi”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Maskanda”. In Gravesen, F & Knakkergaard,
M. (eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Mayfield, Curtis”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Mbaqanga”. In Gravesen, F & Knakkergaard,
M. (eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Mbira”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Mbube”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“New Jack Swing”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“NWOBHM”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Pitney, Gene”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Psychobilly”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Reggae”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Ska”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Sting”. In Gravesen, F & Knakkergaard, M.
(eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“South Africa”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Talking Drum”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Thrash Metal”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“Two Tone”. In Gravesen, F & Knakkergaard,
M. (eds), Gads Musik Leksikon
Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003)
“World Music”. In Gravesen, F &
Knakkergaard, M. (eds), Gads
Musik Leksikon Vols.
1&2 , DENMARK: Gads Forlag.
• Grimshaw,
M. (2000) “I Wish You Strength & Inner
Peace”, In Leonardo
Music Journal: Southern Cones – Music and Technology out of
Africa and South America, MIT
Press. [Article and the track from Old
Blue Balls is Back (Felema).]
• Grimshaw,
M., Yong, L & Dobie, I. (1999) "Boom
Booom Net Radio", In The
Journal of Urban Labour & Leisure
1(1).
• Old
Blue Balls is Back (Felema)
produced 1998, unpublished except on the web (and see below). Producer,
engineer and co-composer for all tracks and performed on one.
• Recordings
and post-production for Trios
Plus: Vol. 1 (Darius Brubeck)
– SOUTH AFRICA: University of Natal (1998).
• Recordings
for Durban Noise Works & Scraps (Jurgen Bräuninger)
– SOUTH AFRICA: Claremont Records (1998).
• TOtEM
(Tunes from Open to Europe Music). Universities of Salford (UK),
Tampere (Finland) and Aalborg (Denmark). Producer (1997).
• Ghost
Music (Jan Kopinski).
Co-producer and Sound Engineer. ASC Records Ltd. (UK) (1997).
• Grimshaw,
M. (1992) 1348.
Soundscape for Exeter Cathedral.
• Grimshaw,
M. (January, 1993) "Dza
Vadzimu" In Music File.
• Le
Radici e le Ali (The Gang).
Sound Engineer/Co-producer. WEA (Italy) (1991).
• Davide
Riondino (Davide Riondino).
Sound Engineer. WEA (Italy) (1991).
• Contribution to
the development of the spectral manipulation programs (with Trevor
Wishart) of the Composers'
Desktop Project (CDP) (1989).
Conference
Papers:
• Tinwell,
A. & Grimshaw, M. (2009) "Bridging
the Uncanny: An impossible
traverse?" In the 13th
International Academic Conference MindTrek, (2009, 30 September—2
October 2009).
• Grimshaw
M. (2009). "The
audio Uncanny Valley: Sound, fear and the horror game". In
Audio Mostly,
Glasgow, (2009, September 2—3).
• Tinwell
A. & Grimshaw M. (2009). "Survival Horror Games - An Uncanny
Modality".
In Thinking After
Dark, Montreal, (2009, April
23—25).
• Grimshaw,
M. (2008). "Autopoiesis and Sonic Immersion:
Modelling Sound-based
Player Relationships as a Self-organizing System".
In Sixth
Annual International Conference in Computer Game Design and Technology,
Liverpool, (2008, November 12—13).
• Grimshaw,
M., Nacke, L., & Lindley, C. A. (2008). "Sound and Immersion in
the First-Person Shooter: Mixed Measurement of the Player's Sonic
Experience". In Audio
Mostly
2008, Piteå, Sweden,
(2008, October 22—23).
• Grimshaw,
M. (2007). "Sound and Immersion in the
First-Person Shooter", In Proceedings
of The 11th International Computer Games Conference,
cGames, La Rochelle, (November 21—23 2007).
• Grimshaw,
M. (2007) "The Resonating Spaces of First-Person
Shooter Games", In Proceedings
of The 5th International Conference on Game Design and Technology,
Game Design & Technology, Liverpool, (November 14—15 2007).
• Grimshaw,
M. & Schott, G. (2007) "Situating Gaming as a Sonic
Experience:
The Acoustic Ecology of First Person Shooters",
In Proceedings
of Situated
Play, DIGRA, Tokyo, (September
24—28 2007).
• Grimshaw,
M. & Schott, G. (2007) "A Conceptual Framework for the Design
and Analysis of First-Person Shooter Audio".
In Proceedings
of the Third International Conference on Games Research and Development
2007, Manchester UK, (September
10—11 2007).
• Grimshaw,
M. (1996) "Remix Technologies - Sound and Music". Paper presented at Popular
Music and Music Culture, Drake
University, Iowa, (March 29—30 1996).
• Grimshaw,
M. (1995) "Remix! Where's the Original?", In Proceedings
of the International Association for the Study of Popular Music,
Glasgow Strathclyde University, (July 1-6 1995).
• Grimshaw,
M. (1993) "Dza Vadzimu", Paper presented at Teaching
Music of the World,
Musik-Akademie Basel, Switzerland, (October 14—17 1993).
• Grimshaw,
M. (1993) "Popular Music and Cultural Identity in Zimbabwe", Paper
presented at Culture and
Economy: ‑ The Place of Music,
London University, (September 13—14 1993).
Broadcasts:
• Some
tracks from Old Blue Balls is
Back (Felema) broadcast on
KUAC-FM (Alaska), April 2000.
•
‘Ngumakazi' and ‘Ububele' from Old
Blue Balls is Back (Felema)
broadcast on Dutch National Radio 4, January 2000.
Miscellaneous:
•
Administrator and lead programmer of WIKINDX.
•
Co-organizer of the Popular
Music & Technology
international conference at Salford University in 1998.
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