Mark Grimshaw ~ Selected Publications and Short Curriculum Vitae
Career:
2007-present
Principal lecturer and Divisional Leader of Digital Media, School of Art & Design, University of Wolverhampton, United Kingdom.
2002-2003
Head of the School of New Media & Performing Arts, Southern Institute of Technology, Invercargill, New Zealand.
1992-2002
Senior Lecturer in Music Technology & Studio Production , University of Salford, School of Media, Music & Performance.
Guest Lectures:
March – July 1998, ‘replacement' lecturer in Music Technology & Composition within the Music Department of the University of Natal, Durban, South Africa.
November 1998, a series of talks on African Music to students at the Institute for Music & Music Therapy at Aalborg University, Denmark.
Qualifications:
2003-2007
PhD thesis: The Acoustic Ecology of the First-Person Shooter. Department of Screen & Media Studies, University of Waikato, New Zealand.
Examined and accepted without revisions by Theo van Leeuwen (University of Technology, Sydney) and Matteo Bittanti (University of Stanford).
Supervisors: Sean Cubitt, Craig Hight, Gareth Schott and Bevin Yeatman.
1988-1989
MSc Music Technology: York University, UK.
1984-1987
BMus(Hons) 1st Class: Natal University, Durban, South Africa.
Selected Publications:
Grimshaw, M. (2008). The Acoustic Ecology of the First-Person Shooter: The Player, Sound and Immersion in the First-Person Shooter Computer Game. Saarbrücken: VDM Verlag Dr. Mueller e.K. ISBN:
3639024087.
Grimshaw, M. (2008) "Per un'analisi comparata del suono nei videogiochi e nel cinema", in Matteo Bittanti (Ed.), Schermi interattivi saggi critici su videogiochi e cinema, Meltemi, Roma.
Grimshaw, M (2008) “Sound and Immersion in the First-Person Shooter”, In International Journal of Intelligent Games & Simulation 5(1).
Grimshaw, M. & Schott, G. (2008) "A Conceptual Framework for the Design and Analysis of First-Person Shooter Audio and its Potential Use for Game Engines", In International Journal of Computer Games Technology 2008.
Grimshaw, M. (2003) About 500 articles in Gads Musik Leksikon including:
Grimshaw, M. (2003) “African Music”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “AOR”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Black Sabbath”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Clinton, George”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Cure, The”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Deep Purple”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Dion”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Fuji”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Ghana”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Herman's Hermits”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Highlife”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Isicathamiya”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Juju”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Kinks, The”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “KLF”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Kora”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Kwela”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Led Zeppelin”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Lowe, Nick”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Madchester”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Manding”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Marabi”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Maskanda”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Mayfield, Curtis”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Mbaqanga”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Mbira”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Mbube”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “New Jack Swing”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “NWOBHM”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Pitney, Gene”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Psychobilly”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Reggae”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Ska”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Sting”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “South Africa”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Talking Drum”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Thrash Metal”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “Two Tone”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2003) “World Music”. In Gravesen, F & Knakkergaard, M. (eds), Gads Musik Leksikon Vols. 1&2 , DENMARK: Gads Forlag.
Grimshaw, M. (2000) “I Wish You Strength & Inner Peace”, In Leonardo Music Journal: Southern Cones – Music and Technology out of Africa and South America, MIT Press. [Article and the track from Old Blue Balls is Back (Felema).]
Grimshaw, M., Yong, L & Dobie, I. (1999) "Boom Booom Net Radio", In The Journal of Urban Labour & Leisure 1(1).
Old Blue Balls is Back (Felema) produced 1998, unpublished except on the web (and see below). Producer, engineer and co-composer for all tracks and performed on one.
Recordings and post-production for Trios Plus: Vol. 1 (Darius Brubeck) – SOUTH AFRICA: University of Natal (1998).
Recordings for Durban Noise Works & Scraps (Jurgen Bräuninger) – SOUTH AFRICA: Claremont Records (1998).
TOtEM (Tunes from Open to Europe Music). Universities of Salford (UK), Tampere (Finland) and Aalborg (Denmark). Producer (1997).
Ghost Music (Jan Kopinski). Co-producer and Sound Engineer. ASC Records Ltd. (UK) (1997).
Grimshaw, M. (1992) 1348. Soundscape for Exeter Cathedral.
Grimshaw, M. (January, 1993) "Dza Vadzimu" In Music File.
Le Radici e le Ali (The Gang). Sound Engineer/Co-producer. WEA (Italy) (1991).
Davide Riondino (Davide Riondino). Sound Engineer. WEA (Italy) (1991).
Contribution to the development of the spectral manipulation programs (with Trevor Wishart) of the Composers' Desktop Project (CDP) (1989).
Conference Papers:
Grimshaw, M. (2007). "Sound and Immersion in the First-Person Shooter", In Proceedings of The 11th International Computer Games Conference, cGames, La Rochelle, (November 21-23 2007).
Grimshaw, M. (2007) "The Resonating Spaces of First-Person Shooter Games", In Proceedings of The 5th International Conference on Game Design and Technology, Game Design & Technology, Liverpool, (November 14-15 2007).
Grimshaw, M. & Schott, G. (2007) "Situating Gaming as a Sonic Experience: The Acoustic Ecology of First Person Shooters", In Proceedings of Situated Play, DIGRA, Tokyo, (September 24-28 2007).
Grimshaw, M. & Schott, G. (2007) "A Conceptual Framework for the Design and Analysis of First-Person Shooter Audio". In Proceedings of the Third International Conference on Games Research and Development 2007, Manchester UK, (September 10-11 2007).
Grimshaw, M. (1996) "Remix Technologies - Sound and Music". Paper presented at Popular Music and Music Culture, Drake University, Iowa, (March 29-30 1996).
Grimshaw, M. (1995) "Remix! Where's the Original?", In Proceedings of the International Association for the Study of Popular Music, Glasgow Strathclyde University, (July 1-6 1995).
Grimshaw, M. (1993) "Dza Vadzimu", Paper presented at Teaching Music of the World, Musik-Akademie Basel, Switzerland, (October 14-17 1993).
Grimshaw, M. (1993) "Popular Music and Cultural Identity in Zimbabwe", Paper presented at Culture and Economy: ‑ The Place of Music, London University, (September 13-‑14 1993).
Broadcasts:
Some tracks from Old Blue Balls is Back (Felema) broadcast on KUAC-FM (Alaska), April 2000.
‘Ngumakazi' and ‘Ububele' from Old Blue Balls is Back (Felema) broadcast on Dutch National Radio 4, January 2000.
Miscellaneous:
Administrator and lead programmer of WIKINDX.
Co-organizer of the Popular Music & Technology international conference at Salford University in 1998.
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